NZMS and MSA Combined Conference

November 27-30, 2003

Conference Schedule

Thursday

November 27

9.00

Music Foyer

Registration

10.30

University Marae

Powhiri

12.00

Concert Room

Chair:  Warren Drake

Keynote Address

Ulrich Konrad

Johann Sebastian Bach in Schubert's Vienna

Thursday

2.00  1A

Concert Room

Chair: Warren Drake

Medieval period

Fiona McAlpine

The field of the star: music for a local saint

Carol Williams

Johannes de Grocheo and Paris: Towards a civic discourse

Robert Curry

New Light on an Old Source: a Reassessment of PL-STk2

Thursday

2.00  1A

Gamelan Room

Chair: Richard Moyle

Indigenous Music

Charles Royal

Te Whare Tapere: Towards a Model for Maori Performing Arts

Allan Marett

Enacting ancestral precedent: the role of shared cosmologies in the ceremonial efficacy of different genres of Aboriginal songs (wangga, lirrga, dhanba) from Wade

Linda Barwick

Melodic analysis of lirrga songs from NW Australia

Thursday

2.00  1A

Lecture Room

Chair: Allan Thomas

Challenging Celebration, Locality and Site

Katelyn Barney

Celebration or cover up? “My Island Home”, Australian National Identity and the Spectacle of Sydney 2000

Huib Schippers

Challenging locality – world musics and the dynamics of recontextualisation

Thursday

Jennifer Lindsay

The Festival Site: locality and inter-locality of performance at arts festivals

3.30-4.00

Afternoon tea

4.00  1B

Concert Room

Chair: Charles Royal

Indigenous Music

Rangiiria Hedley

Haumanu, Hauora:  Healing through Music

Richard Nunns &         Allan Thomas

Search for the sound of the putorino: Me te wai e utuutu ana

Forum

The Revival of Taonga Puoro

Thursday

4.00  1B

Gamelan Room

Chair: Dugal McKinnon

Intertextuality, opera and film

Joel Crotty

Dan Dediu's `Postfiction': a postmodern reading of a `hyper-real' opera

Marian Poole

Presentation of Contemporaneous Perspectives on Art Music:  Erich Wolfgang Korngold and Arnold Schoenberg, in California 1936

Nicholas Routley & Rowena Braddock

Critical Disjunction – Fluidity and constraint in Andriessen and Greenaway’s Writing to Vermeer

Thursday

4.00  1B

Lecture Room

Chair: Simon Tipping

Australia in the 19th and early 20th centuries

Thérèse Radic

Here and There: Pianist-composer F.S.Kelly’s double debut in Sydney (1911) and London (1912), and the career consequences of choosing oppositional colonial-imperial locales.

Maximilian Holzner

Music under the Governorship of Sir Richard Bourke 1832-1837: the humanisation of the Colony

Ian Burk

Imperial Opportunism: A. E. Floyd and the Role of Nationalism in the Revival of Early Music in Australia, 1915–1938

Thursday

5.45

Music Foyer

Reception

Speakers: Vice Chancellor Professor Stuart McCutcheon and the Honourable Judith Tizard Associate Minister of Culture, Heritage and the Arts

7.00-8.00

Concert Room

Concert

Taonga Puoro: Traditional Maori Instruments

Friday

November 28

9.00  2A

Concert Room

Chair: Kate Bowan

Australasian Performance and Composition

Clare Thornley

Sydney’s Early Philharmonic Societies

Anne-Marie Forbes

Romancing the bush:  an English response

David Murray

Was there no music in New Zealand?: Music at the New Zealand and South Seas Exhibition 1889-90.

