| Musicology
Australia Volume XXVIII,
2005-2006 |
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| Editorial |
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vi |
| List
of Contributors |
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vii |
| List
of Abstracts |
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x |
| Articles |
Author |
Page |
| Marri
Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs
in Performance |
Linda
Barwick |
1 |
| Marri
Ngarr Lirrga Songs: A Linguistic Analysis |
Lysbeth
Ford |
26 |
| The
Language of Kun-borrk in Western Arnhem Land |
Murray
Garde |
59 |
| Letters
of James H. George: A Union Musician during the American Civil War
|
Craig
de Wilde |
90 |
| Tales
From a Suitcase: Chopin's Early C-sharp Minor Nocturne |
Deborah
Crisp |
101 |
| Feature
Article |
|
|
| Music
and Social Being |
Ian
Cross |
114 |
| Review
Articles |
|
|
| The
Merits of Archival Research in Music: Reviews of The English Bach
Awakening and Musical Entries at Stationers' Hall 1710-1818 |
Dorottya
Fabian |
127 |
| Reviews |
|
131 |
| Notes
for Contributors |
|
182 |
| MSA
Membership |
|
185 |
| Musicology
Australia Volume XXVII, 2004-2005 |
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Page |
| Editorial |
|
vi |
| List
of Contributors |
|
vii |
| List
of Abstracts |
|
xi |
| Articles |
Author |
Page |
| 'This
Rare and Precious Music': Preliminary Findings on the Catalogue of
the Music Collection of the Dresden Catholic Court Church (1765) |
Janice
B. Stockigt |
1 |
| Margaret
Sutherland's Chiaroscuro 1: A Comparison of Autograph Sources
|
David
Lockett |
19 |
| Re-organization
and Rhetoric: Changes in the Social Organization of North Indian Classical
Music |
John
Napier |
35 |
| Modernist
versus Postmodernist Aesthetics: Contemporary Music Criticism and
the Case of Matthew Hindson |
David
Bennett, Linda Kouvaras |
54 |
| Productive
Disjunction and the Play of Rupture: Reading 'the Blanks' in Writing
to Vermeer |
Rowena
Braddock, Nicholas Routley |
73 |
| Feature
Article |
|
|
| New
Technology Requires New Collaborations: Changing Ourselves to Better
Shape the Future |
Anthony
Seeger |
94 |
| Review
Articles |
|
|
| Issues
at Stake beyond the 'insuperable melancholy longing for the unity
of interpretation with experience' |
Linda
Kouvaras |
112 |
| Unheard
Music: Recent Writings on Indonesian Music |
Peter
Dunbar-Hall |
123 |
| Out
of Africa: Recent Publications on African Music, Culture and the Politics
of Music Making |
Craig
de Wilde |
129 |
| Reviews |
|
133 |
| Notes
for Contributors |
|
166 |
| MSA
Membership |
|
169 |
| Musicology
Australia Volume XXVI, 2003 |
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| Editorial
|
|
vi |
| Articles |
Author |
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| Agonising
Over Orthography: Aspects of Notation from Tristan to
Opus 11, Number 1 |
Simon Perry |
1 |
| The
Transmission of Zarlino’s Canonic Theory in Seventeenth-Century Organ
Choral Settings |
Denis Collins |
38 |
| Rethinking
Peggy Glanville-Hicks |
Victoria Rogers |
65 |
| Operatic
Tapestry: Threads from Black River to Going into Shadows |
Anne Power |
104 |
| Review
Article |
|
|
| Debates
About and Recent Effects of Globalisation on Music in Australia |
Margaret Kartomi |
120 |
| Reviews |
|
136 |
| Notes
for Contributors |
|
162 |
| MSA
Membership |
|
165 |
| Musicology
Australia Volume XXV, 2002 |
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| Editorial |
|
vi |
| SIMS
2004 Announcement |
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vii |
| Articles |
Author |
Page |
|
How
are we to Write our Music History? Perspectives on the Historiography
of Military Music |
Roland Bannister |
1 |
| Domenico
Scarlatti and his Cantabile Sonatas |
Rosalind Halton |
22 |
| Yawahr:
A Corroboree for Everybody |
Margaret Gummow |
48 |
|
Burr-Gi Wargugu ngu-Ninya
Rrawa:
Expressions of Ancestry and Country in Songs by the Letterstick Band
|
Aaron D.S.
