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MSA Home > Publications > Member's Publications
This Web Page contains a complete listing of all Member's Publications which have currently been submitted for listing.
(ed.) Purcell’s Operas: the complete texts. Oxford: Oxford University Press, 2001.
“Michael Arne.” In Die Musick in Geschichte und Gegenwart., Vol. 1, Ludwig Finscher, ed. Basel: Bärenreiter Kassel, 1999.
“Metastasio’s ‘London pasties’: curate’s egg or pudding’s proof.” In Pietro Metastasio (1698-1782), ‘uomo universal’, Hg. von Elisabeth Th. Hilscher und Andrea Sommer-Mathis eds., Vienna: Verlag der …sterreichischen Akademie der Wissenschaften, 2000.
“Henry Carey.” In Die Musick in Geschichte und Gegenwart, Vol. 3, Ludwig Finscher, ed., Basel: Bärenreiter Kassel, 2000.
“Aspects of Purcell’s operas.” In Henry Purcell’s Operas: the complete texts (Oxford: Oxford University Press, 2000), 3-27.
“A Fox-trot to the Crucifixion; the music theatre of Peter Maxwell Davies.” In The Music of Peter Maxwell Davies, Raymond Monelle and Richard McGregor, eds. London: Ashgate, 2001.
“Vita buffa’, Robert W. Gutman, Mozart.” New York Times, 13 February 2000.
“Purcell Manuscripts: The Principal Musical Sources Robert Shay and Robert Thompson.” Notes, lviii/1 (2001): 63-4.
“An Eccles opera [Semele]” .Early Music, xxix/2 (2001): 297-8.
Thomas Lupo: The Three-Part Consort Music, London: Fretwork Editions No. 18, 2001, pp. xxx, 55 (plus parts).
Giovanni Gabrieli: Canzonas I–IV a 4, C186–C189, Churcham, Gloucester: The Beauchamp Press No. BP2047, 2001, pp. ii, 14 (and parts).
Giovanni Gabrieli: Canzon a 12, C193, Churcham, Gloucester: The Beauchamp Press No. BP2048, 2001, pp. ii, 7 (and parts).
‘Theophilus Hawney: A Little-Known Composer and his Much Travelled Works’, Early Music, 28 (2001), pp. 626–632.
Giovanni Gabrieli: Opera omnia, twelve volumes in Corpus mensurabilis musicae, 12 (formerly Neuhausen-Stuttgart, now Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 1991– ), Volume IV: Motets in ‘Symphoniae sacrae’ (Venice, 1615) II, (Holzgerlingen: American Institute of Musicology and Hänssler-Verlag, 2000), pp. xlv, 204.
Claudio Monteverdi: The Third Book of Madrigals for Five Voices (apt for Voices, Viols & Recorders), Viol Consort Series, 34 (Albany, California: PRB Productions, 2000), pp. xviii, 213 (87 of them score, the rest parts).
‘Further British Materials in the Pre-War Music Collection of the Staats- und Universitätsbibliothek, Hamburg’, Royal Musical Association Research Chronicle, 31 (1998 [2000]), pp. 91–122.
‘A Newly Discovered Songbook in Poland with Works by Henry Lawes and his Contemporaries’, English Manuscript Studies 1100–1700, 8 ‘Seventeenth-Century Poetry, Music and Drama’ (2000), pp. 225–279.
‘Thomas Bever and Rediscovered Sources in the Staats- und Universitätsbibliothek, Hamburg’, Music & Letters, 81 (2000), pp. 177–209.
‘Further Manuscript Discoveries in the Staats- und Stadtbibliothek, Augsburg’, Musica Disciplina, 51 (1997 [2000]), pp. 179–230.
The Organs of St Stephen’s Cathedral, Brisbane, 1873-2000” OHTA News, 25/1 (January 2001), pp. 12-17.
