| Musicology Australia - Volume XXXI, 2009 |
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Page |
| Editorial |
Paul Watt |
vii |
| Articles |
Author |
Page |
|
The Local Impact of an International Celebrity: Fritz Kreisler in Australasia
|
Anne-Marie Forbes
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1
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From 'The Undead Will Feast' to 'The Time to Kill is Now': Frankfurt School and Freudian Perspectives on Death-Metal
|
Kieran James
|
17
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Half-Way: Appreciating the Poetics of Northern Kimberley Song
|
Sally Treloyn
|
41
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| Review Articles |
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Post/Modernizing Australian Music
|
Sally Macarthur
|
63
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Recent Studies in Scientific and Spiritual Understandings of Music
|
Stephanie Rocke
|
75
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| Feature Article |
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Music before the Nation, Music after nationalism
|
Philip V. Bohlman
|
79
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Obituaries and Correspondence
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Obituary, Mauricio Kagel
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Maya Henderson
|
101
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Correspondence - Liane Curtis and Sally MacArthur
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109
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| Musicology Australia - Volume XXX, 2008 |
Back to top |
Page |
| Editorial |
Paul Watt |
ix |
| Correspondence |
Michael Kassler |
x |
| Articles |
Author |
Page |
| Wild Men and Mystics: Rethinking Roy Agnew's Early Sydney Works |
Kate Bowan |
1 |
| Before Corroboree: Toward a Clearer Perspective of the Early Music of John Antill |
David Symons |
29 |
| Review Articles |
|
|
| Arnhem Land on the Agenda in Recent Texts on Australian Indigenous Music and Dance |
Peter Dunbar-Hall |
49 |
| Lives in Music: Recent Studies on Nineteenth-Century Organists |
Suzanne Cole |
53 |
| From the Republic of Slovenia: Slovenian Music History and Musicology |
Kathleen Nelson |
59 |
| 'The words stink and the music is just pathetic': The Making of a Popular National Anthem in New Zealand |
Allan Thomas |
64 |
| Historically Illuminating Performance |
Nicholas Routley |
70 |
| Reviews |
|
|
| The Company we Keep: An Intimate Celebration of Opera Australia, by Annarossa Berman and Bridget Elliot |
Michael Halliwell |
75 |
| Opera from the Greek: Studies in the Poetics of Appropriation, by Michael Ewans |
Micahel Ewins |
80 |
| Music Divided: Bartók's Legacy in Cold War Culture, by Danielle Fosler-Lussier |
Malcolm Gillies |
86 |
| Music and Love: Music in the Lives of Italian Australians in Griffith, New South Wales, by Roland Bannister |
Paul Ashton |
90 |
| A History of Baroque Music, by George J. Buelow |
Kathleen Nelson |
92 |
| A Brief and Short Instruction of the Art of Musicke by Elway Bevin, edited by Denis Collins |
Michael Kassler |
94 |
| Thomas Roseingrave: Complete Keyboard Music, edited by H. Diack Johnstone and Richard Platt |
Rosalind Halton |
97 |
| Desperate Measures: The Life and Music of Antonia Padaoni Bember, by Claire Fontijn |
Lionel Sawkins |
100 |
| The Works of Henry Purcell, Volume 27: Symphony Songs, edited by Bruce Wood |
David Newsholme |
103 |
| Louis Grabu, Albion and Albanius, edited by Bryan White |
David Newsholme |
107 |