Friday

9.00  2A

Gamelan Room

Chair: Stephen Wild

The Pacific

Adrienne Kaeppler

Recycling Traditions in the Arts of the Pacific

Helen Black

Sere Dina Ni Lotu Wesele e Viti: The indigenous chants of the Wesleyan Church of Fiji

Friday

9.00  2A

Lecture Room

Chair: Sue Court

Music in the late Renaissance

Warren Drake

Instrumental parody technique in Vincenzo Ruffo's Capricci in Musica

Sarah Weakley

'Origins and Destinations: The influence of locality and distribution on the manuscripts of the Habsburg-Burgundy court ca. 1500'

Greer Garden

A link between the Naples Torneo of 1612 and the Ballet de la Délivrance de Renaud of 1617

Friday

10.30-11.00

Morning Tea

11.00 2B

Concert Room

Chair: Glenda Keam

Identity in Australian Composition / The Nature of Sound

Kate Bowan

Roy Agnew’s Sonata (1929): The Wrong Piece in the Wrong Place at the Wrong Time

Peter Marshall

Formulating New Compositional Schemata for Narrative Landscapes

Alina Novac

The Harmonic Series: An Intriguing View of Music

Tamara Raatz

The Exploration of Timbre as a Compositional Device in Olivier Messiaen’s “Abime Des Oiseaux” from The Quartet for the End of Time:  The Musical Mechanics of Mysticism

Friday

11.00 2B

Gamelan Room

Chair: Helen Reeves Lawrence

The Pacific

Richard Moyle

Performance and Place on Takü

Paul Wolffram

Dancing Away Sorrow in Lak, New Ireland

Wendy Pond

The festivals which welcomed Captain Cook to Tonga, 1773 - 1777

Jennifer Shennan

Caught Music and Dance

Friday

11.00 2B

Lecture Room

Chair: Greer Garden

 Baroque dance, Baroque rhetoric

Mette Kjaergaard

Influence of the French Baroque on dance in Denmark

Amy van de Laar

Mattheson’s ‘oratory in sound’: the intelligibility of instrumental music

Alan Maddox

 “Delle cognizioni richieste per recitar bene in Teatro”: Some seventeenth- and eighteenth-century sources on rhetorical delivery, and their implications for the performance of Italian recitative.

Robert Hoskins

Robinson Crusoe Down Under

Friday

11.00 2B

Seminar Room

Chair: Janice Stockigt

Pedagogy

Nathan Scott

Teaching Technology with Technology: The Feasibility of Online Music Technology Education

Irene Gullaer

On Integration of Vocal (Singing) and Voice (Speaking) Teaching and Learning Methods

Matthew Toohey

Mary, Mary, quite contrary, how does your canon grow?: patterns of change in the AMEB syllabus 1988-2003

Friday

1.00-2.00

Lunch

2.00 2C

Electronic Studio

Presenter:Lissa Meridan

Electro-Acoustic Studio Concert 1

Booking requirements for this event can be found in the "Forums, Concerts and Special Events" section of the conference booklet

2.00 2C

Concert Room

Chair: David Murray

Identity in New Zealand Composition

John Mercer

A Search for Identity in New Zealand Music of the 1940s

Glenda Keam

No cream without plenty of milk

Friday

2.00 2C

Gamelan Room

Chair: Paul Dyne

Locating Jazz in New Zealand

David Edwards

The Space in Newtown

Norman Meehan

Trinity Roots: A Local Expression of an International Style

Chris Bourke

Jazz in New Zealand during the War

Friday

2.00 2C

Lecture Room

Chair: Greer Garden

17^th-century theatre and vocal music

Rosalind Halton

Scarlatti's Venus in transit from Naples to Rome

Sue Court

The lost reputation of Marco da Gagliano (1582-1643): a study in reception

Bronwyn Ellis

A Question of Definition: The Impact of the Civil War and Interregnum on English Theatre Music, c.1640 to c.1660

Friday

2.00 2C

Seminar Room

Chair: Roger Fleury

Library and source studies

Robyn Holmes & Marie-Louise Ayres

Music and Locality in the digital world

Jill Palmer

Does Location Matter? Access to music materials in the Alexander Turnbull Library

Maria McHale

Grove's Dictionary of Music and Musicians (1879-89): writing and rewriting the nation's music

