| Musicology
Australia Volume XXVIII,
2005-2006 |
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| Editorial |
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vi |
| List
of Contributors |
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vii |
| List
of Abstracts |
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x |
| Articles |
Author |
Page |
| Marri
Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs
in Performance |
Linda
Barwick |
1 |
| Marri
Ngarr Lirrga Songs: A Linguistic Analysis |
Lysbeth
Ford |
26 |
| The
Language of Kun-borrk in Western Arnhem Land |
Murray
Garde |
59 |
| Letters
of James H. George: A Union Musician during the American Civil War
|
Craig
de Wilde |
90 |
| Tales
From a Suitcase: Chopin's Early C-sharp Minor Nocturne |
Deborah
Crisp |
101 |
| Feature
Article |
|
|
| Music
and Social Being |
Ian
Cross |
114 |
| Review
Articles |
|
|
| The
Merits of Archival Research in Music: Reviews of The English Bach
Awakening and Musical Entries at Stationers' Hall 1710-1818 |
Dorottya
Fabian |
127 |
| Reviews |
|
131 |
| Notes
for Contributors |
|
182 |
| MSA
Membership |
|
185 |
| Musicology
Australia Volume XXVII, 2004-2005 |
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Page |
| Editorial |
|
vi |
| List
of Contributors |
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vii |
| List
of Abstracts |
|
xi |
| Articles |
Author |
Page |
| 'This
Rare and Precious Music': Preliminary Findings on the Catalogue of
the Music Collection of the Dresden Catholic Court Church (1765) |
Janice
B. Stockigt |
1 |
| Margaret
Sutherland's Chiaroscuro 1: A Comparison of Autograph Sources
|
David
Lockett |
19 |
| Re-organization
and Rhetoric: Changes in the Social Organization of North Indian Classical
Music |
John
Napier |
35 |
| Modernist
versus Postmodernist Aesthetics: Contemporary Music Criticism and
the Case of Matthew Hindson |
David
Bennett, Linda Kouvaras |
54 |
| Productive
Disjunction and the Play of Rupture: Reading 'the Blanks' in Writing
to Vermeer |
Rowena
Braddock, Nicholas Routley |
73 |
| Feature
Article |
|
|
| New
Technology Requires New Collaborations: Changing Ourselves to Better
Shape the Future |
Anthony
Seeger |
94 |
| Review
Articles |
|
|
| Issues
at Stake beyond the 'insuperable melancholy longing for the unity
of interpretation with experience' |
Linda
Kouvaras |
112 |
| Unheard
Music: Recent Writings on Indonesian Music |
Peter
Dunbar-Hall |
123 |
| Out
of Africa: Recent Publications on African Music, Culture and the Politics
of Music Making |
Craig
de Wilde |
129 |
| Reviews |
|
133 |
| Notes
for Contributors |
|
166 |
| MSA
Membership |
|
169 |
| Musicology
Australia Volume XXVI, 2003 |
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| Editorial
|
|
vi |
| Articles |
Author |
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| Agonising
Over Orthography: Aspects of Notation from Tristan to
Opus 11, Number 1 |
Simon Perry |
1 |
| The
Transmission of Zarlino’s Canonic Theory in Seventeenth-Century Organ
Choral Settings |
Denis Collins |
38 |
| Rethinking
Peggy Glanville-Hicks |
Victoria Rogers |
65 |
| Operatic
Tapestry: Threads from Black River to Going into Shadows |
Anne Power |
104 |
| Review
Article |
|
|
| Debates
About and Recent Effects of Globalisation on Music in Australia |
Margaret Kartomi |
120 |
| Reviews |
|
136 |
| Notes
for Contributors |
|
162 |
| MSA
Membership |
|
165 |
| Musicology
Australia Volume XXV, 2002 |
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| Editorial |
|
vi |
| SIMS
2004 Announcement |
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vii |
| Articles |
Author |
Page |
|
How
are we to Write our Music History? Perspectives on the Historiography
of Military Music |
Roland Bannister |
1 |
| Domenico
Scarlatti and his Cantabile Sonatas |
Rosalind Halton |
22 |
| Yawahr:
A Corroboree for Everybody |
Margaret Gummow |
48 |
|
Burr-Gi Wargugu ngu-Ninya
Rrawa:
Expressions of Ancestry and Country in Songs by the Letterstick Band
|
Aaron D.S.
