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ISSN 0155-0543
GPO Box 2404 Canberra ACT 2601
Website: www.msa.org.au
E-mail: kmarsh@mail.usyd.edu.au
National Committee 2000–2001
President: Nicholas Routley (Syd), Secretary: Kathy Marsh (Syd), Treasurer: Natalie Shea (Syd), Past President: Craig de Wilde (Vic), Ex officio IMS: Margaret Kartomi (Vic), Ex Officio ICTM: Allan Marett (Syd)
Committee Members
Anne-Marie Forbes (Qld/Tas), Royston Gustavson (Vic), Elizabeth MacKinlay (Qld), John Phillips (SA), Jennie Shaw (Vic), David Symons (WA), Jula Szuster (SA)
Membership Secretary
Chris Wainwright
11 Hillsley Avenue
Everard Park SA 5035
E-mail: chriswainassocs@picknowl.com.au
Editor, Musicology Australia
Paul Watt
57 Forster Street Heidelberg VIC 3081
E-mail: pwatt@cup.edu.au
Website Coordinator
Brett Chapman
144 Bellevue Avenue Rosanna VIC 3084
E-mail: Brett.Chapman@riotinto.com
CONTENTS (click on the link below to go to the appropriate section)
2000 Annual General Meeting Draft Minutes
Newcastle Study Weekend: Report
<>Sydney
<>Victoria
<>Forthcoming Conferences and Events
<>24th National Conf., Melbourne 2001
<>New Pacific-Wide Association
Deadline for Newsletter contributions
For No. 55, September 2001 issue:
Monday, 27 August 2001
Editor, Newsletter
John A. Phillips
1209 Lower North East Road
Highbury SA 5089
Ph./Fax: (08) 8395 5332
E-mail: jphil@chariot.net.au
Thanks to all contributors and to KwikKopy Unley, SA, for their assistance in the production of this issue.
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Musicological Society of Australia Incorporated
— 2000 annual general meeting —
Held at the Conservatorium of Music, University of Newcastle
Sunday, 12 November 2000, 9.15 am
DRAFT MINUTES
Tabled: A: Agenda
B: Minutes of AGM, 12 September 1999
(as circulated in Newsletter No. 52, February 2000)
<>C: President’s Report
<>C: Acting Membership Secretary’s Report
<>D: Treasurer’s Report
Craig De Wilde, Society President, welcomed members and guests to the meeting and announced that the ballot for the election of officers to the National Committee would close at 9.30 am. Roland Bannister and Gabriel Griffiths were appointed as returning officers.
Present: Craig De Wilde (chair), Roland Bannister, Linda Barwick, Ian Cook, Birgit Drüppel, Michael Ewans, Gabriel Griffiths, Rosalind Halton, Elizabeth MacKinlay, Allan Marett, Kathy Marsh, Kathleen Nelson, John Phillips, Claudio Pompili, Margaret Sharpe, Jennie Shaw, Jula Szuster.
Invited guests: Dick Letts, Samantha Smith
1. Apologies
Apologies were received from Greg Anderson, Michael Christoforidis, Kimi Coaldrake, Anne-Marie Forbes, Jim Forsyth, Margaret Gummow, Royston Gustavson, Hazel Hall, Daniela Kaleva, Jaki Kane, Margaret Kartomi, Elizabeth Kertesz, Helen Lawrence, Sally Macarthur, Dolly MacKinnon, Kerry Murphy, Hartmut Möller, Tim Passmore, Simon Perry, Anne Power, Adrian Renzo, Nicholas Routley, Aline Scott-Maxwell, Natalie Shea, David Symons, Shirley Trembath, Chris Wainwright, Paul Watt and Stephen Wild.
2. Confirmation of the Minutes of the AGM, 12 September 1999
It was moved that: the minutes of the 12 September 1999 meeting be accepted.
Moved: Elizabeth MacKinlay Seconded: Allan Marett Carried
3. Matters arising from the Minutes of the 1999 Annual General Meeting
3.1 Separation of the Annual National Conference and the AGM
Elizabeth MacKinlay conveyed the Queensland Chapter’s concern that a pattern was being set of a separate annual conference and AGM. Craig De Wilde agreed and noted that the issue had been discussed at the last AGM (AGM 1999 Minutes, items 5.3 and 5.4). Although Craig had attempted to persuade the Melbourne conference organisers to hold the 2001 conference later in the year so that the AGM could be held at the same time, this was complicated by the organisers’ wishes to have the conference in the first half of the year, when several speakers whom the organisers wished to invite to participate in the conference would already be in residence at the University of Melbourne. Those speakers had since accepted the Society’s invitations to participate in the conference. Members at the last AGM had also been keen to avoid a clash with the AIATSIS–ICTM meeting in Canberra in September 2001. Craig assured members present that the incoming Executive would be advised that, in accordance with the Society’s Constitution (Article VI, By-Law 2c), they would endeavour to persuade the organisers of the 2002 conference to schedule the Society’s conference in the latter part of the year so that it may be held in conjunction with the AGM.
4. Society Reports
4.1 President’s Report
Society President, Craig De Wilde, read his report. Copies were distributed to members and guests present at the meeting.
It was moved that: The President’s Report be accepted.
Moved: Linda Barwick Seconded: Michael Ewans Carried
4.2 Secretary’s Report
The National Secretary, John Phillips, read his report to the meeting.
It was moved that: The Secretary’s Report be accepted.
Moved: Kathleen Nelson Seconded: Linda Barwick Carried
4.3 Membership Secretary’s Report
The Report of Acting Membership Secretary Chris Wainwright was read by John Phillips. Copies of the Report, including Table 1 (Individual Membership as at November 2000) and Table 2 (Seven-Year Summary of Individual Membership by Chapter) were distributed to members and guests present. The report noted the increase of overall membership numbers this year, up by 22 since September last year, and that this increase roughly matched the additional number of paper givers at the Sydney conference.
On the issue of mandatory registration of paper givers at the Society’s annual National Conference, Allan Marett noted that some flexibility was desirable: at the Sydney Conference, for example, panelists at the indigenous issues symposium had not been required to join the Society. John Phillips confirmed that while, in accordance with the Society’s Conference Guidelines, paper givers should be financial members, these panelists would in any case fall into the category of invited keynote and guest speakers, so that there no conflict was involved.
It was moved that: The Acting Membership Secretary’s Report be accepted.
Moved: Elizabeth MacKinlay Seconded: Linda Barwick Carried
4.4 Treasurer’s Report
The National Treasurer, Jula Szuster, read her report to the meeting. The Society’s income and expenditure for the 1999/2000 financial year, the independent auditor’s report, profit and loss statements and balance sheets from the 1999/2000 and 1999/1998 tax years and bank reconciliation statements were distributed to members present.
Jula noted that the Society’s finances are in a healthy state with current assets of $29,517. A small deficit of $865 had been incurred over the financial year. This could be attributed largely to investment in the Society’s website and production of new brochures. She also noted that, in comparison to the previous financial year, printing costs had doubled, due to rising prices, plus the fact that the Society had published two "bumper issues" of the Newsletter. Income generated over the year included $11,381 in subscriptions, an increase of $1786 from the previous year. Both the Perth Conference and Wagga Wagga weekend had shown profits for the Society.
John Phillips mentioned that the Executive considered the small deficit was justified by investment in the Society’s website. He noted that Brett Chapman, the Society’s Website Coordinator, was not receiving any remuneration from the Society, so that ongoing costs of maintaining the website were now very low.
Linda Barwick asked Jula to comment on the application of the Goods and Services Tax (GST). Jula commented that the Society had registered for its Australian Business Number (ABN) but the current Executive had decided not to register for the GST, since this would impose a heavy compliance burden on the incoming Executive. The incoming Executive would have to monitor the situation. While the Society did have to pay GST on all goods purchased and services used from 1 July 2000, a situation that would be reflected in the Society’s next financial report, recent increases in membership fees should cover rises in costs.