| Thomas Tallis and his Music in Victorian England, by Suzanne Cole |
Katherine Pardee |
111 |
| Malcolm Arnold-A Composer of Real Music: Symphonic Writing, Style and Aesthetics, by Raphael D. Thöne |
Rhoderick McNeill |
115 |
| Peter Sculthorpe: The Making of an Australian Composer, by Graeme Skinner |
Suzanne Robinson |
120 |
| Music and Theology: Essays in Honour of Robin A. Leaver, edited by Daniel Zager |
Stephanie Rocke |
126 |
| Composition, Chromaticism and the Development of Process: A New Theory of Tonality, by Henry Burnett and Roy Nitzberg |
Simon Perry |
131 |
| French Music since Berlioz, edited by Richard Langham Smith and Caroline Potter |
Clair Rowden |
135 |
| Berlioz and Debussy: Sources, Contexts and Legacies, Essays in Honour of François Lesure, edited by Barbara L. Kelly and Kerry Murphy |
Clair Rowden |
141 |
| Dance and Dancers in the Victorian and Edwardian Music Hall Ballet, by Alexandra Carter |
Paul Watt |
144 |
| The Resisting Muse: Popular Music and Social Protest, edited by Ian Peddie |
Michael Webb |
147 |
| Musicology Australia - Volume XXIX, 2007 |
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Page |
| Editorial |
Paul Watt |
vi |
| Articles |
Author |
Page |
| Homage to a 'non-harmonic genius': Glanville-Hicks on Cage |
Suzanne Robinson |
1 |
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The Law of Three and the Law of Seven: Larry Sitsky's Violin Concerto No. 2 (1983) and the Influence of Georges Gurdjieff
|
Patricia Shaw |
23 |
|
The Remarkable Story of Maria Hinkesman
|
Michael Kassler |
43 |
| The Instrument Without Music: The Reconstruction of Recorder Repertoire in England, c.1900-1939 |
Alexandra Williams |
69 |
| Artfully Hidden: Text and Rhythm in a Central Australian Aboriginal Song Series |
Myfany Turpin |
93 |
| Living the 'Grand' Context: Chants in Palauan History |
Birgit Abels |
109 |
| Resisting the Airport: Bang on a Can Performs Brian Eno |
Cecilia Sun |
135 |
| Review Articles |
|
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| A Musical Woman in a Man's World: Rebecca Clarke |
Sally Macarthur |
161 |
| Improvisatory Music and Contemporary Jazz in Australia |
Craig Scott |
167 |
| Reviews |
|
|
| Michel-Richard Delande ou Le Lully Latin, edited by Catherine Massip |
Lionel Sawkins |
173 |
| Psalmes, Sonets and Songs (1588), edited by Jeremy Smith & Songs of Sundries Natures (1589), edited by David Mateer |
Kathleen Nelson |
177 |
| The Gyffard Partbooks I. Early English Chutch Music 48, edited by David Mateer |
Bronwyn Ellis |
181 |
| El Cancionera de Uppsala, edited by Maricarmen Gómez Muntané |
John Griffiths |
187 |
| The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries, by A. Peter Brown |
John A. Phillips |
190 |
| The Songs of Karol Szymanowski and His Contemporaries, edited by Zofia Helman, Teresa Chylínska and Alexander Wightman |
Luke Howard |
194 |
| Intercultural Music: Creation and Interpretation, edited by Sally MacArthur , Bruce Crossman and Ronaldo Morelos |
Peter Dunbar-Hall |
199 |
| Obituaries and Tributes |
|
|
| Obituary, Noël Nickson |
Kieran Crichton |
203 |
| Obituary, Andrew D. McCredie |
Margaret Kartomi |
213 |
| Publications of Andrew McCredie |
Daniela Kaleva |
216 |
| Musicology Australia - Volume XXII, 1999 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Singapore, a South-East Asian Haven: The Sephardi-Singaporean Liturgical Music of its Jewish Community, 1841 to the Present |
Margaret J. Kartomi |
3 |
| Musicology and the Problem of 'Musical Ear' |
Jamie G. Kassler |
18 |