Corn |
76 |
| Reviews |
|
102 |
| Notes
for Contributors |
|
130 |
| MSA
Membership |
|
133 |
| Musicology
Australia Volume XXIV, 2001 |
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| Editorial |
|
vi |
| Obituary,
David Galliver |
David Swale |
1 |
| Articles |
Author |
Page |
| Stéphane
Grappelli and the Hot Club Quintet: The Post-War Recordings |
Frank Murphy |
5 |
| The
Red Onion Jazz Band at the 1963 Australian Jazz Convention |
Timothy Stevens |
35 |
|
Ligeti’s
Études pour piano (premier livre): A Fusion of Tradition
and Experimentation |
Nicole Edwards |
62 |
| Reviews |
|
85 |
| Interregnum |
|
|
| The
Launch of Naomi Cumming’s The Sonic Self and the Naomi Helen Cumming
Foundation |
Malcolm Gillies |
107 |
| Features |
|
|
| Musicology
in the Marketplace: A Publisher’s Point of View |
Penny Souster |
113 |
| Notes
for Contributors |
|
118 |
| MSA
Membership |
|
121 |
| Musicology
Australia Volume XXIII, 2000 |
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| Editorial |
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vi |
| Articles |
Author |
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| Only
Connect |
Peter Platt |
3 |
| The
Nature of Nordicism: Grainger's 'blue-gold-rosy-race' and his Music |
Amanda Harris |
19 |
| Beethoven
and Melodrama |
Daniela Kaleva |
49 |
| Maintaining
Grandmothers' Law: Female Song Partners in Yanyuwa Culture |
Elizabeth Mackinlay |
76 |
| The
Nature of Patterning in Japanese Narrative Music: Formulaic Musical
Material in Heikyoku, Gidayu-bushi and Kiyomoto-bushi |
Alison
McQueen Tokita |
99 |
| Reviews |
|
123 |
| Features |
|
Page |
| Temp
Work: Music and the Cultural Shaping of Time |
Susan McClary |
160 |
Riding
the Rhythm: A Short Survey and Critique of Australian Popular Music
Studies
and its Relationship to Mainstream Australian Ehtno-Musicology |
Philip Hayward |
176 |
| Notes
for Contributors |
|
187 |
| MSA
Membership |
|
190 |
| Musicology
Australia Volume XXII, 1999 |
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| Editorial |
|
1 |
| Articles |
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| Singapore,
a South-East Asian Haven: The Sephardi-Singaporean Liturgical Music
of its Jewish Community, 1841 to the Present |
Margaret J.
Kartomi |
3 |
| Musicology
and the Problem of 'Musical Ear' |
Jamie G. Kassler |
18 |
| Pamina,
Portraits, and the Feminine in Mozart and Schikaneder's Die Zauberflote |
Kate Bartel |
31 |
| Japanese
Collections of Traditional Japanese Musical Instruments: Presentation
and Representation |
Henry Johnson |
46 |
| Legrenzi's
Music for Compline (1662) |
David Swale |
63 |
| Reviews |
Reviewer |
Page |
| The
Cambridge Companion to the Piano edited by David Rowland |
Deborah Crisp |
72 |
| music
and feminisms edited by Sally Macarthur and Cate Poynton |
Eva Rieger Bremen |
73 |
The
Sephardic Experience: Thorns of Fire; Apples and Honey
The Renaissance Players directed by Winsome Evans |
Bronia Kornhauser |
74 |
| A
Musician at Court: An Autobiography of Franz Benda Translations,
Commentary, and Annotation by Douglas A. Lee |
Janice B. Sockigt |
76 |
| The
Conservatorium of Music, University of Melbourne.. A Historical Essay
to Mark its Centenary, 1895-1995 by Peter John Tregear |
Shirley Tembath |
77 |
| Percy
Grainger by David Bird |
David Pear |
78 |
| Feature |
|
|
| Crossing
Boundaries? The Relationship Between the Anglo-American and Austro-German
Worlds of Musicology |
Eva Rieger |
81 |
| Register
of Members' Publications |
|
89 |
| Register
of Australian undergraduate theses in music, 1998 |
|
91 |
| Register
of Australian postgraduate theses in music, 1995-1999 |
|
92 |
| The
Musicological Society of Australia |
|
105 |
| Guidelines
for contributors |
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106 |
| Membership
Form |
|
107 |
| Notice
to Advertisers |
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122 |
| Musicology
Australia Volume XXI, 1998 |
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| Editorial |
|
1 |
| Articles |
Author |
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| Music
in Menzies-Era Melbourne |
Adrian Thomas |
3 |
| Claudio
Coello's Sagrada Forma and Music for the Ceremonial Relocations
of a Sacred Relic at El Escorial in 1684 and 1690 |
Michael Noone |
16 |
| Paper
Songs and Frozen Assets: Text and Traditions |
Richard M. Moyle |
28 |
| Liszt's
monument to Bach: the Variations on Weinen, Klagen, Sorgen, Zagen,
for Solo Piano |
Deborah Crisp |