Friday

3.30-4.00

Afternoon Tea

4.00  2D

Concert Room

Chair: Ross Harris

Identity in New Zealand Composition/Modernism

Samuel Holloway

Forging Style: New Zealand Composers Overseas in the 1960s

Graham Hair

The Far North and the Deep South: Senses of Place and Time in Gillian Whitehead’s Hotspur (1980) and Nga Haerenga (1997)

Robin Maconie

Modernism and Culture: Western values in a multi-cultural milieu

Jennifer Shaw

The Canon and Schoenberg Reception in the Antipodes

Friday

4.00  2D

Gamelan Room

Chair: Richard Hardie

Jazz in New Zealand

Dennis Huggard

Early Jazz in New Zealand

Edward Black

Early Traditions of Jazz in New Orleans

5.00

Forum (Jazz)

Preserving Our Past, Preparing a Future: Where does Jazz in New Zealand go from here?

Friday

4.00  2D

Lecture Room

Chair: Lesley Wright

19^th-century France

Sabina Teller Ratner

Saint-Saëns's Challenge: The Open-Air Theatre

Ikuno Sako

Ecole Niedermeyer and its Contribution to the Development of Religious Music in Nineteenth-Century France

Patricia Shaw

Ravel, the machine age and the “Boléro factory”

Friday

4.00

Seminar Room

Forum (Dance)

Archiving Dance and getting it back again

Friday

5.00

Seminar Room

Forum (Pacific)

Stepping  into the 21st Century: The Future of the Lakalaka

6.00

School of Music

Happy Hour for Post Graduate Students

Evening Options

6.30

City Gallery

Concert

Salon di Virtuosi:  Classical Chrome

7.30

Massey Uni.

Jazz Concert

Featuring Conference Guest Artists

7.30

Gamelan Room

Study Group

Musics of Oceania

8.00

Karori Sanctuary

Tour

Kaori Wildlife Sanctuary Nocturnal Tour

Details of these options and booking requirements can be found in the conference booklet

Saturday

November 29

9.00 3A

Concert Room

Chair: Roger Buckton

Birdsong

David Rothenberg

Why Bird Song is Music

David Sanders

The Song Of The Kokako - Birdsong in NZ Composition

Michael Hooper

Lumsdaine’s birds.

Saturday

9.00 3A

Gamelan Room

Chair: Jennifer Lindsey

Asia

Margaret Kartomi

How the Upstream-Downstream Dichotomy and Interpretation of Historical Time influence the Ergology and Meaning of the Venerable Great Frame Drums (Rapa’i Pase) of North Aceh

Megan Collins

The rabab Pasisia of West Sumatra, Indonesia Multiple localities: one performance

Triyono Bramantyo

The North Malukans' Folk Tunes

Saturday

9.00 3A

Lecture Room

Chair: Rosalind Halton

Baroque bass instruments

Polly Sussex

Bach and the 5 string violoncello.

Michael O'Loghlin

Autumnal Melodies for Viola da Gamba in Berlin

Peter Walls

On Divided Lines: appropriate instrumentation for bass parts in Corelli-era sonatas

Saturday

9.00 3A

Seminar Room

Chair: Richard Hardie

Preserving the Past

Mike Nock

Nock on Jazz

John Whiteoak

Towards a History of  'Jazz' in New Zealand: Problems and Solutions

Paul Dyne

Towards a standard procedure and format for recording information about the lives of important NZ Jazz musicians

Saturday

10.30-11.00

Morning Tea

11.00 3B

Electronic Studio

Presenter:Lissa Meridan

Electro-Acoustic Studio Concert 2

Booking requirements for this event can be found in the "Forums, Concerts and Special Events" section of the conference booklet

Saturday

11.00  3B

Concert Room

Chair: Kirsten Zemke-White

Ethnic Pop Music

Craig De Wilde

Inul Daratista: the Indonesian Spiritual Kin to Eminem?