Corn |
76 |
| Reviews |
|
102 |
| Notes
for Contributors |
|
130 |
| MSA
Membership |
|
133 |
| Musicology
Australia Volume XXIV, 2001 |
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| Editorial |
|
vi |
| Obituary,
David Galliver |
David Swale |
1 |
| Articles |
Author |
Page |
| Stéphane
Grappelli and the Hot Club Quintet: The Post-War Recordings |
Frank Murphy |
5 |
| The
Red Onion Jazz Band at the 1963 Australian Jazz Convention |
Timothy Stevens |
35 |
|
Ligeti’s
Études pour piano (premier livre): A Fusion of Tradition
and Experimentation |
Nicole Edwards |
62 |
| Reviews |
|
85 |
| Interregnum |
|
|
| The
Launch of Naomi Cumming’s The Sonic Self and the Naomi Helen Cumming
Foundation |
Malcolm Gillies |
107 |
| Features |
|
|
| Musicology
in the Marketplace: A Publisher’s Point of View |
Penny Souster |
113 |
| Notes
for Contributors |
|
118 |
| MSA
Membership |
|
121 |
| Musicology
Australia Volume XXIII, 2000 |
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| Editorial |
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vi |
| Articles |
Author |
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| Only
Connect |
Peter Platt |
3 |
| The
Nature of Nordicism: Grainger's 'blue-gold-rosy-race' and his Music |
Amanda Harris |
19 |
| Beethoven
and Melodrama |
Daniela Kaleva |
49 |
| Maintaining
Grandmothers' Law: Female Song Partners in Yanyuwa Culture |
Elizabeth Mackinlay |
76 |
| The
Nature of Patterning in Japanese Narrative Music: Formulaic Musical
Material in Heikyoku, Gidayu-bushi and Kiyomoto-bushi |
Alison
McQueen Tokita |
99 |
| Reviews |
|
123 |
| Features |
|
Page |
| Temp
Work: Music and the Cultural Shaping of Time |
Susan McClary |
160 |
Riding
the Rhythm: A Short Survey and Critique of Australian Popular Music
Studies
and its Relationship to Mainstream Australian Ehtno-Musicology |
Philip Hayward |
176 |
| Notes
for Contributors |
|
187 |
| MSA
Membership |
|
190 |
| Musicology
Australia Volume XXII, 1999 |
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| Editorial |
|
1 |
| Articles |
Author |
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| Singapore,
a South-East Asian Haven: The Sephardi-Singaporean Liturgical Music
of its Jewish Community, 1841 to the Present |
Margaret J.
Kartomi |
3 |
| Musicology
and the Problem of 'Musical Ear' |
Jamie G. Kassler |
18 |
| Pamina,
Portraits, and the Feminine in Mozart and Schikaneder's Die Zauberflote |
Kate Bartel |
31 |
| Japanese
Collections of Traditional Japanese Musical Instruments: Presentation
and Representation |
Henry Johnson |
46 |
| Legrenzi's
Music for Compline (1662) |
David Swale |
63 |
| Reviews |
Reviewer |
Page |
| The
Cambridge Companion to the Piano edited by David Rowland |
Deborah Crisp |
72 |
| music
and feminisms edited by Sally Macarthur and Cate Poynton |
Eva Rieger Bremen |
73 |
The
Sephardic Experience: Thorns of Fire; Apples and Honey
The Renaissance Players directed by Winsome Evans |
Bronia Kornhauser |
74 |
| A
Musician at Court: An Autobiography of Franz Benda Translations,
Commentary, and Annotation by Douglas A. Lee |
Janice B. Sockigt |
76 |
| The
Conservatorium of Music, University of Melbourne.. A Historical Essay
to Mark its Centenary, 1895-1995 by Peter John Tregear |
Shirley Tembath |
77 |
| Percy
Grainger by David Bird |
David Pear |
78 |
| Feature |
|
|
| Crossing
Boundaries? The Relationship Between the Anglo-American and Austro-German
Worlds of Musicology |
Eva Rieger |
81 |
| Register
of Members' Publications |
|
89 |
| Register
of Australian undergraduate theses in music, 1998 |
|
91 |
| Register