37 |
| Szenen
in Zelenka's Vespers Psalm Settings |
Janice B. Stockigt |
50 |
| About
the Contributors |
|
59 |
| Reviews |
Reviewer |
Page |
| Haydn,
Mozart and the Viennese School 1740-1780 by Daniel Heartz |
Graham Hardie |
60 |
| Contemporary
Anthology of Music by Women edited by James R. Briscoe |
Sally MacArthur |
61 |
| Sonderstab
Musik: Music Confiscations by theEinsatzstab Reichsleiter Rosenberg
under the Nazi Occupation in Western Europe by Willem de Vries
|
Andrew D. McCredie |
63 |
| Dance
of Life: Popular Music and Politics in Southeast Asia by Craig
A. Lockard |
Peter Micic |
68 |
| Johannes
Brahms: Life and Letters Selected and annotated by Styra Avins
|
Margaret Notley |
69 |
| The
music of Raymond Hanson: A Catalogue Raisonné compiled by Graham
Hardie |
Helen O'Donoghue |
70 |
| Joan
Schenk (Johan Schenck), Tyd en Konst-Oeffeningen, Op. 2 for viola
da gamba & basso continuo facsimile with an introduction
by Piet Stryckers |
Michael O'Loghlin |
71 |
| Augusto
Kühnel, Sonate ô Partite ad una ô due Viole da Gamba, con il Basso
Continuo facsimile with an introduction by Piet Stryckers |
Michael O'Loghlin |
71 |
| Defining
Russia Musically: Historical and Hermeneutical Essays by Richard
Taruskin |
Simon Perry |
73 |
| Georg
Philipp Telemann: Essercissii Musici facsimile with an introduction
by Greta Haenen |
Peter Roennfeldt |
77 |
| John
Field: Nocturnes and Related Pieces edited by Robin Langley
|
Peter Roennfeldt |
78 |
| The
Attentive Listener. Three Centuries of Music Criticism edited
by Harry Haskell |
Derek Stiller |
79 |
| The
Cambridge Companion to Handel edited by Donald Burrows |
David Swale |
80 |
| Verdi's
Middle Period 1849-1859: Source Studies, Analysis, and Performance
Practice edited by Martin Chusid |
David Symons |
83 |
| The
Music of Margaret Sutherland by David Symons |
Peter Tregear |
84 |
| Listening
in Paris: A Cultural History by James H. Johnson |
Paul Watt |
85 |
| Register
of Members' Publications |
|
88 |
| Register
of Australian undergraduate theses in music, 1996 |
|
94 |
| Register
of Australian postgraduate theses in music, 1992-1998 |
|
96 |
| Index
to Musicology Australia 1988-1997 (Volumes XI-XX) |
|
107 |
| The
Musicological Society of Australia |
|
120 |
| Guidelines
for contributors |
|
121 |
| Notice
to Advertisers |
|
122 |
| Musicology
Australia Volume XX, 1997 |
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| Editorial |
|
1 |
| Catherine
Ellis (1935-1996) |
Margaret Kartomi |
2 |
| The
Published Works of Catherine Ellis |
compiled by
Robin Ryan |
4 |
| Articles |
Author |
Page |
| Two
Types of Octave Relationships in Central Australian Vocal Music? |
Udo Will |
6 |
| The
Dunhuang Lute-Manuscript transcribed by Coralie Rockwell |
Foreword and
Afterword by Laurence Picken |
15 |
| Key
Processes in the Oral Transmission of Hindustani Vocal Music |
Andrew Alter |
61 |
| Beethoven,
Mahler, and the New German Cinema |
Roger Hillman |
84 |
| A
Bibliography of Statistical Applications in Musicology |
Nigel Nettheim |
94 |
| Notes
on Contributors |
|
107 |
| Reviews |
Reviewer |
Page |
| Bartók:
Concertofor Orchestra Understanding Bartók's World by Benjamin
Suchoff |
Malcolm Gillies |
108 |
| The
Cancionero de la Sablonara: A Critical Edition. by Judith
Etzion |
John Griffiths |
109 |
| The
Masterwork in Music: A Yearbook, Volume II (1926) by Heinrich
Schenker |
Michael Kassler |
110 |
| Schenker's
Argument and the Claims of Music Theory by Leslie David Blasius
|
Michael Kassler |
110 |
| Music
Criticism in Nineteenth-Century France: La Revue et gazette musicale
de Paris, 1834-1880 by Katharine Ellis |
Kerry Murphy |
112 |
| Graupners
Ouvertüren und Tafelmusiken by Christoph Grosspietsch |
Andrew D. McCredie
|
114 |
| Die
Sinfonien des Darmstädter Kapellmetsters Johann Samuel Endler 1694-1762
by Joanna Cobb-Biermann |
Andrew D. McCredie
|
114 |
| Life
on the Goldfields: An Entertainment by Charles Thatcher |
Thérèse Radic |
119 |
| Solomon:
A Serenata by William Boyce |
Peter Roermfeldt |
121 |
| Kulele
2: Occasional Papers on Pacific Music and Dance edited by Don
Niles |
Dierdre Marshall
Dean |
123 |
| The
Years Before Gregory: Sources of Gregorian Chant. I. by
Marie Therese Levey |
Philip Nunn |
124 |
| IMS
Congress London, 14-20 August 1997 |
Andrew D. McCredie
|
125 |
| Features |
Author |
Page |
| Musicology
and the Problem of Knowledge |
Jamie C. Kassler |
130 |
| Obituary:
Rosemary Florrimell (1937-1997) |
Kay Dreyfus |
135 |
| Obituary:
