NZMS and MSA Combined Conference

November 27-30, 2003

Conference Schedule

Thursday

November 27

9.00

Music Foyer

Registration

10.30

University Marae

Powhiri

12.00

Concert Room

Chair:  Warren Drake

Keynote Address

Ulrich Konrad

Johann Sebastian Bach in Schubert's Vienna

Thursday

2.00  1A

Concert Room

Chair: Warren Drake

Medieval period

Fiona McAlpine

The field of the star: music for a local saint

Carol Williams

Johannes de Grocheo and Paris: Towards a civic discourse

Robert Curry

New Light on an Old Source: a Reassessment of PL-STk2

Thursday

2.00  1A

Gamelan Room

Chair: Richard Moyle

Indigenous Music

Charles Royal

Te Whare Tapere: Towards a Model for Maori Performing Arts

Allan Marett

Enacting ancestral precedent: the role of shared cosmologies in the ceremonial efficacy of different genres of Aboriginal songs (wangga, lirrga, dhanba) from Wade

Linda Barwick

Melodic analysis of lirrga songs from NW Australia

Thursday

2.00  1A

Lecture Room

Chair: Allan Thomas

Challenging Celebration, Locality and Site

Katelyn Barney

Celebration or cover up? “My Island Home”, Australian National Identity and the Spectacle of Sydney 2000

Huib Schippers

Challenging locality – world musics and the dynamics of recontextualisation

Thursday

Jennifer Lindsay

The Festival Site: locality and inter-locality of performance at arts festivals

3.30-4.00

Afternoon tea

4.00  1B

Concert Room

Chair: Charles Royal

Indigenous Music

Rangiiria Hedley

Haumanu, Hauora:  Healing through Music

Richard Nunns &         Allan Thomas

Search for the sound of the putorino: Me te wai e utuutu ana

Forum

The Revival of Taonga Puoro

Thursday

4.00  1B

Gamelan Room

Chair: Dugal McKinnon

Intertextuality, opera and film

Joel Crotty

Dan Dediu's `Postfiction': a postmodern reading of a `hyper-real' opera

Marian Poole

Presentation of Contemporaneous Perspectives on Art Music:  Erich Wolfgang Korngold and Arnold Schoenberg, in California 1936

Nicholas Routley & Rowena Braddock

Critical Disjunction – Fluidity and constraint in Andriessen and Greenaway’s Writing to Vermeer

Thursday

4.00  1B

Lecture Room

Chair: Simon Tipping

Australia in the 19th and early 20th centuries

Thérèse Radic

Here and There: Pianist-composer F.S.Kelly’s double debut in Sydney (1911) and London (1912), and the career consequences of choosing oppositional colonial-imperial locales.

Maximilian Holzner

Music under the Governorship of Sir Richard Bourke 1832-1837: the humanisation of the Colony

Ian Burk

Imperial Opportunism: A. E. Floyd and the Role of Nationalism in the Revival of Early Music in Australia, 1915–1938

Thursday

5.45

Music Foyer

Reception

Speakers: Vice Chancellor Professor Stuart McCutcheon and the Honourable Judith Tizard Associate Minister of Culture, Heritage and the Arts

7.00-8.00

Concert Room

Concert

Taonga Puoro: Traditional Maori Instruments

Friday

November 28

9.00  2A

Concert Room

Chair: Kate Bowan

Australasian Performance and Composition

Clare Thornley

Sydney’s Early Philharmonic Societies

Anne-Marie Forbes

Romancing the bush:  an English response

David Murray

Was there no music in New Zealand?: Music at the New Zealand and South Seas Exhibition 1889-90.

Friday

9.00  2A

Gamelan Room

Chair: Stephen Wild

The Pacific

Adrienne Kaeppler

Recycling Traditions in the Arts of the Pacific

Helen Black

Sere Dina Ni Lotu Wesele e Viti: The indigenous chants of the Wesleyan Church of Fiji

Friday

9.00  2A

Lecture Room

Chair: Sue Court

Music in the late Renaissance

Warren Drake

Instrumental parody technique in Vincenzo Ruffo's Capricci in Musica

Sarah Weakley

'Origins and Destinations: The influence of locality and distribution on the manuscripts of the Habsburg-Burgundy court ca. 1500'

Greer Garden

A link between the Naples Torneo of 1612 and the Ballet de la Délivrance de Renaud of 1617

Friday

10.30-11.00

Morning Tea

11.00 2B

Concert Room

Chair: Glenda Keam

Identity in Australian Composition / The Nature of Sound

Kate Bowan

Roy Agnew’s Sonata (1929): The Wrong Piece in the Wrong Place at the Wrong Time

Peter Marshall

Formulating New Compositional Schemata for Narrative Landscapes

Alina Novac

The Harmonic Series: An Intriguing View of Music

Tamara Raatz

The Exploration of Timbre as a Compositional Device in Olivier Messiaen’s “Abime Des Oiseaux” from The Quartet for the End of Time:  The Musical Mechanics of Mysticism

Friday

11.00 2B

Gamelan Room

Chair: Helen Reeves Lawrence

The Pacific

Richard Moyle

Performance and Place on Takü

Paul Wolffram

Dancing Away Sorrow in Lak, New Ireland

Wendy Pond

The festivals which welcomed Captain Cook to Tonga, 1773 - 1777

Jennifer Shennan

Caught Music and Dance

Friday

11.00 2B

Lecture Room

Chair: Greer Garden

 Baroque dance, Baroque rhetoric

Mette Kjaergaard

Influence of the French Baroque on dance in Denmark

Amy van de Laar

Mattheson’s ‘oratory in sound’: the intelligibility of instrumental music

Alan Maddox

 “Delle cognizioni richieste per recitar bene in Teatro”: Some seventeenth- and eighteenth-century sources on rhetorical delivery, and their implications for the performance of Italian recitative.

Robert Hoskins

Robinson Crusoe Down Under

Friday

11.00 2B

Seminar Room

Chair: Janice Stockigt

Pedagogy

Nathan Scott

Teaching Technology with Technology: The Feasibility of Online Music Technology Education

Irene Gullaer

On Integration of Vocal (Singing) and Voice (Speaking) Teaching and Learning Methods

Matthew Toohey

Mary, Mary, quite contrary, how does your canon grow?: patterns of change in the AMEB syllabus 1988-2003

Friday

1.00-2.00

Lunch

2.00 2C

Electronic Studio

Presenter:Lissa Meridan

Electro-Acoustic Studio Concert 1

Booking requirements for this event can be found in the "Forums, Concerts and Special Events" section of the conference booklet

2.00 2C