of Australian postgraduate theses in music, 1995-1999 |
|
92 |
| The
Musicological Society of Australia |
|
105 |
| Guidelines
for contributors |
|
106 |
| Membership
Form |
|
107 |
| Notice
to Advertisers |
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122 |
| Musicology
Australia Volume XXI, 1998 |
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| Editorial |
|
1 |
| Articles |
Author |
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| Music
in Menzies-Era Melbourne |
Adrian Thomas |
3 |
| Claudio
Coello's Sagrada Forma and Music for the Ceremonial Relocations
of a Sacred Relic at El Escorial in 1684 and 1690 |
Michael Noone |
16 |
| Paper
Songs and Frozen Assets: Text and Traditions |
Richard M. Moyle |
28 |
| Liszt's
monument to Bach: the Variations on Weinen, Klagen, Sorgen, Zagen,
for Solo Piano |
Deborah Crisp |
37 |
| Szenen
in Zelenka's Vespers Psalm Settings |
Janice B. Stockigt |
50 |
| About
the Contributors |
|
59 |
| Reviews |
Reviewer |
Page |
| Haydn,
Mozart and the Viennese School 1740-1780 by Daniel Heartz |
Graham Hardie |
60 |
| Contemporary
Anthology of Music by Women edited by James R. Briscoe |
Sally MacArthur |
61 |
| Sonderstab
Musik: Music Confiscations by theEinsatzstab Reichsleiter Rosenberg
under the Nazi Occupation in Western Europe by Willem de Vries
|
Andrew D. McCredie |
63 |
| Dance
of Life: Popular Music and Politics in Southeast Asia by Craig
A. Lockard |
Peter Micic |
68 |
| Johannes
Brahms: Life and Letters Selected and annotated by Styra Avins
|
Margaret Notley |
69 |
| The
music of Raymond Hanson: A Catalogue Raisonné compiled by Graham
Hardie |
Helen O'Donoghue |
70 |
| Joan
Schenk (Johan Schenck), Tyd en Konst-Oeffeningen, Op. 2 for viola
da gamba & basso continuo facsimile with an introduction
by Piet Stryckers |
Michael O'Loghlin |
71 |
| Augusto
Kühnel, Sonate ô Partite ad una ô due Viole da Gamba, con il Basso
Continuo facsimile with an introduction by Piet Stryckers |
Michael O'Loghlin |
71 |
| Defining
Russia Musically: Historical and Hermeneutical Essays by Richard
Taruskin |
Simon Perry |
73 |
| Georg
Philipp Telemann: Essercissii Musici facsimile with an introduction
by Greta Haenen |
Peter Roennfeldt |
77 |
| John
Field: Nocturnes and Related Pieces edited by Robin Langley
|
Peter Roennfeldt |
78 |
| The
Attentive Listener. Three Centuries of Music Criticism edited
by Harry Haskell |
Derek Stiller |
79 |
| The
Cambridge Companion to Handel edited by Donald Burrows |
David Swale |
80 |
| Verdi's
Middle Period 1849-1859: Source Studies, Analysis, and Performance
Practice edited by Martin Chusid |
David Symons |
83 |
| The
Music of Margaret Sutherland by David Symons |
Peter Tregear |
84 |
| Listening
in Paris: A Cultural History by James H. Johnson |
Paul Watt |
85 |
| Register
of Members' Publications |
|
88 |
| Register
of Australian undergraduate theses in music, 1996 |
|
94 |
| Register
of Australian postgraduate theses in music, 1992-1998 |
|
96 |
| Index
to Musicology Australia 1988-1997 (Volumes XI-XX) |
|
107 |
| The
Musicological Society of Australia |
|
120 |
| Guidelines
for contributors |
|
121 |
| Notice
to Advertisers |
|
122 |
| Musicology
Australia Volume XX, 1997 |
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| Editorial |
|
1 |
| Catherine
Ellis (1935-1996) |
Margaret Kartomi |
2 |
| The
Published Works of Catherine Ellis |
compiled by
Robin Ryan |
4 |
| Articles |
Author |
Page |
| Two
Types of Octave Relationships in Central Australian Vocal Music? |
Udo Will |
6 |
| The
Dunhuang Lute-Manuscript transcribed by Coralie Rockwell |
Foreword and