Walter Wiora (1906-1997) |
Andrew D. McCredie
|
136 |
| Register
of Members' Publications |
|
139 |
| Register
of Australian undergraduate theses in music, 1996 |
|
141 |
| Register
of Australasian postgraduate theses in music, 1992-1996 |
|
143 |
| The
Musicological Society of Australia |
|
154 |
| Guidelines
for Contributors |
|
155 |
| Notice
to Advertisers |
|
156 |
| Musicology
Australia Volume XIX, 1996 |
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Page
|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Licence
to laugh: Humour in the practice of biwa recitation in rural
Kyushu |
Hugh de Ferranti |
3 |
| A
survey of present-day Japanese concepts and classifications of musical
instruments |
Henry M. Johnson |
16 |
| The
Life and Afterlife of Jan Dismas Zelenka |
Janice B. Stockigt |
40 |
| Watermarks
in Selected Seventeenth-Century Spanish Religious Music Manuscripts
|
Paul R. Laird
and Greta J. Olson |
49 |
| Churu-the
dance-chants of Yap (Micronesia): A contemporary perspective |
Deirdre Marshall
Dean |
60 |
| Notes
on Contributors |
|
72 |
| Reviews |
Reviewer |
Page |
| Early
Recordings and Musical Styles.. Changing tastes in instrumental performance
1900-1950 by Robert Philip |
P. Watchorn |
73 |
| Music
Publishing and Collecting.- Essays in Honor of Donald W Krummel edited
by David Hunter |
Peter Campbell |
74 |
| Classic
Music and Postmodern Knowledge by Lawrence Kramer |
Naomi Cumming |
75 |
| Samuel
Arnold, Obi; or Three-Finger'd Jack introduction by
Robert Hoskins with Eileen Southern |
Anne-Marle Forbes |
78 |
| Music
and Dance of Aboriginal Australia and the South Pacific: The
Effect of Documentation on the Living Tradition edited by Alice
Marshall Moyle |
Margaret Gummow |
79 |
| Musicology
Australia XVIII (1995) |
Maria Anna Harley |
81 |
| Lee
Yang-Hee Kayagum Collection |
Henry M. Johnson |
83 |
| Peter
Philips: Cantiones Sacrae Octonis Vocibus (1613), Musica
Britannica, Volume LXI transcribed and edited by John Steele |
Peter Platt |
84 |
| One
Hand on the Manuscript: Music in Australian Cultural History
1930-1960 edited by Nicholas Brown, Peter Campbell, Robyn Holines,
Peter Read, and Larry Sitsky |
Adrian Thomas |
86 |
| Musica
Practica: The Social Practice of Western Music from Gregorian
Chant to Postmodernism by Michael Chanan |
Peter Tregear |
88 |
| Illustrated
Compendium of Musical Technology by Tristram Cary |
Andy Arthurs |
89 |
| Register
of Members' Publications |
|
91 |
| Register
of Australian undergraduate theses in music, 1995 |
|
96 |
| Register
of Australasian postgraduate theses in music, 1992-1996 |
|
99 |
| Guidelines
for Contributors |
|
113 |
| Musicology
Australia Volume XVIII, 1995 |
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|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Manuel
de Falla, Debussy and La vida breve |
Michael Christoforidis
|
3 |
| Edmund
Gurney's The Power of Sound (1880): II. Reception |
Jamie C. Kassler |
13 |
| The
piano in Australia, 1770 to 1900: some literary sources |
Deborah Crisp |
25 |
| To
bury Hanslick or to praise him? The obituaries of August 1904 |
Sandra McColl |
39 |
| Schubert's
unknown symphonies: a review article on the restorative work of Brian
Newbould |
Roy Howat |
52 |
| Notes
on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| The
Masterwork in Music; a Yearbook; Volume 1 (1925) by Heinrich
Schenker |
Michael Kassler |
61 |
| Orlando
di Lasso's Imitation Magnificats for Counter-Reformation Munich
by David Crook |
Robert Forgács |
63 |
| 'The
Art of Playing the Fantasia' by Fray Thomas de Sancta Maria transl.,
transc. and commentary by Almonte C. Howell Jr. and Warren E. Hultberg
|
Wolfgang Freis |
64 |
| La
música en la Real Capilla de Madrid: José de Torres y Martínez Bravo
(h. 1.670-1.738) by Begoña Lolo |
Kenneth Kreitner |
66 |
| Música
y Culto Divino en el Real Monasterio de El Escorial (1563-1837)
by Luis Hernández OSA |
Begoña Lolo |
68 |
| Conversations
with Witold Lutoslawski by lrina Nikolska. |
Malcolm Gillies |
70 |
| Lyrebird
Rising: Louise Hanson-Dyer of L'Oiseau-Lyre 1884-1962 by Jim
Davidson |
Sally Macarthur |
71 |
| Lokal
Musik: Lingua Franca Song and Identity in Papua New Guinea by
Michael Webb |
Gordon Spearritt |
73 |
| The
Encyclopaedia of Aboriginal Australia CD-ROM for Macintosh David
Horton (ed.) and Kim McKenzie (design and programmer) |
Carol Gee Zarbock |
74 |
| Ethnomusicology:
An Introduction/Ethnomusicology: Historical and Regional Studies ed.