Aline Scott-Maxwell

The perils and possibilities of border crossing: Sawung Jabo's transition from Indonesian rock superstar to Australian multicultural artist

Helen Reeves Lawrence

Lawrence Tanda and the making of Goldie River

Saturday

11.00  3B

Gamelan Room

Chair: Margaret Kartomi

Asia

Helen Rees &               Jack Body

South of the Clouds: The Ethnomusicological Significance of a New Release of Field Recordings from Southwest China

Insuk Lee

Giseang as a producer and a consumer of music and art in the Korea Chosun dynasty (1392-1919)

Henry Johnson

Tsugaru Shamisen: From Region to Nation (and Beyond) and Back Again

Elaine Dobson

Dranyens of the Himalayas: a Comparative Study

Saturday

11.00  3B

Lecture Room

Chair: Kerry Murphy

19^th-century Germany; 19^th-century iconography

Ulrich Konrad

Richard Wagner's Siegfried-Idyll

Jonathan Berkahn

A new kind of failure': early performances of Beethoven's late works and the aesthetics of 'difficult music

Nancy November

Nineteenth-Century Visual Ideologies of The String Quartet

Alan Davison

The Iconography of the Musician in the 1830s and '40s: The Formation of Enduring Visual Types

Saturday

11.00  3B

Seminar Room

Chair: Mike Nock

The Foreign Influence and Perception of Jazz

Elizabeth Kolleritch

Jazz Music in Germany and Austria  after the Second World War and the Political-cultural Concepts of the Allied Powers (US-Americans, Britons, French, Russians)

Edward Black

New Orleans Jazz: The White Contribution Abroad

Richard Hardie

"You upset your audience": sounds and styles at the Tauranga Jazz Festival, 1963 to 1973.

Saturday

1.00-2.00

Lunch

1.30-2.00

School of Music

Richard Nunns

New Zealand's Sound-Making Plants in the grounds of the School of Music.  Richard Nunns will demonstrate the traditional Maori sonic uses of these remarkable plants.  Meet at the entrance of Level 3.

2.00  3C

Concert Room

Chair: Allan Thomas

Lord of the Rings

Mike Hopkins &          Ethan Van der Ryn

Development of the Sound Design For the Lord of the Rings Film Trilogy

Saturday

2.00  3C

Gamelan Room

Chair: David Rothenberg

Transformations

Robin Ryan

Singing Home the Albatross:  Eastern Bass Strait Bird- , Land- , and Sea-Scapes in the Album Making Wings by Judy Jacques

Ron Sims

A Sound Reason for Sleeping in a Forest: Transporting Nature's Music from Wilderness to Studio, to Bedroom

Saturday

2.00  3C

Lecture Room

Chair: Ulrich Konrad

20^th-century Europe

Elizabeth Kertesz

The Beloved Germany of my Youth: Ethel Smyth and Nostalgia after World War I

Sun-ju Song

A comparative evaluation of analytical approaches to Boulez’s Structures 1a over the last 50 years

Greg Smith

The effect of foreign social and cultural atmosphere on the music of Medtner

Saturday

2.00  3C

Seminar Room

Chair: Richard Nunns

More of the Taonga Puoro

Rob Thorne

Taonga Puoro: Making the Instruments

Horomona Horo

Demonstration/Workshop Taonga Puoro

Saturday

3.00

Afternoon Tea

3.30  3D

Concert Room

Chair: Jennifer Lindsay

Performances

Roger Buckton

A Bohemian Dudelsack in the Antipodes

Te Whariki

Towards an indigenous jazz music: A performance seminar

Jack Body

New Compositions on Gamelan Padhang Moncar

Saturday

3.30  3D

Gamelan Room

Chair: Craig De Wilde

Hip Hop

Te Kupu

Hip-Hop in Wellington

Tony Mitchell

Aotearoa Hip hop in the 21st Century

Lorena Gibson

Hip-Hop culture, history and contemporary Whakapapa in Aotearoa

Kirsten Zemke-White

Nesian Styles (re)present: The appropriation, transformation and realization of pop, R 'n' B, hip hop, and soul by urban Pasifika groups (featuring: Pacific Soul, Nesian Mystik, Lapi Mariner, Ill Semantics, Deceptikonz and D2S)