Afterword by Laurence Picken |
15 |
| Key
Processes in the Oral Transmission of Hindustani Vocal Music |
Andrew Alter |
61 |
| Beethoven,
Mahler, and the New German Cinema |
Roger Hillman |
84 |
| A
Bibliography of Statistical Applications in Musicology |
Nigel Nettheim |
94 |
| Notes
on Contributors |
|
107 |
| Reviews |
Reviewer |
Page |
| Bartók:
Concertofor Orchestra Understanding Bartók's World by Benjamin
Suchoff |
Malcolm Gillies |
108 |
| The
Cancionero de la Sablonara: A Critical Edition. by Judith
Etzion |
John Griffiths |
109 |
| The
Masterwork in Music: A Yearbook, Volume II (1926) by Heinrich
Schenker |
Michael Kassler |
110 |
| Schenker's
Argument and the Claims of Music Theory by Leslie David Blasius
|
Michael Kassler |
110 |
| Music
Criticism in Nineteenth-Century France: La Revue et gazette musicale
de Paris, 1834-1880 by Katharine Ellis |
Kerry Murphy |
112 |
| Graupners
Ouvertüren und Tafelmusiken by Christoph Grosspietsch |
Andrew D. McCredie
|
114 |
| Die
Sinfonien des Darmstädter Kapellmetsters Johann Samuel Endler 1694-1762
by Joanna Cobb-Biermann |
Andrew D. McCredie
|
114 |
| Life
on the Goldfields: An Entertainment by Charles Thatcher |
Thérèse Radic |
119 |
| Solomon:
A Serenata by William Boyce |
Peter Roermfeldt |
121 |
| Kulele
2: Occasional Papers on Pacific Music and Dance edited by Don
Niles |
Dierdre Marshall
Dean |
123 |
| The
Years Before Gregory: Sources of Gregorian Chant. I. by
Marie Therese Levey |
Philip Nunn |
124 |
| IMS
Congress London, 14-20 August 1997 |
Andrew D. McCredie
|
125 |
| Features |
Author |
Page |
| Musicology
and the Problem of Knowledge |
Jamie C. Kassler |
130 |
| Obituary:
Rosemary Florrimell (1937-1997) |
Kay Dreyfus |
135 |
| Obituary:
Walter Wiora (1906-1997) |
Andrew D. McCredie
|
136 |
| Register
of Members' Publications |
|
139 |
| Register
of Australian undergraduate theses in music, 1996 |
|
141 |
| Register
of Australasian postgraduate theses in music, 1992-1996 |
|
143 |
| The
Musicological Society of Australia |
|
154 |
| Guidelines
for Contributors |
|
155 |
| Notice
to Advertisers |
|
156 |
| Musicology
Australia Volume XIX, 1996 |
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Page
|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Licence
to laugh: Humour in the practice of biwa recitation in rural
Kyushu |
Hugh de Ferranti |
3 |
| A
survey of present-day Japanese concepts and classifications of musical
instruments |
Henry M. Johnson |
16 |
| The
Life and Afterlife of Jan Dismas Zelenka |
Janice B. Stockigt |
40 |
| Watermarks
in Selected Seventeenth-Century Spanish Religious Music Manuscripts
|
Paul R. Laird
and Greta J. Olson |
49 |
| Churu-the
dance-chants of Yap (Micronesia): A contemporary perspective |
Deirdre Marshall
Dean |
60 |
| Notes
on Contributors |
|
72 |
| Reviews |
Reviewer |
Page |
| Early
Recordings and Musical Styles.. Changing tastes in instrumental performance
1900-1950 by Robert Philip |
P. Watchorn |
73 |
| Music
Publishing and Collecting.- Essays in Honor of Donald W Krummel edited
by David Hunter |
Peter Campbell |
74 |
| Classic
Music and Postmodern Knowledge by Lawrence Kramer |
Naomi Cumming |
75 |
| Samuel
Arnold, Obi; or Three-Finger'd Jack introduction by
Robert Hoskins with Eileen Southern |
Anne-Marle Forbes |
78 |
| Music
and Dance of Aboriginal Australia and the South Pacific: The
Effect of Documentation on the Living Tradition edited by Alice
Marshall Moyle |
Margaret Gummow |
79 |
| Musicology
Australia XVIII (1995) |
Maria Anna Harley |
81 |
| Lee
Yang-Hee Kayagum Collection |
Henry M. Johnson |
83 |
| Peter