Helen Myers |
Carol Gee Zarbock |
75 |
| Ethnicity,
Identity and Music: The Musical Construction of Place ed. Martin
Stokes |
Carol Gee Zarbock |
78 |
| Register
of Members' Publications |
|
82 |
| Register
of Australian undergraduate theses in music, 1993 and 1994 |
|
86 |
| Register
of Australasian postgraduate theses in music, 1992-1995 |
|
88 |
| Guidelines
for Contributors |
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|
| Musicology
Australia Volume XVII, 1994 |
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Page
|
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Evidence
for linear transposition in Australian Western Desert vocal music |
Udo Will and
Catherine Ellis |
2 |
| Mozart's
European orchestras |
Neal Zaslaw |
13 |
| Isolde
Ahlgrimm and Vienna's historical keyboard revival |
Peter Watchorn |
19 |
| Edmund
Gurney's The Power of Sound (1885): I. Context. |
Jamie C. Kassler |
31 |
| Josef
Holbrooke's Cauldron of Annwn and metempsychosis in music |
Anne-Marie H.
Forbes |
43 |
| Notes
on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| Bands:
The Brass Band Movement in the 19th and 20th Centuries ed. Trevor
Herbert |
John Allen |
61 |
| Quasi
una Fantasia: Essays on Modern Music by Theodor Adorno |
Peter McCallum |
63 |
| African
Polyphony and Polyrhythm - Musical Structure and Methodology by
Simba Arom |
Micheal Hannan |
67 |
| Karlheinz
Stockhausen: Klavierstücke, David Tudor (piano) |
Richard Toop |
69 |
| Arnold
Schoenberg Correspondence by Egbert Ennulat |
Philip Bracanin |
71 |
| Samuel
Sebastian Wesley: Anthems II ed. Peter Horton |
David Swale |
72 |
| Peter
Sculthorpe: A Bio-Bibliography by Deborah Hayes |
Michael Hannan |
74 |
| 'The
Greatest Ornaments of Their Profession'- The New Zealand Tours by
the Simonsen Opera Companies, 1876-1889 by Adrienne Simpson |
Jenny Dawson |
76 |
| Queering
the Pitch: The New Gay and Lesbian Musicology eds Philip Brett,
Elizabeth Wood and Gary Thomas |
Mario Champagne |
78 |
| The
British Folk Scene: Musical Performance and Social Identity by
Niall Mackinnon |
Anne-Marie Forbes |
82 |
| Register
of Members' Publications |
|
84 |
| Register
of Australian undergraduate theses in music |
|
86 |
| Guidelines
for contributors |
|
|
| |
|
|
| Musicology
Australia Volume XVI, 1993 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| The
Kreisleriana of Robert Schumann and E.T.A. Hoffmann: some
musical and literary parallels |
Deborah Crisp |
3 |
| Des
pas sur la neige: Debussy in Bilitis's footsteps |
Nicholas Routley |
19 |
| Hans
von Bülow and Richard Strauss: the master and his ardent follower |
Craig De Wilde |
28 |
| Ravel,
rhythm and form |
Roy Howat |
39 |
| Save
the last dance - for me? |
Richard Moyle |
48 |
| Notes
on Contributors |
|
58 |
| Letters
to the Editor |
|
59 |
| Reports |
|
|
| A
New Source of Sixteenth-Century Polyphony |
Michael Christoforidis
and Juan Ruíz Jiménez |
61 |
| Reviews |
Reviewer |
Page |
| Pleyel
as Music Publisher by Rita Benton with Jeanne Halley |
Jamie Kassler |
63 |
| La
Música en Nueva Nursia by Dom Eladio Ros OSB |
Michael Noone |
64 |
| Filmmusik
im Dritten Reich by Konrad Vogelsang |
Roger Hillman |
66 |
| Musicology
and Difference ed. Ruth A. Solic |
Mario Champagne |
67 |
| The
Madonna Connection ed. Cathy Schwichtenberg |
Chris Childs |
70 |
| Doreen
Bridees: Music Educator ed. Martin Cornte |
Kathryn Marsh |
71 |
| Peggy
Glanville-Hicks by Wendy Beekett |
Joel Crotty |
73 |
| Complete
Accord by Miriam Hyde |
Marianne Helm |
75 |
| Chinese
Musical Instruments: An Introduction by Yang Mu |
Greg Hurworth |
77 |
| Synthesizer
Performance and Real-Time Techniques by Jeff Pressing |
Jim Franklin |
79 |
| Register
of Members' Publications |
|
82 |
| Register
of Australian undergraduate theses in music |
|
87 |
| Guidelines
for contributors |
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|
| Musicology
Australia Volume XV 1992 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Anonymous
IV as Chronicler |
Hendrik van
der Werf |
3 |
| Forum: |
Edward H. Roesner,
Giulio Cattin and Luigi Lera, John Stinson |
13 |
| In
Search of a Model for Transplanted Music in Migrant Communities |
Jehoash Hirshberg |
26 |
| Forum: |
Linda Barwick
Catherine Falk, Alan Marett, Jill Stubington, Stephen Wild |
38 |
| Connection
and Disconnection of Elements of the Rhythmic Hierarchy in an Aranda
Song |
Catherine J.