Linda also asked whether the change in the Society’s membership year from 1 March to 1 June and, most recently, from 1 June to 1 July had affected membership renewals. Jennie Shaw commented that, at the 1998 AGM in Adelaide, the Executive had been asked by members present to watch for changes. The Acting Membership Secretary’s report indicated that Individual Memberships had, in fact, increased, but that there were no significant changes in the ratio between total membership numbers and those who had paid their annual membership by the 1999 and 2000 AGMs.
Allan Marett was concerned that there was an implication that student travel scholarships for the National Conference were dependent on profits from the preceding National Conference. Jennie Shaw explained that travel scholarships were not directly dependent on Conference profits; profits had simply made this money available. Since this was an initiative of the current Executive, as discussed at the National Committee meeting in Perth last year, the practice would operate for the time being on a conference-by-conference basis, depending on the availability of funds. Also on the issue of student travel scholarships, Ros Halton asked how these were to be advertised. John Phillips replied that, for the Sydney Conference, the then Conference Secretary, Jacqui Harrison, had attempted to notify all student members directly, but that a student life member had been missed. In future, notification of the scholarships should be included in all conference registration materials.
Claudio Pompili asked about the Society’s investments, which Jula explained were held in three bank accounts, one of which was used for daily business; life memberships were invested in a second account and money in the Society’s ANZ V2 account was invested at a higher rate of interest but was available same-day if necessary. Claudio also asked about the possibility of installing leverage technology on the Society’s website so that members could, for instance, pay for Society services and submit votes online. John Phillips replied that leverage technology was, at this stage, too expensive to justify on the basis of the usage the site received, but, with increased use of the Society’s online materials, this option should be kept in mind for future development.
Craig De Wilde noted that, with two issues of the Society’s journal, Musicology Australia, due out this financial year, it was again likely that the Society would incur a deficit, but that this was worthwhile, as it would place journal distribution back within the year of issue.
It was moved that: The Treasurer’s report be accepted.
Moved: Michael Ewans Seconded: Allan Marett Carried
4.5 Journal Editor’s Report
The report prepared by Journal Editor Paul Watt was read by John Phillips. It was noted that Volume 23 of Musicology Australia is almost ready for distribution and submissions are being considered for volume 24.
It was moved that: The Journal Editor’s Report be accepted.
Moved: Michael Ewans Seconded: Rosalind Halton Carried
4.6 Newsletter Editor’s Report
Newsletter Editor, John Phillips, read his report at the meeting. Jennie Shaw asked whether a significant number of members had chosen to access the Newsletter on the Society’s website, as an alternative to receiving copies by mail. John replied that very few had chosen this option to date, insufficient to justify any reduction in print runs as yet, but that members would continue to be given the option of accessing the electronic versions only and this would probably become more popular in the future.
It was moved that: The Newsletter Editor’s Report be accepted.
Moved: Jula Szuster Seconded: Linda Barwick Carried
4.7 Website Coordinator’s Report
The Report prepared by Website Coordinator Brett Chapman was read by John Phillips. There are now approximately 60 pages (1.5 megabytes) of data on the Society’s website. Brief discussion followed about the Society’s listings with major search engines and other websites.
It was noted moved that: The Web Coordinator’s Report be accepted.
Moved: Michael Ewans Seconded: Claudio Pompili Carried
4.8 International Council for Traditional Music (ICTM) Report
Allan Marett reported that it had been an active year for the ICTM and MSA, with the ICTM jointly sponsoring the Symposium on Research in Indigenous Music at the 23rd National Conference of the MSA in Sydney. The symposium included a large number of papers by indigenous scholars and the CD launch of the Mungamunga singers and dancers from Tennant Creek, introduced by Marcia Langton. In addition, Stephen Wild was organising a conference on 19 September 2001 which would be co-hosted by the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) and the Oceania Study Group of the ICTM. The ICTM World Conference would also be held in July 2001 in Rio de Janeiro and Allan hoped MSA members would attend.
John Phillips asked Allan to provide him with details of the ICTM events so that they could be included in the Society’s next Newsletter. John would also check that the ICTM website was linked to the Society’s website and asked those present to suggest to him additional weblinks they thought would be useful to Society members.
It was moved that: The ICTM Report be accepted.
Moved: Linda Barwick Seconded: Elizabeth MacKinlay Carried
5. Conference Reports
5.1 Report on the 23rd Conference, Sydney 2000
Conference convenor Allan Marett read his report to members and guests present. Allan noted that the meeting had been held in conjunction with the New Zealand Musicological Society (as their 14th annual conference) and the Indigenous issues symposiunm has been organised in conjunction with the ICTM. There had been a large number of keynote speakers and panelists. The conference theme of Music as Cultural Interpretation had worked well. The first day was dedicated to the main theme, the second to research of popular music and the last two days to research issues in indigenous music. There had also been sessions outside the themes. While, before the conference, concerns had been expressed that too strongly thematic a conference would deter registrants, this had not been the case. Indeed, the conference had also attracted many non-members from other disciplines.
Following on from the Wagga Wagga Study Weekend initiatives, the conference organisers had incorporated the idea of panel sessions. These and all plenary sessions were well attended. There had also been related events, including the inaugural Hook Lecture, given by Susan McClary, and the launch of the Mungamunga CD with the Tennant Creek singers and dancers, Versions of the keynote address given by Susan McClary and Phil Haywood’s panel presentation would also be appearing in the Society’s journal. A special feature of the conference was the paper read by Peter Platt, which is also to be published in Musicology Australia.
Allan sincerely thanked the conference organising committee and the national Executive for their support.
5.2 Interim Report on the Newcastle Study Weekend
Study Weekend Co-Convenor Rosalind Halton reported that the Weekend had reflected the current flurry of activity in music research at Newcastle and in other institutions. She thanked co-convenor Michael Ewans, Dean Robert Constable, discussion leaders and participants for supporting the weekend.
5.3 Update on the 24th National Conference, Melbourne April 2001
A progress report prepared by Conference Convenor Kerry Murphy was read by John Phillips. Kerry wrote that 24 abstracts had been received from overseas residents and over 50 submissions had been received so far from within Australia. The good response could probably be attributed to Conference Administrator Liz Kertesz’s work in placing the call for papers on many major email listings. The deadline for submissions had also been extended to 17 November 2000. Concerts are being planned and work is underway on obtaining outside funding. Kerry thanked Conference Treasurer Peter Campbell for drawing up a draft budget and for the hard work done so far by Liz.
Kerry also wrote that the conference organisers had received a number of inquiries about the publication of MSA Conference Proceedings online. She considered that there were three possibilities:
Publication online, accessible from the MSA website, with no editing. All papers placed online with participants’ consent;
Select papers placed online (chosen, for instance, by the Conference Program Committee);
Refereed papers placed online.
Kerry asked whether the Society would cover the costs of paying referees and of placing such materials on the Society’s website. Discussion followed of these options, which had also been raised in the Study Weekend discussion lead by Claudio Pompili. Linda Barwick suggested that the third option was the only one the Society should consider, since papers that were not refereed counted for nothing in most institutions and under the DEETYA point systems. Allan Marett and Kathy Marsh agreed. Claudio Pompili suggested that the MSA consider both refereed and unrefereed listings. Kathy Marsh pointed out that publication online might deter members from publishing in Musicology Australia, Context and other journals. John Phillips pointed out that the Society’s website is also a reflection of its reputation and that the Society needs to be in a position to monitor content and quality of material posted. Currently all abstracts of articles published in Musicology Australia and draft programs of conference events are posted on the website. Conference abstracts could also be made available. Members agreed that the issues and options needed further discussion.
It was moved that: A pilot program be considered to include online the Society’s National Conference Proceedings, with some form of editorial input.
Moved: Allan Marett Seconded: Claudio Pompili Carried
5.4 Update on the Study Weekend and AGM, Adelaide, September 2001
Jula Szuster noted that the AGM and Study Weekend will be held in Adelaide, 22-23 September 2001. The weekend theme will be ‘The Scholar and the Performer’ and Professor John Rink (Royal Holloway, University of London) has accepted an invitation to be one of the discussion leaders. The weekend will coincide with the State Opera of South Australia’s production of Parsifal.