Philips: Cantiones Sacrae Octonis Vocibus (1613), Musica
Britannica, Volume LXI transcribed and edited by John Steele |
Peter Platt |
84 |
| One
Hand on the Manuscript: Music in Australian Cultural History
1930-1960 edited by Nicholas Brown, Peter Campbell, Robyn Holines,
Peter Read, and Larry Sitsky |
Adrian Thomas |
86 |
| Musica
Practica: The Social Practice of Western Music from Gregorian
Chant to Postmodernism by Michael Chanan |
Peter Tregear |
88 |
| Illustrated
Compendium of Musical Technology by Tristram Cary |
Andy Arthurs |
89 |
| Register
of Members' Publications |
|
91 |
| Register
of Australian undergraduate theses in music, 1995 |
|
96 |
| Register
of Australasian postgraduate theses in music, 1992-1996 |
|
99 |
| Guidelines
for Contributors |
|
113 |
| Musicology
Australia Volume XVIII, 1995 |
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|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Manuel
de Falla, Debussy and La vida breve |
Michael Christoforidis
|
3 |
| Edmund
Gurney's The Power of Sound (1880): II. Reception |
Jamie C. Kassler |
13 |
| The
piano in Australia, 1770 to 1900: some literary sources |
Deborah Crisp |
25 |
| To
bury Hanslick or to praise him? The obituaries of August 1904 |
Sandra McColl |
39 |
| Schubert's
unknown symphonies: a review article on the restorative work of Brian
Newbould |
Roy Howat |
52 |
| Notes
on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| The
Masterwork in Music; a Yearbook; Volume 1 (1925) by Heinrich
Schenker |
Michael Kassler |
61 |
| Orlando
di Lasso's Imitation Magnificats for Counter-Reformation Munich
by David Crook |
Robert Forgács |
63 |
| 'The
Art of Playing the Fantasia' by Fray Thomas de Sancta Maria transl.,
transc. and commentary by Almonte C. Howell Jr. and Warren E. Hultberg
|
Wolfgang Freis |
64 |
| La
música en la Real Capilla de Madrid: José de Torres y Martínez Bravo
(h. 1.670-1.738) by Begoña Lolo |
Kenneth Kreitner |
66 |
| Música
y Culto Divino en el Real Monasterio de El Escorial (1563-1837)
by Luis Hernández OSA |
Begoña Lolo |
68 |
| Conversations
with Witold Lutoslawski by lrina Nikolska. |
Malcolm Gillies |
70 |
| Lyrebird
Rising: Louise Hanson-Dyer of L'Oiseau-Lyre 1884-1962 by Jim
Davidson |
Sally Macarthur |
71 |
| Lokal
Musik: Lingua Franca Song and Identity in Papua New Guinea by
Michael Webb |
Gordon Spearritt |
73 |
| The
Encyclopaedia of Aboriginal Australia CD-ROM for Macintosh David
Horton (ed.) and Kim McKenzie (design and programmer) |
Carol Gee Zarbock |
74 |
| Ethnomusicology:
An Introduction/Ethnomusicology: Historical and Regional Studies ed.
Helen Myers |
Carol Gee Zarbock |
75 |
| Ethnicity,
Identity and Music: The Musical Construction of Place ed. Martin
Stokes |
Carol Gee Zarbock |
78 |
| Register
of Members' Publications |
|
82 |
| Register
of Australian undergraduate theses in music, 1993 and 1994 |
|
86 |
| Register
of Australasian postgraduate theses in music, 1992-1995 |
|
88 |
| Guidelines
for Contributors |
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|
| Musicology
Australia Volume XVII, 1994 |
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Page
|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Evidence
for linear transposition in Australian Western Desert vocal music |
Udo Will and
Catherine Ellis |
2 |
| Mozart's
European orchestras |
Neal Zaslaw |
13 |
| Isolde
Ahlgrimm and Vienna's historical keyboard revival |
Peter Watchorn |
19 |
| Edmund
Gurney's The Power of Sound (1885): I. Context. |
Jamie C. Kassler |
31 |
| Josef
Holbrooke's Cauldron of Annwn and metempsychosis in music |
Anne-Marie H.