| Pamina, Portraits, and the Feminine in Mozart and Schikaneder's Die Zauberflote |
Kate Bartel |
31 |
| Japanese Collections of Traditional Japanese Musical Instruments: Presentation and Representation |
Henry Johnson |
46 |
| Legrenzi's Music for Compline (1662) |
David Swale |
63 |
| Reviews |
Reviewer |
Page |
| The Cambridge Companion to the Piano edited by David Rowland |
Deborah Crisp |
72 |
| music and feminisms edited by Sally Macarthur and Cate Poynton |
Eva Rieger Bremen |
73 |
The Sephardic Experience: Thorns of Fire; Apples and Honey
The Renaissance Players directed by Winsome Evans |
Bronia Kornhauser |
74 |
| A Musician at Court: An Autobiography of Franz Benda Translations, Commentary, and Annotation by Douglas A. Lee |
Janice B. Sockigt |
76 |
| The Conservatorium of Music, University of Melbourne.. A Historical Essay to Mark its Centenary, 1895-1995 by Peter John Tregear |
Shirley Tembath |
77 |
| Percy Grainger by David Bird |
David Pear |
78 |
| Feature |
|
|
| Crossing Boundaries? The Relationship Between the Anglo-American and Austro-German Worlds of Musicology |
Eva Rieger |
81 |
| Register of Members' Publications |
|
89 |
| Register of Australian undergraduate theses in music, 1998 |
|
91 |
| Register of Australian postgraduate theses in music, 1995-1999 |
|
92 |
| The Musicological Society of Australia |
|
105 |
| Guidelines for contributors |
|
106 |
| Membership Form |
|
107 |
| Notice to Advertisers |
|
122 |
| Musicology Australia - Volume XXI, 1998 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Music in Menzies-Era Melbourne |
Adrian Thomas |
3 |
| Claudio Coello's Sagrada Forma and Music for the Ceremonial Relocations of a Sacred Relic at El Escorial in 1684 and 1690 |
Michael Noone |
16 |
| Paper Songs and Frozen Assets: Text and Traditions |
Richard M. Moyle |
28 |
| Liszt's monument to Bach: the Variations on Weinen, Klagen, Sorgen, Zagen, for Solo Piano |
Deborah Crisp |
37 |
| Szenen in Zelenka's Vespers Psalm Settings |
Janice B. Stockigt |
50 |
| About the Contributors |
|
59 |
| Reviews |
Reviewer |
Page |
| Haydn, Mozart and the Viennese School 1740-1780 by Daniel Heartz |
Graham Hardie |
60 |
| Contemporary Anthology of Music by Women edited by James R. Briscoe |
Sally MacArthur |
61 |
| Sonderstab Musik: Music Confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi Occupation in Western Europe by Willem de Vries |
Andrew D. McCredie |
63 |
| Dance of Life: Popular Music and Politics in Southeast Asia by Craig A. Lockard |
Peter Micic |
68 |
| Johannes Brahms: Life and Letters Selected and annotated by Styra Avins |
Margaret Notley |
69 |
| The music of Raymond Hanson: A Catalogue Raisonné compiled by Graham Hardie |
Helen O'Donoghue |
70 |
| Joan Schenk (Johan Schenck), Tyd en Konst-Oeffeningen, Op. 2 for viola da gamba & basso continuo facsimile with an introduction by Piet Stryckers |
Michael O'Loghlin |
71 |
| Augusto Kühnel, Sonate ô Partite ad una ô due Viole da Gamba, con il Basso Continuo facsimile with an introduction by Piet Stryckers |
Michael O'Loghlin |
71 |
| Defining Russia Musically: Historical and Hermeneutical Essays by Richard Taruskin |
Simon Perry |
73 |
| Georg Philipp Telemann: Essercissii Musici facsimile with an introduction by Greta Haenen |
Peter Roennfeldt |
77 |
| John Field: Nocturnes and Related Pieces edited by Robin Langley |
Peter Roennfeldt |
78 |
| The Attentive Listener. Three Centuries of Music Criticism edited by Harry Haskell |
Derek Stiller |
79 |
| The Cambridge Companion to Handel edited by Donald Burrows |
David Swale |
80 |