Saturday

4.00  3D

Lecture Room

Chair: Elizabeth Kertesz

Depicting Spain

Lesley Wright

The Other Carmen

Michael Christoforidis

Manuel de Falla, Joaquín Turina and Spanish music in Belle-Epoque Paris

Ken Hartdegen

Transcending the horror: Locality in the music of Fernando Sor

Saturday

3.30  3D

Seminar Room

Chair: Elaine Dobson

Folk Music Studies

Robert Burns

Continuity, variation and selection: Sharp’s views revalidated as modern folk music is amalgamated and presented with popular music

Elisabeth McKinlay

Lessons from 'Songcatcher': Fieldwork, representation and relationship in performance ethnography

Ruth Lee Martin & Ragnheidur Olafsdottir

Four Women - Two Traditions: Case Studies of Four Women Poets from Iceland and Scotland 1600 – 1800

Saturday

7.30

Staff Club

Conference Dinner

Tickets must be purchased in advance from the Conference reception desk

Sunday

November 30

9.00  4A

Concert Room

Chair: Matthew Leonard

Journeys and Places

Sarah Peebles

Transforming Canada: Journeys through Familiar, Surreal and Exotic Terrain

Phil Dadson

Antarctica: Sound and Silence in the Dry Valleys

Sunday

9.00  4A

Gamelan Room

Chair: Tony Mitchell

Pop Culture

Ian Chapman

David Bowie as Ziggy Stardust: 'I could make a transformation as a rock'n'roll star'

Helen O'Brien

Music in Film: Dr. Kubrick and how I came to love him with Ears Wide Open.

Peter Doyle

Race with the Devil: ordered and disordered spatialities in popular music recording to 1960

Sunday

9.00  4A

Lecture Room

Chair: Peter Walls

German Baroque

Janice Stockigt

The 'Catalogo' (1765) of the Dresden Catholic Court Church

Sam Owens

Les e'nemis Confus:  reconciling the French and Italian styles in the Holy Roman Empire c.1700.

Barbara Reul

Music for Catherine the Great of Russia at the German court of Anhalt-Zerbst, 1745-1773

Sunday

10.00 or 10.30

Morning Tea

10.30  4B

Concert Room

Chair: Robert Hoskins

Distant Views and Identities

Inge van Rij

"Take them for true…" Romantic facts and fictions in Berlioz's "The Adventures of Vincent Wallace in New Zealand".

Matthew Stuckings

Another ‘Distant View’:  Australian histories of music, the Musicians’ Union of Australia, and orchestral music in the early 1920s

Simon Tipping

A symphonic choir finds its feet: development of identity in Wellington’s Orpheus Choir

Keith McEwing

The most turbulent love affair? : the composer-choreographer relationship in The Royal New Zealand Ballet repertoire

Sunday

10.30  4B

Gamelan Room

Chair: Sabina Teller Ratner

Performers and Performance

Annette Morreau

Feuermann Remembered

Kerry Murphy

Berlioz and the London Great Exhibition

Christine Logan

Interpreting piano music by Gabriel Faure: the evidence of early sound recordings

Betty O'Brien

Marjorie Lawrence -- Opera Singer

Sunday

11.00  4B

Lecture Room

Chair:Elizabeth Mackinlay

Music Revivals

Jennifer Gall

Reinterpreting the Tradition: The challenge of using archival sources and technology to create new Australian folk music

Alexandra Williams

Right Time, Right Place:  The English Recorder Revival in the 1930s

Eva Nässén

What we gain and what we lose – on two ways of performing old operas

Sunday

12.30-1.30

Lunch

1.30

Lecture Room

NZMS AGM