Forbes |
43 |
| Notes
on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| Bands:
The Brass Band Movement in the 19th and 20th Centuries ed. Trevor
Herbert |
John Allen |
61 |
| Quasi
una Fantasia: Essays on Modern Music by Theodor Adorno |
Peter McCallum |
63 |
| African
Polyphony and Polyrhythm - Musical Structure and Methodology by
Simba Arom |
Micheal Hannan |
67 |
| Karlheinz
Stockhausen: Klavierstücke, David Tudor (piano) |
Richard Toop |
69 |
| Arnold
Schoenberg Correspondence by Egbert Ennulat |
Philip Bracanin |
71 |
| Samuel
Sebastian Wesley: Anthems II ed. Peter Horton |
David Swale |
72 |
| Peter
Sculthorpe: A Bio-Bibliography by Deborah Hayes |
Michael Hannan |
74 |
| 'The
Greatest Ornaments of Their Profession'- The New Zealand Tours by
the Simonsen Opera Companies, 1876-1889 by Adrienne Simpson |
Jenny Dawson |
76 |
| Queering
the Pitch: The New Gay and Lesbian Musicology eds Philip Brett,
Elizabeth Wood and Gary Thomas |
Mario Champagne |
78 |
| The
British Folk Scene: Musical Performance and Social Identity by
Niall Mackinnon |
Anne-Marie Forbes |
82 |
| Register
of Members' Publications |
|
84 |
| Register
of Australian undergraduate theses in music |
|
86 |
| Guidelines
for contributors |
|
|
| |
|
|
| Musicology
Australia Volume XVI, 1993 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| The
Kreisleriana of Robert Schumann and E.T.A. Hoffmann: some
musical and literary parallels |
Deborah Crisp |
3 |
| Des
pas sur la neige: Debussy in Bilitis's footsteps |
Nicholas Routley |
19 |
| Hans
von Bülow and Richard Strauss: the master and his ardent follower |
Craig De Wilde |
28 |
| Ravel,
rhythm and form |
Roy Howat |
39 |
| Save
the last dance - for me? |
Richard Moyle |
48 |
| Notes
on Contributors |
|
58 |
| Letters
to the Editor |
|
59 |
| Reports |
|
|
| A
New Source of Sixteenth-Century Polyphony |
Michael Christoforidis
and Juan Ruíz Jiménez |
61 |
| Reviews |
Reviewer |
Page |
| Pleyel
as Music Publisher by Rita Benton with Jeanne Halley |
Jamie Kassler |
63 |
| La
Música en Nueva Nursia by Dom Eladio Ros OSB |
Michael Noone |
64 |
| Filmmusik
im Dritten Reich by Konrad Vogelsang |
Roger Hillman |
66 |
| Musicology
and Difference ed. Ruth A. Solic |
Mario Champagne |
67 |
| The
Madonna Connection ed. Cathy Schwichtenberg |
Chris Childs |
70 |
| Doreen
Bridees: Music Educator ed. Martin Cornte |
Kathryn Marsh |
71 |
| Peggy
Glanville-Hicks by Wendy Beekett |
Joel Crotty |
73 |
| Complete
Accord by Miriam Hyde |
Marianne Helm |
75 |
| Chinese
Musical Instruments: An Introduction by Yang Mu |
Greg Hurworth |
77 |
| Synthesizer
Performance and Real-Time Techniques by Jeff Pressing |
Jim Franklin |
79 |
| Register
of Members' Publications |
|
82 |
| Register
of Australian undergraduate theses in music |
|
87 |
| Guidelines
for contributors |
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|
| Musicology
Australia Volume XV 1992 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Anonymous
IV as Chronicler |
Hendrik van
der Werf |
3 |
| Forum: |
Edward H. Roesner,
Giulio Cattin and Luigi Lera, John Stinson |
13 |
| In
Search of a Model for Transplanted Music in Migrant Communities |
|