5.5 Proposals for the 25th National Conference, 2002
Craig De Wilde noted that both Newcastle and Wellington, New Zealand, had been suggested as potential venues for the Society’s conference in 2002. No approaches had been made yet to MSA or NZMS members in Wellington, while members in Newcastle were keen to host the 2002 Conference. Members agreed that both venues should be considered, and it was suggested that Newcastle be the venue for the 2002 conference while discussions should be instigated for a joint meeting with the New Zealand Musicological Society in New Zealand for 2003. It was agreed that a formal motion on this matter would be postponed until discussion of item 9.1, AOB: formation of Newcastle-based Chapter and appointment of 2002 Conference Convenor.
6. Society Initiatives
6.1 Professor Platt Memorial Lectureship
Jennie Shaw noted that The Renaissance Players’ first concert in memory of Peter Platt was to be held on 24 November 2000 in Sydney. At the concert it was anticipated that the fund-raising bid for the Peter Platt Memorial Lectureship at the University of Sydney would be launched. Jennie asked Society members to consider offering their support in whatever ways were appropriate.
6.2 Naomi Cumming Foundation
Craig de Wilde had spoken with Anthony Cumming, who had told Craig that the Naomi Cumming Foundation was now established. It was hoped that Naomi’s book and possibly also the Foundation would be launched at the Society’s Melbourne Conference. Craig also asked the Society to consider the possibility of holding a Naomi Cumming Memorial Lecture.
6.3 Music Council of Australia Music Commemorations Project
Jula Szuster introduced invited guest Dick Letts from the Music Council of Australia. Dick explained that the 1999 Assembly of the MCA had come up with the idea of a Music Commemorations Project. Dick suggested that, for example, musicians’ houses could be identified by brass plates; perhaps small museums in such houses could be set up. Local councils and libraries could be encouraged to build up collections around a local music figure.
Allan Marett expressed concern that the project, if too narrowly focused, risked making the music of certain groups and individuals, such as indigenous Australians, marginalised or invisible. Jula confirmed that, at the Society’s 1999 conference in Perth, the National Committee had agreed that the Society should support the project, but that it should be construed as broadly as possible. Dick Letts agreed and suggested that the Society’s contribution might help to shift perceptions.
It was moved that: The Society establish a Working Party on the Music Council of Australia Music Commemorations Project, with indigenous input as an integral part in the planning of the Working Party.
Moved: Alan Marett Seconded: Margaret Sharpe Carried
7. Motions of Appreciation
Craig De Wilde referred members present to those thanked in his President’s Report. In addition he proposed a motion of sincere thanks to Co-Convenors Ros Halton and Michael Ewans for their organisation of a very enjoyable Study Weekend.
Allan Marett proposed a vote of thanks to officers of the outgoing Executive for the vibrant state in which they had left the Society.
The motions were carried unanimously by the meeting.
8. Election of Executive and National Committee Members
The Musicological Society of Australia’s 2000-2001 Executive and National Committee were announced as follows:
President: Nicholas Routley
Secretary: Kathy Marsh
Treasurer: Natalie Shea
Membership Secretary: Chris Wainwright
Committee: Anne-Marie Forbes, Royston Gustavson, Elizabeth MacKinlay, John Phillips, Jennie Shaw, David Symons, Jula Szuster.
Ex officio: Craig De Wilde, Margaret Kartomi, Allan Marett
There was a vote of thanks for the returning officers, Roland Bannister and Gabriel Griffiths.
9. AOB
9.1 Formation of Newcastle Chapter and appointment of 2002 Conference Convenor
Chair Craig De Wilde proposed a motion that the Society, in principle, approve a Newcastle-based Chapter of the Society. The motion was carried unanimously by the meeting. There followed some discussion of the boundaries between the Sydney, the Northern NSW, and potential Newcastle Chapters, and it was agreed, that if a Newcastle Chapter was officially established, Northern NSW members should be able to choose their chapter affiliation. Allan Marett suggested that Armidale-based members might be approached to see if they would object to an amalgamation with the Newcastle chapter.
Craig De Wilde also proposed that, once the Newcastle-based Chapter was established, Newcastle should be approved as the venue for the Society’s 2002 National Conference, with Rosalind Halton and Michael Ewans as Co-Convenors. In addition Craig proposed that members of the New Zealand Musicological Society be approached about the possibility of Wellington as a venue for a joint conference in 2003.
All motions were carried unanimously by the meeting.
9.2 Appointment of the Society’s Public Officer
John Phillips explained that Stephen Wild, the Society’s current Public Officer, had written to notify the Society of his intention to step down from that position. ACT Chapter President Jaki Kane had consented to replace Stephen as Public Officer and this had been approved by the National Committee.
9.3 Thanks from Jean Platt
John Phillips noted that Jean Platt had written to the Society to thank members for their flowers and tributes in memory of Peter Platt.
9.4 Proposal for a Special General Meeting, Melbourne 2001
John Phillips noted that Royston Gustavson had proposed that a Special General Meeting be scheduled for the Melbourne conference in order to discuss future strategic directions of the Society. The proposal was yet to be made formally, but the Melbourne conference organisers should be notified as soon as possible so that time could be reserved for an SGM.
The meeting concluded at 11.30 am.
J Shaw. National Committee
J Phillips, National Secretary (outgoing)
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I wish to begin this report, my final as the MSA National President, with a confession. When I began in this post exactly 23 months and 2 weeks ago (but who’s counting), I really did not know what to expect over the upcoming two years. During the two years preceding my term, the Society was led by a most able National President, Stephen Wild, who embraced the job with a bold vision and careful planning. The Society as a whole was asking fundamental questions as to the nature of music research, the role of the music researcher—both within and without the university—and the future of the MSA in this context. It was a chaotic time for Australian universities, and especially difficult for arts and performing arts disciplines which were suffering huge cuts in budgets, staffing and resources. What would the end of the 20th Century say about the nature of musicology, and what was its place to be in the 21st?
While we will continue to look for answers to these questions about the discipline, it is my fervent hope that the Society will also continue to address the issues facing all the traditions of music research into the 21st century. I stated in my previous President’s Report last year that one of the responsibilities of an academic society is to illustrate the relevance of our research and make our work accessible to a broad range of interests. The Society has made positive steps in that direction, with perhaps the most far-reaching one being the revision and expansion of the Society’s Internet website. The best part of this accomplishment is that the site is apparently being well used, with well over 1,500 ‘hits’ or access contacts to the site since February of this year. A big thankyou goes to Brett Chapman for his wonderful work in maintaining and updating the site for over 12 months now. Brett is currently working on a completely new site design incorporating the new logo which will go on line toward the end of the year. Watch out for it. There are now over 30 pages on the site, with information about the Society including membership, copies of Newsletters 49–53, an index of articles in Musicology Australia, conference information and activities, and other important materials. I am confident that this website will continue to be a very useful tool in our Society’s activities. In addition, members will now have seen the new Society logo on our mailouts and other materials. This logo, along with a revised cover to Musicology Australia, which will be seen in the next edition, will provide an updated look to our future publications and correspondences. Members will also have seen the revised membership forms as well. Many thanks here to John Phillips for his tireless work on all of these matters.
Newsletters numbers 52 and 53 were distributed in late-February and mid-September 2000 respectively, once again under the very able editing work of John Phillips. To remind you as always, the Newsletter relies heavily on timely contributions from members, so please forward any and all relevant items about yourselves, chapter activities, and any other information which might be of interest to other members. The new Annotated Membership List was also distributed to all regular members in October. Thanks again to John and to Chris Wainwright for their careful work in this publication. Musicology Australia, volume 22 (1999), was distributed to all regular and institutional members by early June of this year. This volume was Sandra McColl’s last as editor of the journal, and I am certain you all join with me to thank Sandra most gratefully for her outstanding work on what can be a very onerous and at times stressful job. She did both herself and the Society proud with her efforts, and we wish her all the best with her future career. I hope in her new role as assistant editor she does not mind an inquiry or three every now and then on what makes a successful journal. Volume 23 (2000) is in the final stages of production, with a target date of issue in late December 2000. This publication schedule should put MA back up to date chronologically. Further information will be forthcoming in the editor’s report shortly. I would like to extend the Society’s gratitude to Mr Paul Watt, the current editor, for his hard work and dedication to see the journal’s release date back within the year of issue, and look forward to seeing his efforts in print in the upcoming volume. Also as a reminder, your support of MA, especially with your contributions, will continue to maintain this high standard.