Ellis |
44 |
| The
Guitar Passacalles of Santiago de Murcia (ca. 1685-1740):
An Alternative Stringing |
Nina Treadwell |
67 |
| Debussy
and Baudelaire's Harmonie du Soir |
Nicholas Routley |
77 |
| Claiming
the Rite |
Helen Payne |
83 |
| A
Bibliography of Publications on Australian Aboriginal and Torres Strait
Islander Music: 1986-1992 |
Grace E.D.Koch |
87 |
| Notes
on contributors |
|
97 |
| Reviews |
|
98 |
| Register
of Members' publications |
|
111 |
| Register
of Australian undergraduate theses in music |
|
116 |
| Guidelines
for contributors |
|
|
| Musicology
Australia Volume XIV 1991 |
Click
here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Last
sketches of eternity: The first versions of Stockhausen's Klavierstück
VI |
Richard Toop |
2 |
| The
Midsummer Marriage in New Year: A comparison of Tippett's
first and latest operas |
Suzanne Robinson |
25 |
| Wangga
songs of northwest Australia: Reflections on the performance of Aboriginal
music at the Symposium of the International Musicological Society
'88 |
Allan Marett
in association with Martin Anggalidi Warrigal and Robert Ilyerre Daly |
37 |
| Same
tunes, different voices: Contemporary use of traditional models in
the Italian Folk Ensemble's Ballata grande per Francesco Fantin
(Adelaide 1990) |
Linda Barwick |
47 |
| Ballata
grande per Francesco Fantin/Ballad for Francesco Fantin, as performed
by the Italian Folk Ensemble, Adelaide 1990 |
Antonio Comin
with Linda Barwick |
68 |
| Notes
on contributors |
|
85 |
| Reviews |
|
86 |
| Register
of Members' publications |
|
99 |
| Register
of Australian undergraduate theses in music |
|
101 |
| Guidelines
for contributors |
|
|
| Musicology
Australia Volume XIII 1990 |
Click
here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Chromaticism
in Thomas Weelkes's 1600 collection: possible models |
Kenneth S. Teo |
2 |
| Systematic
analysis and pretonal repertoires |
Fiona McAlpine |
15 |
| Spatium
and Intervallum: the development of technical terms for 'interval'
in medieval treatises |
Richard Maddox |
23 |
| Puccini
and Verga's she-wolf |
Vincent Cincotta |
28 |
| Building
a new musical tradition: the Sogakudo and the introduction of Western
music in Japan |
Kimi Coaldrake |
35 |
| Notes
on contributors |
|
42 |
| Reviews |
|
42 |
| Register
of Members' publications |
|
56 |
| Register
of Australian undergraduate theses in music |
|
59 |
| Guidelines
for contributors |
|
61 |
| Musicology
Australia Volume XI-XII 1988-1989 |
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here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| A
common attitude to the pursuit of music: an Australian opportunity |
Peter Platt |
2 |
| Australian
ethnic music: a reflection of divergence |
Mike Ryan |
14 |
| Interpretive
strategies in Australian musical scholarship |
Jamie C. Kassler |
24 |
| Informants'
words and musicians' statements: some remarks on the place of discourse
in understanding music |
Jean-Jacques
Nattiez |
27 |
| Transcription
as deflowering: collection practices in Italy, pre-1939 |
Linda Barwick |
35 |
| Temperamentology
in ancient Chinese written records |
Chen Yingshi |
44 |
| The
Ediang of Hainan Island: a variant of the folksong tradition
of the Han people of China |
M. Yang |
65 |
| Japanese
nagauta notation and performance realities |
William P. Malm |
87 |
| Notes
on contributors |
|
105 |
| Reviews |
|
106 |
| Register
of Members' publications |
|
122 |
| Register
of Australian undergraduate theses in music |
|
124 |
| Index
to Musicology and Musicology Australia 1964-1987
|
Gordon Abbott |
127 |
| Guidelines
for contributors |
|
61 |
| Musicology
Australia Volume X 1987 |
Click
here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Preservation
and conservation of Australian traditional musics: an environmental
analogy |
Jill Stubington |
2 |
| Debussy,
Masques, L'isle joyeuse, and a lost Sarabande |
Roy Howat |
16 |
| The
use of recurring imagery as a structural device and a free approach
to serialism in the song cycle Music in the Mirabell Garden for
soprano and eight instruments by Larry Sitsky |
Lawrence Whiffin |
31 |
| Musical
syntax and the problem of meaning in a central Australian songline
|
Catherine J.