| Verdi's Middle Period 1849-1859: Source Studies, Analysis, and Performance Practice edited by Martin Chusid |
David Symons |
83 |
| The Music of Margaret Sutherland by David Symons |
Peter Tregear |
84 |
| Listening in Paris: A Cultural History by James H. Johnson |
Paul Watt |
85 |
| Register of Members' Publications |
|
88 |
| Register of Australian undergraduate theses in music, 1996 |
|
94 |
| Register of Australian postgraduate theses in music, 1992-1998 |
|
96 |
| Index to Musicology Australia 1988-1989 (Volumes XI-XII) |
|
107 |
| The Musicological Society of Australia |
|
120 |
| Guidelines for contributors |
|
121 |
| Notice to Advertisers |
|
122 |
| Musicology Australia - Volume XX, 1997 |
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Page |
| Editorial |
|
1 |
| Catherine Ellis (1935-1996) |
Margaret Kartomi |
2 |
| The Published Works of Catherine Ellis |
compiled by Robin Ryan |
4 |
| Articles |
Author |
Page |
| Two Types of Octave Relationships in Central Australian Vocal Music? |
Udo Will |
6 |
| The Dunhuang Lute-Manuscript transcribed by Coralie Rockwell |
Foreword and Afterword by Laurence Picken |
15 |
|
| Key Processes in the Oral Transmission of Hindustani Vocal Music |
Andrew Alter |
61 |
| Beethoven, Mahler, and the New German Cinema |
Roger Hillman |
84 |
| A Bibliography of Statistical Applications in Musicology |
Nigel Nettheim |
94 |
| Notes on Contributors |
|
107 |
| Reviews |
Reviewer |
Page |
| Bartók: Concertofor Orchestra Understanding Bartók's World by Benjamin Suchoff |
Malcolm Gillies |
108 |
| The Cancionero de la Sablonara: A Critical Edition. by Judith Etzion |
John Griffiths |
109 |
| The Masterwork in Music: A Yearbook, Volume II (1926) by Heinrich Schenker |
Michael Kassler |
110 |
| Schenker's Argument and the Claims of Music Theory by Leslie David Blasius |
Michael Kassler |
110 |
| Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris, 1834-1880 by Katharine Ellis |
Kerry Murphy |
112 |
| Graupners Ouvertüren und Tafelmusiken by Christoph Grosspietsch |
Andrew D. McCredie |
114 |
| Die Sinfonien des Darmstädter Kapellmetsters Johann Samuel Endler 1694-1762 by Joanna Cobb-Biermann |
Andrew D. McCredie |
114 |
| Life on the Goldfields: An Entertainment by Charles Thatcher |
Thérèse Radic |
119 |
| Solomon: A Serenata by William Boyce |
Peter Roermfeldt |
121 |
| Kulele 2: Occasional Papers on Pacific Music and Dance edited by Don Niles |
Dierdre Marshall Dean |
123 |
| The Years Before Gregory: Sources of Gregorian Chant. I. by Marie Therese Levey |
Philip Nunn |
124 |
| IMS Congress London, 14-20 August 1997 |
Andrew D. McCredie |
125 |
| Features |
Author |
Page |
| Musicology and the Problem of Knowledge |
Jamie C. Kassler |
130 |
| Obituary: Rosemary Florrimell (1937-1997) |
Kay Dreyfus |
135 |
| Obituary: Walter Wiora (1906-1997) |
Andrew D. McCredie |
136 |
| Register of Members' Publications |
|
139 |
| Register of Australian undergraduate theses in music, 1996 |
|
141 |
| Register of Australasian postgraduate theses in music, 1992-1996 |
|
143 |
| The Musicological Society of Australia |
|
154 |
| Guidelines for Contributors |
|
155 |
| Notice to Advertisers |
|
156 |
| Musicology Australia - Volume XIX, 1996 |
Back to top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Licence to laugh: Humour in the practice of biwa recitation in rural Kyushu |
Hugh de Ferranti |
3 |
| A survey of present-day Japanese concepts and classifications of musical instruments |
Henry M. Johnson |
16 |
| The Life and Afterlife of Jan Dismas Zelenka |
Janice B. Stockigt |
40 |
| Watermarks in Selected Seventeenth-Century Spanish Religious Music Manuscripts |