Since my last report the national branch of the Society has held three major conferences. The Wagga Wagga Weekend Weekend study retreat, 10–12 September 1999, was a very fruitful exchange for a small but avid group of members. Instead of the traditional paper-giving sessions, the weekend consisted of extensive discussions regarding current music research programs and projects, and their relevance in various contexts. These are precisely the issues the Society should embrace, especially with the changing academic and social environment for music research. In fact, the current conference here in Newcastle is structured on the Wagga weekend. Special thanks are extended to Roland Bannister for his tireless work in arranging all aspects of this conference.
The 2000 National Conference was held at the University of Sydney, 27–30 April 2000. This highly successful conference was a joint event with the Musicological Society of New Zealand. The theme, "Music as Cultural Interpretation", looked in particular at musical and cultural interchanges from a variety of perspectives, including the contribution of musicology to the study of popular music and current issues regarding research in indigenous performance. Keynote addresses by Susan McClary, Robert Walser and William Dart looked at topics ranging from the musical organisation of time during the seventeenth and early twentieth centuries, to musicology and popular music research, both in jazz and Kiwi vernacular popular musics. Sincere thanks go to the Sydney organising committee, especially convenor Allan Marrett, deputy convenor Nicholas Routley, and chair of the programme committee Sally Macarthur, for staging a truly outstanding conference.
The current MSA Study Weekend, "Only Connect", is dedicated to the memory of a truly beloved member of the Society, Emeritus Professor Peter Platt AM. Convenors Rosalind Halton and Michael Ewans have taken the title of Professor Platt’s paper presentation in Sydney this past April as the inspiration for a series of discussions on topics such as the future of musicology teaching in tertiary and pre-tertiary education, the functions of music criticism, music and technology, and music and text.
The 2001 National Conference, the twenty-fourth of the Society, will be held at the University of Melbourne, 18–24 April 2000. "MUSICology 2001" includes four themes for discussion: Nation and Identity; Patronage and Social Structures; Reading and Listening; and Performers, Audiences and Scholars. Convenor Kerry Murphy promises an event not to be missed, with no less than four keynote speakers: Tim Carter (Royal Holloway, University of London); Kay Dreyfus (Monash University); Annegret Fauser (City University, London); and Richard Taruskin (University of California, Berkeley). Interest has been extremely high for this conference, both within Australia and internationally, and the proceedings promise to be something not soon forgotten. Please note that the deadline for abstracts for this conference has been extended to this coming Friday, 17th November 2000. Further information will be reported later at this meeting.
To conclude, I would like to express my profound gratitude to my Executive Committee: John Phillips as National Secretary (and Newsletter Editor, among many other duties) and Jula Szuster as National Treasurer. As anyone who has been active in this Society for the past 2 years would know, both John and Jula have been the sort of professionals we would all love to work with at one time or another in our lives, but rarely have the opportunity. It has been an honour and a privilege to be associated with this team. Their tireless work, their attention to detail, their solid dedication, and the selflessness of their time have been a true inspiration, and we are all greatly indebted to their services to the Society. I would also like to extend my deep appreciation, and the appreciation of the Executive Committee, to Jennie Shaw as literally an "executive-member-in-waiting"—always ready and willing to lend both a helpful hand and a critical eye whenever the need arose. It is precisely people such as John, Jula and Jennie (the 3 Js or Triple JJJ, whichever you prefer) who are the real strength of this Society. I wish to extend my enthusiastic support and best wishes to the incoming Executive Committee—National President Nicholas Routley, National Secretary Kathy Marsh, and National Treasurer Natalie Shea—and hope they find their new positions in the Society as rewarding as I found mine.
Thanks of course to Sandra McColl for her excellent work over the past years for MA, and to Paul Watt for his professional editing assistance during this time as well as assuming the Editorship with the upcoming 2000 edition. Thank you to Daniela Kaleva as Membership Secretary in assisting in all matters related to updating addresses and mailing lists. Thanks to the National Committee and associated members (Kimi Coaldrake, Anne-Marie Forbes, Royston Gustavson, Elizabeth MacKinlay, Jennie Shaw, David Symons, Shirley Trembath, Stephen Wild, Margaret Kartomi, and Allan Marett) for their contributions and support to the Society, and to the Editorial Advisory Committee for their tireless work with the journal.
Yea verily, my confessions now complete, I take my leave with one final thankyou to you, the members of this Society. Your support, contributions and guidance over my tenure as National President have been greatly appreciated, and we now move forward with renewed confidence in what truly will be the beginning of the new millennium in 2001!
Craig De Wilde
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2000 was a big year for the MSA. Our largest ever national conference, study weekends in both 1999 and 2000 and the conclusion of several longer term projects, including the completion of the new cover of Musicology Australia and our new logo, new letterhead and revised membership brochure might perhaps have been enough for the executive to administer, but on top of this came, of course, the introduction of the GST, all of which demanded changes to the way in which we administer both individual and institutional memberships, and this year especially complicated the invoicing of our institutional members.
More about that shortly. Firstly however, I would like to focus on what is perhaps the most obvious change that has occurred for the MSA during the two years of the present executive’s incumbency—the development of our new logo. Far from being a merely cosmetic change, the new design was the result of almost 18 months of countless emails, drafts, revisions, rejections and re-submissions by the hugely patient Theo Politis and Metrographics Canberra and a subcommittee which included the outgoing executive, Brett Chapman, Kimi Coaldrake, Allan Marett, Jennie Shaw, Chris Wainwright, Paul Watt and Stephen Wild, as well as input from the wider national committee on strategic occasions. The finished result represents, I believe, both a creative and insightful reinterpretation of the MSA’s traditional image. Our new stationery and revised membership brochures have also now been printed (alas too late for the current executive to enjoy using!); there again the society owes a debt of gratitude to the excellent work and competitive pricing of Kwikkopy Unley, SA.
As the logo neared completion, design work was begun on the new cover of Musicology Australia, which under Paul Watt’s guidance was to undergo a welcome change of format, and which will, by the time this report appears in print, should already be in members’ hands. Again, countless drafts and emails later we arrived at what I believe to be again a distinctive and really impressive design, in line with the design of the current brochure, but which will appear in subsequent issues with different colour scheme, so making the volumes more readily identifiable (a problem with the old design). Many thanks to Kimi Coaldrake and Stephen Wild for making available the iconographic material used in the collage, and again, I can’t but sing the praises of Theo Politis and his team, the logo subcommittee, and in particular Paul Watt, for what I believe will be a really distinctive, attractive and impressive new cover.
Well, that was the fun part. The other secretarial duties were perhaps rather less creative, but in terms of the smooth running of the society and ensuring our income considerably more demanding. The national secretary position continued in 2000 to subsume aspects of the role intended in last year’s constitutional amendments to devolve onto the newly created post of membership secretary, including the annual invoicing of renewals in May, while we can all be very grateful to Daniela Kaleva for her work in sending welcome letters to new members, fielding address changes and maintaining the Society’s all-important individual members’ database—no small task. The bi-annual preparation of the Annotated Membership List was this year undertaken by Daniela, Chris Wainwright and myself, and involved, particularly for Chris, a major input of time and effort in inputting and checking the contact details and research interests of members. The Society’s fourth AML was also capably produced by Kwikkopy, Unley SA. Members’ research details are now entered into the database itself, so can be printed out on each member’s renewal form each year, and edited and kept up-to-date by that member. In the process, the database was itself also upgraded substantially in terms of its useability, as a result of which we have recently been able, for instance, to email all MSA members with important updates. As South Australian member Chris Wainwright generously agreed to take on the role of Membership Secretary for the incoming, Sydney-based executive in 2000/1, he also kindly agreed to ease into the role during the September-November period of 2000, which transition he accomplished with his usual unfussed professionalism and attention to detail. It remains to me only to warmly thank Daniela for her generous assistance with administration of the individual membership in 1999 and 2000, and for the first time for a National Secretary, hand over reporting on the state of the MSA’s individual membership, this year, to Chris Wainwright.