Ellis and Linda M. Barwick |
41 |
| A
bibliography of publications on Australian Aboriginal music: 1975-1985
|
Grace E.D. Koch |
58 |
| Notes
on contributors |
|
71 |
| Letter
to the editors |
|
72 |
| Reviews |
|
73 |
| Register
of Members' publications |
|
87 |
| Register
of Australian undergraduate theses in music |
|
88 |
| Guidelines
for contributors |
|
|
| Musicology
Australia Volume IX 1986 |
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here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| The
pit and the pendulum: some reflections on 'new music', Musicology
and current performance practice |
Richard Toop |
2 |
| The
dancing fish trap (lukah menan): a spirit-invocation song
and a spirit-possession 'dance' from North Sumatra |
David Goldsworthy |
12 |
| In
search of the lost melodies of Tang China: an account of recent research
and its implications for the history and analysis of Togaku |
Allan Marett |
29 |
| Spiralled-leaf
reedpipes and shawms of the Indian Ocean littoral: two related regional
traditions |
Reis Flora |
39 |
| Percy
Grainger's 'Nordic revolt against civilization' |
Bruce Clunies
Ross |
53 |
| Notes
on contributors |
|
66 |
| Reviews |
|
66 |
| Register
of Members' publications |
|
81 |
| Register
of Australian undergraduate theses in music |
|
82 |
| Guidelines
for contributors |
|
|
| Musicology
Australia Volume VIII 1985 |
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here to return to the top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| Musicology
and the Australian Bicentenary: a methodological prospectus from an
American viewpoint |
Richard Crawford |
2 |
| Grainger's
London years: a performing history |
Malcolm Gillies |
14 |
| Bix
Beiderbecke and the Jean Goldkette Orchestra |
Frank Murphy |
24 |
| Notes
towards a biography of the Polish composer Grzegorz Gerwazy Gorczycki
|
Sabina Skrzypczak |
33 |
| Attribution
of some unsigned articles of Berlioz in the Revue et Gazette Musicale
de Paris (1834-1837) |
Kerry Murphy |
39 |
| Notes
on contributors, Guidelines for contributors |
|
49 |
| Book
Reviews |
|
50 |
| Register
of Members' publications (1984) |
|
67 |
| Register
of Australian undergraduate theses in music (1984) |
|
70 |
| Musicology
VII 1982 |
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here to return to the top |
|
| Articles
and Bibliography |
Author |
Page |
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| New
Sources of Mediaeval Music |
Gordon A. Anderson |
1 |
| Gordon
A. Anderson: A Bibliography |
Jane Morlet
Hardie |
27 |
| Music
at Nevers Cathedral |
Nancy van Deusen |
30 |
| The
Organs in the Church of the Monastery of Santa Cruz, Coimbra, Portugal:
Their History and Some Technical Notes |
Wesley D. Jordan |
41 |
| Thomas
Britton: Musician and Magician? |
Jamie Croy Kassler |
67 |
| Athanasia:
Kircher and his Musurgia Universelle 1650 |
John Fletcher |
73 |
| Song
Performance and Aboriginal Polity: a Northeast Arnhem Land Example
|
Jill Stubington |
84 |
| Language
Communication and Instrumental Music in Papua New Guinea; Comments
on the Huli and Samberigi Cases |
Jacqueline Pugh-Kitingan |
104 |
| A
Theory of Tonality and Modality: Bartók's Last Works |
Malcolm Gillies |
120 |
| A
Question by Spender on Amusia Explored |
Michael Kassler |
131 |
| Reports |
|
|
| An
Account of Transposing Keyboard Instruments before 1650 |
Peter Maddox |
136 |
| Haydn
Autograph Manuscripts Verified in Melbourne: String Quartets Opus
50 Nos. 3-6, of 1787 |
Margaret J.
Kartomi |
139 |
| Early
Printed Monographs on Music in Australian Libraries |
Stephen Dowland
Page |
140 |
| In
Memoriam |
|
|
| Tributes
to Gordon Athol Anderson (1929 - 1981) |
|
154 |
| Tribute
to Donald Richard Peart (1909 - 1981) |
|
156 |
| Book
Reviews |
|
|
| Levarie
and Levy: A Dictionary of Musical Morphology |
Gordon A. Anderson |
158 |
| Price:
Music in the Restoration Theatre |
Mary Chan |
160 |
| Rahn:
Basic Atonal Theory |
David Hush |
161 |
| Charteris
(ed.): John Coprario Fantasia Suites and Harrison and Wibberley
(eds.): Manuscripts of fourteenth Century English Polyphony |
Cecil Hill |
164 |
| Abstracts
of Theses on Music at Australian Universities |
|
165 |
| Guidelines
for Contributors to Musicology |
|
167 |
| Contributors
to this Issue |
|
168 |
| Musicology
VI 1980 |
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here to return to the top |
|
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| The
Musicological Society of Australia: A Chronicle of Meetings 1963 -
1976 |
Gordon A. Anderson |
5 |
| Martin
Gerbert (1720 - 1793): An Eighteenth-Century Historian's View of Church
Music |
Gordon A. Anderson |
12 |
| A
Case for Cyclic Composition in Three of J.S. Bach's Settings of the
Christmas Chorale, Allein Gott in der Höh' sei Ehr' |
Robert Huestis |
23 |
| French
Overtures at the Keyboard: "How Handel Rendered the Playing of
Them" |
Graham Pont |
29 |
| Operatic
Reform before Gluck, and the German Heroic Music Theatre of the Sturm
und Drang |
Andrew D. McCredie |
51 |
| The
Operatic Basis of Mozart's Keyboard Concertos |
John A. Meyer |
62 |
| Problems
and Solutions in Editing Introit and Communion Tropes and Chants from
the Eleventh Century Manuscript, Paris Bibliothèque Nationale
fonds Latin 903 |
Greta Mary Hair |
66 |
| Early
Versions of Beethoven's Second Symphony |
Cecil Hill |
90 |
| Charles
Ives: Organization in Emerson |
Ann Ghandar |
111 |
| Honours
Thesis Abstracts |
|
128 |
| Book
Review: Margaret Kartomi (ed.) Studies in Indonesian Music |
David P. McAllester |
130 |
| Obituary:
Rita Benton |
|
131 |
| Guidelines
for Contributors to Musicology |
|
132 |
| Musicology
V 1979 |
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here to return to the top |
|
| Articles |
Author |
Page |
| A
Revolution in the Science and Practice of Music |
Graham
Pont |
1 |
| The
Inner Language of Verdi's Manuscripts |
Denis Vaughan |
67 |
| A
Critical-Edition Problem Resolved |
Michael
Kassler |
155 |
| Dr.