“Snowbird in Context: Remedy or Reaction”. Antiphon: A Journal for Liturgical Renewal, 6/3 (December 2001).
“Cum Angelis canimus: Re-examining the role of the choir at the Eucharist,” Pastoral Music, 24/2 (December -January 2000), 25-33; also in The Australasian Catholic Record, 77/1 (January 2000), pp. 61-75.
“Church Music in the Anglican Diocese of Melbourne, 1847-1997”, in People of the Past? The Culture of Melbourne Anglicanism and Anglicanism in Melbourne’s Culture, ed. Colin Holden. Melbourne University Conference and Seminar Series, 9. Parkville: Department of History, University of Melbourne, 2000, pp. 67-88.
“Impulse zur Zukunft der liturgischen Musik: Aus dem Diskussionsprozess rund um das ‘Snowbird Statement’,” in Heiliger Dienst [Austrian Liturgical Periodical], 2/2000 954, Jarhgang, pp. 140-51.
CROTTY, Joel T.
“Harvest: the music of John Tallis, Esther Rofe and Dorian Le Gallienne,” musicological notes to accompany the compact disc VAST030-2 (Sydney: Vox Australis, 2001).
and Tamara Smolyar, “Miriam Hyde’s Work for Piano and Orchestra”, Music Teacher Magazine 8/6 (October 2001) 42-43.
“Canto Gregoriano and Frock Rock: EMI and the Popularisation of Gregorian Chant”, Music Business Journal 1/1 (Jan-June 2001) [online].
DREYFUS, Kay
Sweethearts of Rhythm: The Story of Australia’s Alll-Girl Bands and Orchestras to the end of the Second World War. Sydney: Currency Press, 1999.
EAKINS, Rex (ed.)
An Editorial Transnotation of the Manuscript Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum. Vol. 2. Ottawa: The Institute of Mediaeval Music, 2000.
An Editorial Transnotation of the Manuscript Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum. Vol. 3. Ottawa: The Institute of Mediaeval Music, 2001.
‘The Meaning of Authenticity and the Early Music Movement – An Historical Review’ International Review of the Aesthetics and Sociology of Music 32/2 (2001), pp. 153-167.
(& Emery Schubert) ‘Dotted Rhythms: Perception, Preference and Implication for Performance Practice’ Proceedings of the Spring Meeting of the Japanese Society for Music Perception and Cognition Fukuoka, May 2001, pp. 68-75
“Music at an Exhibition: a case study of the Tasmanian International Exhibition, 1894-1895” Context 19 (Spring 2000), 57-64.
“Grainger in Edwardian London” Australasian Music Research 5 (2000), 1-16.
“Fritz Hart: choral works for female voices” Sing Out Vol. 17 (n1 Winter 2000), 17-19.
Review of ”Henry Handel Richardson:The Music vols.1 and 2 ed. by Bruce Steele and Richard Divall” Musicology Australia 24 (2001), 100-103.
“Fritz Hart: Melbourne’s Celtic Composer-in- Residence,” in Origins and Revivals: Proceedings of the first Australian conference of Celtic Studies ed. Geraint Evans, Bernard Martin and Jonathan Wooding (Sydney: University of Sydney Centre for Celtic Studies, 2001)
“Hart, Fritz” The New Grove Dictionary of Music and Musicians 2nd
ed. Stanley Sadie ed. (London:Macmillan, 2001) vol.11, 73-4.
“Holbrooke, Joseph” The New Grove Dictionary of Music and Musicians 2nd ed. Stanley Sadie ed. (London:Macmillan, 2001) vol.11, 615-6.
Fritz Bennicke Hart Herrick
Songs: Settings of Poems by Robert Herrick ed. Anne-Marie Forbes and Bronwen Arthur
(Melbourne: University of Melbourne Centre for Studies in Australian Music,
2000).