Finally, a word about the institutional membership of the MSA, which remains stable and strong, with some 167 copies of MA 22, and almost as many issues of our Newsletters, being sent to libraries and other institutions throughout Australia and around the world this year. The maintenance of the institutional database, invoicing members, checking payments is one of the most complex and frustrating ills to which the national secretary is heir, and was greatly complicated in the past by a Byzantine filing system and inadequately detailed database. Worst of all, as noted already in the President’s report, the late delivery of MA each year caused communication difficulties with our subscribers and endless amounts of additional correspondence, headaches and ultimately lost income for MSA—a situation we look forward to seeing relieved if MA 23 can be released within its stated issue year of 2000. Again, however, I can report considerably progress has been made this year in updating and greatly expanding the database, which will now permit us far better control over charges (complicated this year by the introduction of the GST!), billing and receipting procedures. I wish the incoming secretary in particular every success with this challenge, and hope that this facet of Kathy’s work is ultimately as rewarding as it has been for me, and, I hope, a littte easier. I’ll think of Kathy every time, I log on next year and find my email inbox unaccountably, and perhaps a just little disappointingly, empty.
It remains only for me to state what a pleasure it has been to work for the MSA, with our national committee, with Daniela and Chris, our capable Membership Secretaries, various subcommittees and the many chapter representatives and members with whom we’ve had such fruitful and productive interactions over the last two years. Jennie Shaw, in particular, has been a great strength to the Society, and helped in many roles, as Craig has already noted. I’d particularly like to thank Brett Chapman, our magnificent website coordinator, Sandra McColl and Paul Watt, our Musicology Australia editors, and the several conference convenors with which the executive has so happily and productively dealt over the past two years and to whose achievements—in their undertaking what is the real task of the MSA, of bringing together Australian scholars, showcasing and disseminating the outcomes of their work—we executives, we mere bureaucrats, humbly bow. Most of all I wish to thank Craig and Jula for what I believe has been a great team and to whom the geographical divide has meant nothing, in fact, had many positive aspects in ensuring an equitable balance of duties and perspectives—Craig for his guidance and advice and for generously shouldering the very considerable burden of national and international mailouts, Jula for her professionalism and financial skill which has taken considerable administrative weight from my shoulders and made time available for such initiatives as upgrading databases and logos. Whatever the government of this country may throw at our universities, musicology in Australia remains a vibrant area of cultural discourse, and the MSA reflects it. The society is well set up, with good internal communications, a solid and expanding membership base and wide outreach beyond our shores, a new website, excellent, energetic appointments in its editorial teams, and a fresh new image with which to face the challenges of music research in the 21st century.
John A. Phillips
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For the year ending 30 June 2000
The Musicological Society of Australia has had a busy year financially, resulting with a small deficit of $865 and thereby decreasing the society’s net assets to $29,517 [please refer to the statements and audit on the following pages].
This was due to some significant expenditure throughout the year, most notably the society’s investments in the development of its website and production of a new brochure. A total of $3,652 was spent on the website and $1,412 on the new brochure. The cost of producing the newsletter was almost double that of the previous year: $1,454, compared to $733 in 1998/99.
The increased turnover of $25,317 was the result of the processing of $8,780 worth of credit card transactions for the 2000 Sydney Conference. (NB: The income shown from the conference registrations is $8,410, which is $370 short of the total processed. This is due to three credit card transactions that have yet to be finalised. The balance will appear in the 2000/01 financial report.) The National MSA Committee also provided $1,400 in travel scholarships for 12 students participating in the 2000 Sydney Conference. The financial result of the April 2000 Sydney Conference will not be shown until the 2000/01 financial year.
Income generated over the twelve month period included $11,381 in subscriptions from members and institutions which was an improvement of $1,786 from the previous year. The positive financial results from the July 1999 Perth Conference is shown as a profit of $2,303. The Wagga Wagga Study Weekend, held in September 1999, also produced a profit of $58.
The improved interest of $688 accumulated throughout the year comes in the main from the society’s two investment accounts: $14,301 in an ANZ V2 Account and $5,651 in a Term Deposit Account.
I would like to thank the National MSA Committee for their support throughout the past two years, and special thanks go to my Executive colleagues, Craig and John, for their diligence and commitment to the wellbeing of the society. It has indeed been a great pleasure to serve as the society’s National Treasurer for the past two years and I wish the incoming Committee, Executive and of course new National Treasurer all the best for the next stage of the society’s development.
Jula Szuster
Musicological Society of Australia Incorporated
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Acting Membership Secretary’s Report
The Musicological Society of Australia in the last year continued to enjoy an increase in membership and a strong level of membership renewal and payments. The breadown by State and by membership category as of November 2000 can be seen in Table 1 [please see next page].
In July 2000 membership fees increased in line with the introduction of the GST. As can be seen from the figures in Table 2, the price increase appears so far to have had little impact on the society’s membership renewals, with roughly equivalent numbers of members who have as yet to renew—118 as of September last year, 116 as of November this year—and including, for both years, the same number, 31, who remain on our books for the mandatory 18 months after lapse of their last paid membership year. A substantial influx in members was again experienced this year as a result of mandatory registration of paper givers at the annual conference; it is in any case rewarding to see the net increase in the Society’s overall individual memberships of 22 over and above last year’s figures. One thing though needs to be said: it would be great to see an improvement in the punctuality of payments to reduce the amount of work the secretaries and treasurer have to put in to chasing up overdue memberships each year.
In the last three months, the past and acting membership secretaries with the assistance of John Phillips and other committee members have undertaken the task of substantially updating the membership data base and producing the fourth edition of the Annotated Membership List. In some respects it has been a difficult task as some members failed to keep us up-to-date with their contact details or sent illegible forms. However, all information has now been entered into the membership database, and from next year membership renewal forms will be printed out with contact details and research interests included, so that members will be able to see precisely what information is on file, and make any necessary changes and updates themselves.
In closing I would like to warmly thank Daniela Kaleva, Jula Szuster, John Phillips and Jennie Shaw for all the hard work they have put into managing the MSA membership records.
Christopher Wainwright
Membership Secretary Pro temp.
Table 1
Individual Membership as at November 2000
|
Chapter / Category |
Ordinary |
Student |
Emeritus |
Spouse |
Life |
Total on books* |
Paid up as of 1-11-00 |
|
ACT |
9 |
8 |
2 |
19 |
10 |
||
|
NNSW |
5 |
1 |
6 |
1 |
|||
|
QLD |
27 |
10 |
1 |
1 |
1 |
40 |
21 |
|
SA |
24 |
7 |
3 |
1 |
1 |
36 |
28 |
|
SYD |
47 |
23 |
3 |
2 |
2 |
77 |
56 |
|
VIC |
51 |
29 |
2 |
3 |
3 |
88 |
62 |
|
WA |
18 |
11 |
1 |
30 |
15 |
||
|
OSEAS |
24 |
1 |
1 |
2 |
28 |
15 |
|
|
TOTAL |
205 |
90 |
11 |
7 |
2 |
324 |
208 |
* Members last paid for 1998 (total 31) and not since renewed have not yet been deleted from these totals.