Burney's 'Dictionary of Music' |
Roger
Lonsdale |
159 |
| A
Cathedral Reaches Out - The Impact of St. Mary's Music on Sydney Life |
Errol Lea-Scarlett |
173 |
| Queen
of Night, Mother-Right, and Secret Male Cults |
L.
R. Hiatt |
191 |
| The
Restoration of a Lost Bach Sinfonia for Organ and Orchestra, based
on a Revised List of Sources for Cantata 188 and Related Works |
Ralph
Schureck |
205 |
| Reviews
and Previews |
|
|
| J.
B. Steane, The Grand Tradition: Seventy Years of Singing on Record |
Anthony
Rainer |
211 |
| The
Music of the Australian Hymn Book |
C.
Louis Fouvy |
223 |
| Reports |
|
|
| Progress
of The Musicological Society of Australia 1976-1979 |
Michael
Kassler and Graham Pont |
231 |
| Advances
in Music Documentation at the Australia Music Centre |
Philip
J. Drummond |
234 |
| Charles
Burney Correspondence in Australia |
Michael
Kassler |
236 |
| Notes
from the Museum of Applied Arts and Sciences: The Chinnery/Viotti
Papers in Sydney |
Michael
Kassler |
237 |
| Notes
from the Mitchell Library, Sydney: The Alfred Hill Collection |
Martin
Beckett |
242 |
| Notes
from the Grainger Museum, University of Melbourne |
Kay
Dreyfus |
245 |
| Notes
from the National Library of Australia, Canberra |
Prue
Neidorf |
246 |
| Musicology
IV 1974 |
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|
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| Techne |
Jim Mackenzie |
3 |
| Bach's
trills: some historical and contextual considerations |
John O'Donnell |
14 |
| The
nature of public song in a southeast Arnhem Land community |
David Biernoff |
25 |
| Computational
musicology and the new quadrivium |
Phillip J. Drummond |
45 |
| A
musical popularity poll |
Fred R. Blanks |
57 |
| Music
and grade-taking on East Aoba |
Peter Crowe |
64 |
| Musicology
III 1968-69 |
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here to return to the top |
|
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| Aboriginal
Music on Cape York |
Alice M Moyle |
3 |
| Influences
on the Early Lute Songs of John Dowland |
Patricia A.
Brown |
21 |
| The
Fantasies of Thomas Lupo |
John M. Jennings |
34 |
| The
Influence of the Pianoforte on Eighteenth-Century Keyboard Style |
Winsome Evans |
49 |
| The
Rapid Development of Music in Australia 1851-1861 |
Ann Wentzel |
69 |
| Musicology
II 1965-67 |
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here to return to the top |
|
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| The
New Troubadours: Reflections on Pop and Modern Folk Music |
Wilfred Mellers |
3 |
| Alfonso
Ferrabosco and the Lyra Viol |
Donald Peart |
13 |
| French
Bowing Rules and the Minuet |
Dene Barnett |
22 |
| The
Old Jewry 'Musick- Society': A 17th-Century Catch Club |
Ian Spink |
35 |
| The
Consort Songs and Madrigals of Richard Nicholson |
Gordon Spearritt |
42 |
| Music
Aptitude Tests - A Commentary |
Doreen Bridges |
53 |
| Australian
Aboriginal Music-a Bibliography and Discography |
Alice M. Moyle |
60 |
| Miscellanea |
|
62 |
| Musicology
I 1964 |
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here to return to the top |
|
| Note:
Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| The
Didjeridu of the Australian Aborigine |
Trevor Jones |
4 |
| Military
Music in the Colony of N.S.W., 1788-1850 |
Peter Richardson
|
5 |
| The
Mysterious Four-note Theme in Beethoven's Last String Quartets |
W. A. Dullo |
10 |
| Bara
and Mamariga Songs on Groote Eylandt |
Alice M. Moyle
|
15 |
| Problems
of Violin Bowing in the Performance of 18th-Century Music |
Joan Mackerras |
25 |
| Francis
Cutting, Lutenist |
Martin Long
|
31 |
| Australian
Aboriginal Music: A Bibliography and Discography |
Alice M. Moyle
|
39 |
| Miscellanea |
|
41 |
| |
|
|