'Egenolff, Christian' [publisher] and 'Formschneider, Hieronymus' [printer]. Die Musik in Geschichte und Gegenwart. 2nd ed. Ed. Ludwig Finscher. Personenteil Kassel: Bärenreiter, VI: 98-103 and 1472-75.
'Formschneider, Hieronymus' [printer], and 'Ott, Hans' [publisher]. The New Grove Dictionary of Music and Musicians. 2nd ed. Ed. Stanley Sadie and John Tyrrell. 29 vols. London: Macmillan, IX: 97-98 and XXIV: 800-01
Review of 'Musica Britannica
Volume 74: Thomas Watson's Italian Madrigals Englished (1590)' and 'The Byrd Edition Volume 9: Latin Motets II.' Musicology
'The Printing of the Novum
et insigne opus musicum (RISM 15371 and RISM
15383)'. Musicology and Sister
Disciplines Past, Present, Future: Proceedings of the 16th International Congress
of the International Musicological Society, London 1997. Ed.
David Greer. Oxford: Oxford University Press, 630.
“The Original Ludwig van (and others): classical music as cultural marker.”, Cinesonic: Cinema and the Sound of Music, ed. Philip Brophy (Australian Film Television and Radio School: Sydney, 2000), 131-54
“Fassbinder, and Fassbinder/Peer Raben” Screening the Past (March 2001), at: http://www.latrobe.edu.au/www/screeningthepast/firstrelease/fr0301/rhfr12a.htm
(with Deborah Crisp) “Verdi and Schoenberg in Bertolucci’s “The Spider’s Stratagem” Music and Letters 82/2 (May, 2001), 251-67
(with Deborah Crisp) “Verdi in Postwar Italian Cinema”, Between Opera and Cinema, ed. Jeongwon Joe and Rose M. Theresa (Routledge: New York, 2002), 157-76
“Beethoven and Melodrama,” Musicology
“Music and Ritual of Pre-Twentieth Century Origins in Manggarai, West Flores”, Review of Indonesian and Malaysian Affairs 35/1 (Winter 2001), 79-136.
“Play Songs by Children and their Educational Implications”, Aboriginal History 23 (Sally White Commemorative Issue, 1999 [published March 2001]), Luise Hercus and Grace Koch (eds), Canberra: Australian National University, 61-71.
“The Classification of Musical Instruments: A Critical Account of Research in the 1990s, Ethnomusicology 45/2 (Spring/Summer 2001) 283-314.
“Die Musikalische Geschichte des Judengemeinde Singapores”, in Kathrin Eberl u. Wolfgang Ruf (eds.), Musikkonzepte der Musikwissenschaft, Bericht über den Internationalen Kongress der Gesellschaft für Musikforschung (Kiel 1998) (Kassel: Bärenreiter, 2000 [published April 2001]): 62-71.
KASSLER, Jamie C.
Music, Science,
Philosophy: Models in the Universe of Thought, Aldershot,
Review of Paolo Gozza (ed.), Number to Sound: The Musical Way to the Scientific Revolution (Dordrecht, Kluwer, 2000), in Isis v 92 (2001) p 769-770.
‘Musicology and the problem of sonic abuse’ in L. Austern, ed., Music, Sensation and Sensuality, New York: Garland (Routledge), 2002, p 321-335.
(with Philip Olleson) Samuel Wesley
(1766--1837): A Source Book, Aldershot,
“Gerontius in the City of Dreams: Newman, Elgar and the Viennese Critics,” International Review of the Aesthetics and Sociology of Music 31/1 (June 2001), 47-64.
“Max Kalbeck: Excerpts from the Diary of 1897,” in David Brodbeck (ed.), Brahms Studies 3 (Lincoln: University of Nebraska Press, 2001) 1-18.
McCREDIE, Andrew D.