Table 2
Seven-Year Summary of Individual Membership by Chapter
(Figures for 1993–99 taken from 1999 report by John A Phillips)
|
Chapter / Year |
1994 |
1995 |
1996 |
1997 |
1998 |
Sept 1999 (total / paid) |
Nov 2000 (total / paid) |
|
ACT |
18 |
19 |
23 |
20 |
18 |
18 / 8 |
19 / 10 |
|
NNSW |
7 |
6 |
3 |
4 |
6 |
8 / 4 |
6 / 1 |
|
QLD |
43 |
51 |
51 |
49 |
44 |
46 / 24 |
40 / 21 |
|
SA |
17 |
15 |
19 |
25 |
27 |
29 / 24 |
36 / 28 |
|
SYD |
63 |
67 |
69 |
63 |
56 |
61 / 38 |
77 / 56 |
|
VIC |
71 |
73 |
81 |
86 |
68 |
85 / 50 |
88 / 62 |
|
WA |
27 |
23 |
17 |
14 |
16 |
30 / 20 |
30 / 15 |
|
OSEAS |
20 |
22 |
24 |
24 |
20 |
25 / 16 |
28 / 15 |
|
TOTAL |
266 |
276 |
287 |
285 |
255 |
302 / 184 |
324 / 208 |
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Newcastle, 11–12 November 2000
"ONLY CONNECT"
A series of conversations about Music Research, dedicated to the memory of Emeritus Professor Peter Platt, 1923–2000
REPORT
Present: Allan Marett, Linda Barwick, Elizabeth MacKinlay, Peter MacCallum (Saturday), Claudio Pompili, Jennie Shaw, Alan Maddox (Saturday), Kathleen Nelson, Robert Constable (Saturday), David Jones, Ian Cook, Christopher Allan (Saturday), Michael Ewans, Rosalind Halton, Nicole Edwards, Leanne Power, Jula Szuster, Craig de Wilde, John Phillips, Roland Bannister, Gabriel Griffiths, Birgit Drüppel, Karen Lemon, Margaret Sharpe, Samantha Smith (Sunday), Kathy Marsh (Sunday).
The ‘study’ part of the weekend was planned as a series of discussions designed to emphasize ways in which musicology, and musicologists, communicate their ideas and work outside the direct sphere of the discipline. The Study Weekend had 13 full and 5 concessionary registrations, resulting in a total income $379.55. Expenses were low, thanks to the fact that our booking of the Conservatorium coincided with a full weekend of AMEB examinations and a Faculty post-graduate recital. Our sincere thanks to Mr. Philip Sketchley (concert manager) and Mr. Mike Kelly (caretaker) for facilitating our use of Room 416 and the foyer of the Conservatorium - space which proved most conducive to our discussion and refreshment purposes.
Lively dialogue took place throughout, centring around five topics introduced and chaired by the following:
"Musicology and the performance student"—Rosalind Halton (PhD; University of Newcastle)
"The past, present, and future of ethnomusicology within the tertiary music context"— Allan Marett (Associate Professor, Dept. of Music, University of Sydney)
"Functions of music criticism and its connections to musicology"—Peter McCallum (Associate Professor, Sydney Conservatorium of Music)
"Music research and technology"—Claudio Pompili (Associate Professor, Wollongong Conservatorium of Music, University of Wollongong)
"Music and text"—Michael Ewans (Associate Professor, University of Newcastle, Faculty of Music and Dept. of Drama)
The opening and welcome to the Study Weekend was provided on Saturday morning by Mr. Paul Hinton, on behalf of his Wanaru people at Singleton and of the Awabakah nation of the Newcastle area; and by Robert Constable (Professor; Dean of the Faculty of Music, University of Newcastle). In a moving tribute to the late Peter Platt, Robert Constable stressed the all-encompassing nature of Peter’s interests and the real interest he took in following the work of each one of us. Almost all present had experienced at some time his generosity of spirit and his analytical insight into our professional and intellectual problems. The extent of his influence throughout Australia in all the various disciplines of music was remembered, and his ability to integrate these subdisciplines without making an issue of it, but more a way of life.
Robert Constable spoke especially of Peter’s dream of seeing the teaching of performance integrated within the whole of the music curriculum. Lastly, we remembered the deeply supportive nature of Peter’s engagement with his younger colleagues, and his love of encouraging promising young students into a research life which he himself embodied so fully.
One of the (possibly unexpected) consequences of the following discussions was to revive the topic of whether members wish the discipline to be known as ‘musicology’ or ‘music research’, with a clear move towards the latter, particularly on the part of the (ethno)musicologists present. Indeed, if we are to enact Peter’s theme, "Only connect", the current segregation of ethnomusicology from the remainder of the music curriculum (commented on by several participants) could be viewed as dated and undesirable.
Musicology moved inexorably into music on the Sunday afternoon, as a large-scale choral/orchestral concert took place in the Conservatorium Hall, conducted by a Masters and Honours student respectively. The highlight was the premiere performance of Stephen Leek’s newly commissioned work ‘Glasshouses’ with its memorable evocation of the Glass House Mountains and of European/indigenous cultures, movingly performed by the children’s choir ‘The Hunter Singers’ (conductor, Kim Sutherland), and the Newcastle University Symphony Orchestra. Another rare item was the Vaughan Williams Tuba Concerto, performed by Honours student Michael Jobson, conductor Adam Wills, also with the student orchestra.
It was against the background of the rehearsal period for this concert that some of the material for Rosalind Halton’s discussion topic "Teaching Musicology to Performance Students" was produced. The Newcastle University Symphony Orchestra consists largely of undergraduate students, many of whom are taking a Bachelor of Music course with the aim of pursuing a career in a symphony orchestra. What do these students—who make up a large proportion of students enrolled in musicology courses nationally and worldwide—expect to gain from their study of the subject?
1st Session: "Teaching musicology to performance students." Discussion led by Rosalind Halton.
This presentation was based on responses to questions put to third-year and Masters students at Newcastle, all of whom are engaged in, or preparing for, performing careers. Responding to questions about the definition and purposes of musicology, they produced a fascinating range of answers, which, it was suggested, should be taken into consideration as we teach the subject.
The question, ‘Why study musicology?’ produced responses emphasising students’ awareness of both intuitive and consciously learned processes in performing. The value of researching contexts for musical works was raised as a major factor that could ‘heighten the whole experience’ of performance. The resulting interest in genres and individual works, as well as the symbolism inherent in the score, was also mentioned. For these students, therefore, the study of musicology meant a stimulus to the imagination—a welcome if unexpected conclusion.
Postgraduate responses touched on elements that could be communicated to listeners, energising the link between musicologists and the ‘general audience’, in or immediately preceding performances. One answer placed the range of musicological functions between the immediately practical at one end of the spectrum (as in knowledge about performance practices) and the more abstract (understanding musical structures in a way that is not immediately open to perception, but is nonetheless an essential element in the performers understanding and respect for the music perfomed). Another suggested that ‘we can sometimes be encouraged by research to try interpretations we previously thought were out of the question’.
In the discussion that followed, points were raised about the huge range of musicological material now available for use, and the resultant change in perceptions about ‘the core material’ of teaching musicology. John Phillips suggested that the term ‘performance practice’ was glaringly absent from the discussion, which led to a discussion on the difficulty - and value - of not alienating students with an apparently restrictive approach, often associated with that term. However, the teaching of performance practice was seen to be one of the most obvious and practical ways in which the world of research could link with that of the performance student.
Within the discussion of appropriate ways for the performer/researcher to convey his or her work, one of the students addressed the question of whether a performance (or aspects of performance) could generate as much scholarly debate as a paper in a journal. He concluded that the answer was yes, and that both were therefore valid forms of musicological argument. The subject was continued in Claudio Pompili’s discussion "Music and Technology" later in the day.
Rosalind Halton
2nd Session: "The past, present, and future of ethnomusicology within the tertiary music context." Discussion led by Allan Marett.
In his introduction to this session, Allan Marett reflected on the value of teaching non-western music within a music degree. He began by invoking Peter Platt’s view that musicians should be trained in all branches of music— that performers, for example, should understand the concerns of composers and musicologists (including ethnomusicologists), just as composers and musicologists should understand the perspective of performers. This is the philosophy that was adopted as the basis of the curriculum that Peter established in the Sydney University Music Department and it is a view shared by others of our ‘founding ancestors’, most notably by Cath Ellis. Allan then questioned the extent to which this philosophy, established as it was in the context of a broad study of music within a humanities environment, was relevant to music teaching in conservatoria. More specifically he asked whether an institution that identified as its core business the training of performers could gain any benefit from the study of non-western music. Answering this question in the affirmative, he suggested that one of the principal benefits that accrue from the study of the music of another culture is that it stimulates a student to reflect on the role of his or her own musical activities — as a performer, or composer or scholar — within his or her own tradition. That is, an engagement with another musical tradition has the capacity to thrust into focus fundamental and previously unseen aspects of a student’s own musical culture, thus giving him or her the means to reflect productively on aspects of practice that may otherwise remain invisible.