“The Bellerofonte – Béllerophon Tradition and Barthold Fein’s libretto Bellerophon – Das in der preussische Krone verwandelte Wagen-Gestirn for Christoph Graupner (1708),” in Nicole Rostow, Wolfgang Sandberger and Dorothea Schröder (eds.), Critica Musica: Studiem zum 17. und 18. Jahrhundert: Festschrift Hans Joachim Marx zum 65. Geburtstag (Stuttgart; Weimar: Verlag J. B. Metzler, 2001) 201-221.
“Die emigreierten euro-jüdischen Komponisten im ostasiatischen Raum – Ihre Theorien und Rezeptionen der örtlichen Musiktraditionen,” in Kathrin Eberl u. Wolfgang Ruf (eds.), Musikkonzepte der Musikwissenschaft, Bericht über den Internationalen Kongress der Gesellschaft für Musikforschung (Kiel 1998), (Kassel: Bärenreiter, 2000 [ published April 2001]) 72-79.
“Wener Egks Frankophilia,” in Brigitte Müller ed., Werner Egk, eine universelle Begabung: Komponist, Schriftsteller, Interpret und Zeichner: Beiträge zum 1. Werner-Egk-Symposium Donauwörth 12.-14. November 1999 (Donauwörth: Verlag der Stadt Donauwörth 2001) 1-38.
A Franz Holford Miscellany Including his Middle See. Compiled and ed. Jennifer Hill and Kerry Murphy. Melbourne: Centre for Studies in Australian Music, 2001.
‘19th-Century Music Criticism: A Growing Resource’, Journal of the Royal Music Association vol. 123, no. 1 (1999): 107–15.
—— Dossier de Presse: Gounod: ‘La Nonne sanglante’. Heilbronn: Lucie Galland, 1999, xx, 197 pp.
—— and Hill, J. Historic Art-Song series, vol. 1 : Songs of Dorien le Gallienne. Melbourne: Centre for Studies in Australian Music, 1999.
“‘Living, Deathless, Timeless Music:’ Grainger and Early Music.” Australasian Music Research 5 (2000): 83-104.
“Grainger and the Australian Broadcasting Commission after 1935: Memories, Hopes and Frustrations.” Australasian Music Research 5 (2000): 113-24.
NELSON, Steven G.
‘Kodai Higashi Ajia no Gakki no Fukugen: Kodai Ongaku no Saisei / Reconstruction
of the Music Instruments of Ancient East Asia: Recovering the Lost Music of
an Ancient Epoch’ in
‘Gagaku: Performed by Musicians and Dancers of Kunaichô Shikibushoku Gakubu (Music Department of the Board of Ceremonies of the Imperial Household Agency, Tokyo)’ in Gagaku Eizô Kaisetsu [Gagaku Video Commentary] 2 (Tokyo: Shimonaka Memorial Foundation, July 2000), 17–86. (Commentary on gagaku for a series of ten videotapes.)
‘Fujiwara no Takamichi sô “Shiki Hossoku Yôi no Jôjô” ni okeru Kôshiki no Ongaku Kôsei-hô’ [The Musical Construction of Kôshiki Lecture-Sermons as Explained in the Shiki Hossoku Yôi no Jôjô of Fujiwara no Takamichi (1166–1237)] in Fukushima Kazuo, ed. Chûsei Ongaku-shi Ronsô [Collected Essays on the Medieval Music History of Japan] (Osaka, Izumi Shoin, November 2001), 215–277.
‘Depiction of Gaku: Remarks on the Value of Music
Iconography in Historical Research on the Traditional Music of
“Cristóbal de Morales en Toledo”, Scherzo 147 (2000): 124-5.
“Music, politics and patronage in Spanish and Portuguese dominions in the early modern period (Study Session 27)”, Musicology and Sister Disciplines: Past, Present and Future, David Greer, ed. New York: Oxford University Press, 2000.
Canticum Canticorum-Song of Songs, Orchestra of the Renaissance conducted by Michael Noone (Glossa) GCD 921403 (2000).