In the ensuing discussion there was general agreement that one of the central goals of tertiary music education, whether in humanities-based music departments or conservatoria, was to develop musicians who have the capacity to reflect productively on their own practice. Numerous examples of ways in which the contemplation of other musical traditions could foster this end were put forward and discussed. It was also felt that the broadly-based approaches to tertiary music education promolgated by leading music educators like Peter Platt and Cath Ellis form a distinctively Australian tradition that must not be lost in the current pragmatic and narrowly goal-oriented educational environment.
Allan Marett
3rd Session: "Functions of music criticism and its connections to musicology." Discussion led by Peter McCallum
Peter’s presentation dealt with three major themes:
a. definitions and functions,
b. criticism and musicology,
c. criticism within Australia.
Putting forward the view that criticism and musicology are separate activities, with a common area of interest and other areas of overlap, Peter explained that he views criticism as a discourse on musical subjectivities, and musicology as the scholarly study of music (the latter implying methodologies in part designed specifically to balance the influence of subjectivity with other things).
In discussing various definitions of criticism, Peter mentioned the wide variety of functions it now serves, including documentation and reportage. The concept of ‘the dominant culture’ is largely constructed by the selection of cultural events regarded as worthy of documentation. Why cross-cultural music should not regularly be covered in the Sydney Morning Herald Arts pages was given as a case in point: a comment not on the inherent value of the activity, but more on the capabilities of a paper’s reviewers and the interests attributed to the readership by the editor.
The topic of links between music criticism and research emphasized the wealth of material on musical life in cities such as Sydney from the 19th century. This aspect brought considerable discussion emphasising the value of documentary material on Sydney’s musical life, as yet comparatively untouched.
These points led to some fascinating insights into the workings of a daily newspaper such as the SMH. The editor’s awareness of readers’ age range, interests, and tastes, was seen to be a crucial factor in what does and does not get covered in the Arts Pages, and the style in which it should be presented.
A thought-provoking aspect of this discussion was Peter’s assertion that music critics are not as influential as we—performers and listeners—attribute to them. Criticism makes contexts for performance, he said. A new slant on this perspective was put by Linda Barwick, i.e. that criticism could be seen as a component in the practice of music making rather like the way in which, in some Aboriginal practices she has observed, there is continuous comment from everyone, which in turn feeds back into the performances. Peter concluded:
"I still feel that, from the canonical perspective (and that is largely what I meant by my comment), criticism is not the driving force it is often held to be and that the dynamics of canon-formation are better seen in Harold Bloom’s formation (particularly his concept of the anxiety of influence, as it operates in the minds of other artists). But that doesn’t mean that criticism is not an integral part of the process, as Linda described."
Rosalind Halton & Peter McCallum
4th Session: "Music and Technology." Discussion led by Claudio Pompili.
The presentation focused on a practical overview of the trend towards the convergence of hard- and software in the three key areas of technology that underpin the production and dissemination of the products of music professionals and scholars. The areas discussed are Print, Synthesis and Audio. Specifically, discussion covered the following areas:
1. Print: Adobe’s Postscript (page description computer language) and PDF (portable document format) for text/graphics; the computer notation software, Coda Music’s Finale for music notation; and the development of a cross-platform computer notation format, NIF (Notation Interchange Format), sponsored by Passport Designs and Coda Music Technology.
2. Synthesis: skimming over analog technologies to current and emerging digital technologies including Yamaha’s XG MIDI (Extended General MIDI), its Web plug-in MIDPlug, and, increasingly, the software emulation of analog music devices as ‘plug-ins’ in commercial MIDI sequencer applications eg Cubase VST(Virtual Studio Technology).
3. Audio: Digidesign’s ProTools (for processing and burning CDs to Red Book Standard) and Steinberg’s Cubase VST, which incorporates emerging technologies, such as Rocket, that allow for the real-time collaboration via the Net within a digital MIDI/audio environment.
The examples presented included:
1. Print examples of Finale-produced postscript output: Pompili’s trio, Ah, amore che se n’andò nell’aria!, on bromide at 2400dpi, and Pompili’s graphic score, The Last Child… flight of the swallows, on plain paper at 600dpi, and (3) The Last Child, an Adobe pdf example on plain paper at 72dpi;
2. Sound examples of XG MIDI files (Stravinsky’s Rite of Spring and Hendrix’s Voodoo Chile);
3. Pompili’s CD of The Last Child… flight of the swallows, a multi-media opera performed at the 2000 Telstra Adelaide Festival; and
4. The Australian Taxation Office’s business card-sized interactive CD entitled "The GST and Business Skills: An Action Guide", indicative of the emerging diverse CD media available.
The following discussion underlined the interest of participants in new ways to listen to and present musical scores, recordings, and scholarly work, and touched particularly on the problems facing those wishing to make their research available on the Web with the difficulty of securing ‘refereed’ status, etc. Claudio urged members to adopt the protocols of our scientific colleagues, who have devised ways to satisfy the adminstrative requirements for refereed status of research output, while using latest technology for the immediate dissemination of research.
Claudio Pompili
5th and Final Session: "Music and text." Discussion led by Michael Ewans.
Michael confined his exposition to opera, while not precluding later consideration of oratorio, lieder etc. He opened the discussion by noting the progress that has been made in the 45 years since the first publication of Joseph Kerman’s Opera as Drama, which inaugurated consideration of opera as a serious subject for musicology in English. Subsequent developments include to the publication of the series of Cambridge Opera Guides. These books consider text and music from a number of perspectives, primarily analytical and socio-cultural.
However, shortcomings in methodology persist—in particular, failure to observe the stage directions, and reconstruct the intended mise-en-scène. In a climate where singing teachers firmly stress to their pupils the importance of understanding text, musicologists must go further, including study of the source text on which the libretto is based, and detailed work on the spatial relationships implied by the stage directions and words. Rehearsal and performance reveal emphases, which are crucial to the interpretation of opera, and scholars need to study live performances and video recordings if they are to gain fuller insight. Then the ‘language’ of music, its multi-stranded responses to action, can be apprehended from its many different kinds of relationship (e.g. supportive, ironic) with the text and stage action. Music inflects the text, giving a narrative of the feelings, which explain the actions of characters.
So the study of opera can be taken further by: (1) more accuracy in the interpretation of text (and more work on the source text), (2) accurate envisaging of the space and style of the intended action, and (3) engagement with the choices made in contemporary and past productions. Above all, an imaginative response to the musical commentary on action needs to be united with more traditional forms of research.
A lively and wide-ranging discussion ensued, with particular emphasis on the different possible relationships between music and text, and the ways in which performances can assist in musicological interpretation.
Michael Ewans & Rosalind Halton
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— Chapter Reports —
Since August the SA Chapter has held two chapter meetings as well as the inaugural presentation of the Naomi Cumming Postgraduate Prize (below). On 19 September Margaret King and Victoria Hardwick from the Centre for European Studies, Adelaide University, jointly presented a paper entitled "Freedom: Just Another Word," which applied the Foucauldian notion of sites and spaces to the activities of the singers and songwriters of the former German Democractic Republic. On 24 October two of Malcolm Gillies’s Ph.D students, Derek Stiller and Mark Carroll, presented papers. Derek’s, entitled "The Collision of Politics and Music in Post-World War I Germany: Selected aspects", which focussed on the effect the Great War had on German music and thought, while Mark’s, "Commitment or Abrogation? Avant Garde Music and Jean-Paul Sartre’s Idea of Committed Art", concerned itself with the equilibrium between creative freedom and social responsibility in the debate over new music during the early Cold War period. Both meetings instigated thought-provoking discussions about the role of cultural theory in musicology.
Chris Wainwright,
Convenor, SA Chapter
The inaugural Naomi Cumming Postgraduate Musicology Prize Day took place at Adelaide University on Saturday 2 December 2000. Proceedings were launched by Penny Boumelha (Professor; Deputy Vice Chancellor (Education), Adelaide University), followed by Kimi Coaldrake (Associate Professor, Elder Conservatorium—School of Performing Arts), who gave an uplifting presentation celebrating Naomi’s life and her very significant contribution to musicological discourse, underscored by warm personal recollections of her own friendship with Naomi.