Spanish Battle Music in the Age of Discovery-the Song Company conducted by Michael Noone ABC Classics 461 731-2 (2001)
Assumption Mass at Toledo Cathedral, ca. 1580, Orchestra of the Renaissance conducted by Michael Noone (Glossa GCD 921404 (2001)
‘Procesiones a la “ciudad de los muertos”. La Capilla Real y un réquiem anónimo de El Escorial’, in J. J. Carreras and B. García, La Capilla Real
de los
‘Vivanco’, in Goldberg 16 (2001) 27-39.
Louis Laloy (1874-1944) on Debussy, Ravel and Stravinsky, Aldershot: Ashgate Publishing, 1999.
RADIC, Thérèse
‘Past Imperfect, Present Indicative, Future Tense: The Repercussions of the Australian Composing Women’s Festivals’, in Sally Macarthur and Cate Poynton (eds), Musics and Feminisms. Sydney: Australian Music Centre, 1999: 9–18.
—— ‘Plays in Print’ [A rolling column in Australian Book Review], Australian Book Review 212 (1999): 20.
—— ‘The Play’s the Thing’: Review of The Theatre of Louis Nowra by Veronica Kelly, Sydney: Currency Press, 1999, in Australian Book Review 209 (1999): 19.
—— ‘One Woman Show’: Review of Box the Pony, playscript by Scott Rankin and Leah Purcell, Sydney: Hodder Headline, 1999, in Australian Book Review 212 (1999): 19.
—— Review of Strella Wilson: The Career of an Australian Singer by Peter Dunbar-Hall, Sydney: Redback Press, 1997 in Newsletter of the Centre for Studies in Australian Music 9 (1999): 3.
—— ‘A Faint Odour of Sanctity’: Review of The Silent Showman: Sir George Tallis, the man behind the World’s Largest Entertainment Organisation of the 1920s by Michael Tallis and Joan Tallis, Adelaide: Wakefield Press, 1999, in Australian Book Review 216 (1999): 9. (http://www.tallis.on.net/book.html)
“A practical guide to musica ficta”(Japanese translation) in Temperament and Intonation in Early Music (234-268), Seiichi Toukawa, ed., Tokyo: Shunjusha, 2001.
SCOTT-MAXWELL, Aline
and John Whiteoak, “Multicultural Ideals and Editorial Realities: Intercultural (Mis)communication and Cultural Representation in the Making of a Reference Work,” Journal of Intercultural Studies 22/2 (August 2001) 225-240.
SIMPSON, Adrienne
‘Frances Saville: Australia’s Forgotten Prima Donna’, Australasian Music Research 4 (1999): 1–32.
STOCKIGT, Janice B.
“Zelenka, Jan Dismas” in The New Grove Dictionary of Music and Musicians. Revised (7th). Edd. Stanley Sadie, John Tyrell (London: Macmillan, 2001)
Jan Dismas Zelenka (1679-1745): A Bohemian musician at the court of Dresden. Oxford: Oxford University Press, 2000.
STUBINGTON, Jill
“Text and tradition in Australian folk club music and Australian Aboriginal music”, Australian Folklore No.16 (2001): 221-232.
TUNLEY, David
“French melodie” The New Grove Dictionary of Music and Musicians 2nd ed. Stanley Sadie ed. London: Macmillan, 2001.
Salons, Singers and Songs: a background to romantic French song 1830-1870, London: Ashgate, 2002.
WATT, Paul
‘Editing Dissertations’, Publishing Studies 7 (1999): 45–51.
—— Review of Listening in Paris: A Cultural History by James H. Johnson (Berkeley: University of California Press, 1995), in Musicology Australia 21 (1998): 85–7.
and Aline Scott-Maxwell, “Multicultural Ideals and Editorial Realities: Intercultural (Mis)communication and Cultural Representation in the Making of a Reference Work,” Journal of Intercultural Studies 22/2 (August 2001) 225-240.
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