Carol Williams (PhD, Centre for History and Gender Studies, Monash University) then delivered her keynote address, entitled "The Dance in the Text: The Estampie of Douce 308". Following this, Carol judged seven research presentations presented by postgraduate students from the Elder Conservatorium–School of Performing Arts. The presenters and their topics were:
Efrosini Angelos, "Tristram Cary’s Earth Hold Songs."
Shelley Brunt, "Quintessentially Japanese: The 50th Kôhaku Song Competition."
Cathie Gordon, "Tonality in Debussy’s Piano Preludes."
Marika Leiniger Ogawa, "Performing the Taishôgoto (keyed zither): In the Pursuit of Culture, Leisure & Friendship in Japan."
Aliese Millington, "Transforming Space: The Foundation of Identity through Music by Young People."
Derek Stiller, "‘How Should We Go On?’—The Crisis of German Thought about Music in the immediate aftermath of World War I."
Christopher Wainwright, "The Australian & English Violin Sonata: A Comparative Study of Arnold Bax’s Sonata No. 1 (1921) and Margaret Sutherland’s Sonata (1925)."
The day turned out an enjoyable event at which postgraduate students could present their papers in a professional context and in the presence of leading academics from Adelaide and Monash University. Carol Williams’ helpful, friendly manner meant the entrants could ask questions and receive advice; Carol also kindly prepared written reports for each entrant with suggestions on how they could improve research and presentation techniques.
The combination of good research and a polished presentation determined the choice of prize-winner, the inaugural presentation of the award going to Shelley Brunt for her ability, according to Carol Williams, to combine cultural theory with ethnographic research, and communicate her findings in a clear, interesting and informative manner, using both video and print media.
Unsung hero of the day was the Convenor of the SA Chapter and of the Naomi Cumming Postgraduate Musicology Prize, Chris Wainwright, whose hard work and consummate organisation in the planning and administration of the event ensured both the leadup period and the day itself flowed effortlessly. The SA Chapter also gratefully acknowledges the financial assistance of Adelaide University, the Helpmann Academy, Petaluma Wines and John Davis Music.
John Phillips
Secretary, SA Chapter
The Sydney Chapter held its AGM on January 10th. The report on 2000 included the following observations: The Graduate Music Symposium in September was held at UTS Broadway and had a satisfying variety of papers. The email feedback of all members of the committee in the planning stages was helpful, as was the practical input of Terry Clinton and Adrian Renzo and the generosity of Peter McCallum, Richard Toop and Shane Homan in chairing the sessions. The Study Weekend was discussed on that day and subsequently ran successfully. The AGM also provided the opportunity to acknowledge the work that Terry Clinton consistently does with Articulation and to thank the committee for 2000 for their input and support.
The committee for 2001 consists of Anne Power, convenor; Terry Clinton, treasurer; Adrian Renzo, secretary. Sally Macarthur and Peter McCallum continue to serve the committee faithfully. We are also delighted to welcome to the committee Aline Scott-Maxwell, Gabriel Griffiths and, through the good offices of Robert Constable, members from Newcastle.
After the National Conference, we plan to have an evening of research papers in mid-year and the graduate Music Symposium around August.
Anne Power,
Convenor, Sydney Chapter
The focus of the activities of the Victorian Chapter for 2001 has, of course, been the forthcoming National Conference. The Conference will include an exciting and substantial program of over 120 papers on a wide variety of topics, including a number of papers from international scholars.
The Victorian Chapter Conference and 2000 AGM took place at the Early Music Studio, University of Melbourne, on Saturday 18 November. Eleven papers were given on a diverse variety of topics, indicating the flourishing state of postgraduate musicology in Victoria. Topics included Tibetan Buddhist music, early Polish music, the declamation of Latin poetry, the vocal music of Laos, and Grainger in Australia in the 1930s. The 2000 Musicology Prize of $250 was won by Robin Fox (Monash University) for his paper "The Atomic Cafe to Clifton Hill Community Music Centre: A Trans-Pacific Aesthetic Transplant?", which examined the relationships between experimental music in San Diego and Melbourne, with particular reference to Keith Humble, Warren Burt and Ron Nagorcka.
The AGM saw the re-election of all committee members, except for the Newsletter Editor, which position remains open after Trish Shaw’s departure for London. The membership of the Victorian Chapter at the time of the AGM was roughly eighty members, and we hope that the forthcoming National Conference will provide a further boost to Chapter membership numbers.
Sue Cole,
Secretary, Victorian Chapter
The 70th birthday of one of Australia’s foremost musicologists, Andrew McCredie (Adjunct Professor, School of Music—Conservatorium, Monash University) was celebrated on September 3, 2000, organised by the School of Music—Conservatorium and the Faculty of Music of the University of Melbourne. The event began with an address by Margaret Kartomi (Professor, School of Music—Conservatorium), about Andrew’s significance as a pioneer of Australian musicology, after which some of his former or present students—Robyn Holland, Derek Stiller, Mark Carroll (PhD), David Kram (PhD), Daniela Kaleva and Jan Stockigt (PhD)—gave papers on a range of topics. Celebrations continued at the home of Margaret Kartomi, where around 70 colleagues from various parts of Australia heard after-dinner speeches delivered by Geoffrey Knights (Professor, Deputy Chancellor, Monash University), Malcolm Gillies (Professor, President, Australian Aacademy of the Humanities), Richard Divall (freelance conductor), and Robyn Holmes (National Library of Australia).
Joel Crotty
School of Music—Conservatorium,
Monash University
Three events have been planned by the WA Chapter so far for 2001. In March we will be welcoming Daniela Kaleva from MSA’s Victorian Chapter who will give two presentations sponsored by the WA Chapter. The first is a lecture/demonstration for the Vocal Workshop at Edith Cowan University on Friday 16 March where her topic is "The Work of Dene Barnett in Application: The Art of Gesture for Singing Actors". The second presentation will be given at the Eileen Joyce Studio at the UWA School of Music on Monday 19 March where the topic will be "The Melodrama Sections in the Three Incidental Music Settings of Racine’s Athalie by the German Composers J. A. P. Schulz, G. J. (Abbe) Vogler and F. Mendelssohn-Bartholdy".
On 9 April, Jamie Kassler will present a paper at the UWA School of Music, entiltled "Musicology and the Problem of Sonic Abuse".
The WA Chapter is delighted to be welcoming Daniela and Jamie at a time to launch our year’s programme so auspiciously.
At least three further events are planned for later in the year—papers by Stewart Smith, Suzanne Wijsman/Robert Curry, and David Tunley. Further details on these events as well as reports on the earlier presentations will be given in the next Newsletter.
David Symons,
President, WA Chapter
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— Forthcoming Conferences and Events —
University of Melbourne, 18–22 April 2001
"MUSICology 2001"
The 24th National Conference of the Musicological Society of Australia will be held at the Faculty of Music, University of Melbourne, from 2pm on Wednesday 18 April to lunchtime on Sunday 22 April 2001. The Organising Committee warmly invites you to attend this exciting event. For further information, including the draft program, accommodation suggestions and the registration form, please visit the MSA website at www.msa.org.au. We are also sending all MSA members a registration flyer, which you may have already received. If you are in need of any further information, please don’t hesitate to contact Liz Kertesz (ekertesz@unimelb.edu.au; phone 03 8344 6532; fax 03 8344 5346).
Programme
The conference includes some 40 sessions from over 120 scholars, encompassing a rich variety of subjects. A draft programme can be found on the MSA website, but please remember that it is still subject to change. Both Wednesday afternoon and Sunday morning include a full and exciting programme of parallel sessions, including special meetings to be held on Wednesday evening.
Keynote Speakers
Tim Carter (Royal Holloway, University of London) "The Power of the Patron?"
Kay Dreyfus (Monash University, Melbourne) "Alma Moodie and the Landscape of Giftedness"
Annegret Fauser (City University, London) "Alterity, Nation and Identity: Some Musicological Paradoxes"
Richard Taruskin (University of California, Berkel