Paul R. Laird and Greta J. Olson |
49 |
| Churu-the dance-chants of Yap (Micronesia): A contemporary perspective |
Deirdre Marshall Dean |
60 |
| Notes on Contributors |
|
72 |
| Reviews |
Reviewer |
Page |
| Early Recordings and Musical Styles.. Changing tastes in instrumental performance 1900-1950 by Robert Philip |
P. Watchorn |
73 |
| Music Publishing and Collecting.- Essays in Honor of Donald W Krummel edited by David Hunter |
Peter Campbell |
74 |
| Classic Music and Postmodern Knowledge by Lawrence Kramer |
Naomi Cumming |
75 |
| Samuel Arnold, Obi; or Three-Finger'd Jack introduction by Robert Hoskins with Eileen Southern |
Anne-Marle Forbes |
78 |
| Music and Dance of Aboriginal Australia and the South Pacific: The Effect of Documentation on the Living Tradition edited by Alice Marshall Moyle |
Margaret Gummow |
79 |
| Musicology Australia XVIII (1995) |
Maria Anna Harley |
81 |
| Lee Yang-Hee Kayagum Collection |
Henry M. Johnson |
83 |
| Peter Philips: Cantiones Sacrae Octonis Vocibus (1613), Musica Britannica, Volume LXI transcribed and edited by John Steele |
Peter Platt |
84 |
| One Hand on the Manuscript: Music in Australian Cultural History 1930-1960 edited by Nicholas Brown, Peter Campbell, Robyn Holines, Peter Read, and Larry Sitsky |
Adrian Thomas |
86 |
| Musica Practica: The Social Practice of Western Music from Gregorian Chant to Postmodernism by Michael Chanan |
Peter Tregear |
88 |
| Illustrated Compendium of Musical Technology by Tristram Cary |
Andy Arthurs |
89 |
| Register of Members' Publications |
|
91 |
| Register of Australian undergraduate theses in music, 1995 |
|
96 |
| Register of Australasian postgraduate theses in music, 1992-1996 |
|
99 |
| Guidelines for Contributors |
|
113 |
| Musicology Australia - Volume XVIII, 1995 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Manuel de Falla, Debussy and La vida breve |
Michael Christoforidis |
3 |
| Edmund Gurney's The Power of Sound (1880): II. Reception |
Jamie C. Kassler |
13 |
| The piano in Australia, 1770 to 1900: some literary sources |
Deborah Crisp |
25 |
| To bury Hanslick or to praise him? The obituaries of August 1904 |
Sandra McColl |
39 |
| Schubert's unknown symphonies: a review article on the restorative work of Brian Newbould |
Roy Howat |
52 |
| Notes on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| The Masterwork in Music; a Yearbook; Volume 1 (1925) by Heinrich Schenker |
Michael Kassler |
61 |
| Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich by David Crook |
Robert Forgács |
63 |
| 'The Art of Playing the Fantasia' by Fray Thomas de Sancta Maria transl., transc. and commentary by Almonte C. Howell Jr. and Warren E. Hultberg |
Wolfgang Freis |
64 |
| La música en la Real Capilla de Madrid: José de Torres y Martínez Bravo (h. 1.670-1.738) by Begoña Lolo |
Kenneth Kreitner |
66 |
| Música y Culto Divino en el Real Monasterio de El Escorial (1563-1837) by Luis Hernández OSA |
Begoña Lolo |
68 |
| Conversations with Witold Lutoslawski by lrina Nikolska. |
Malcolm Gillies |
70 |
| Lyrebird Rising: Louise Hanson-Dyer of L'Oiseau-Lyre 1884-1962 by Jim Davidson |
Sally Macarthur |
71 |
| Lokal Musik: Lingua Franca Song and Identity in Papua New Guinea by Michael Webb |
Gordon Spearritt |
73 |
| The Encyclopaedia of Aboriginal Australia CD-ROM for Macintosh David Horton (ed.) and Kim McKenzie (design and programmer) |
Carol Gee Zarbock |
74 |
| Ethnomusicology: An Introduction/Ethnomusicology: Historical and Regional Studies ed. Helen Myers |
Carol Gee Zarbock |
75 |
| Ethnicity, Identity and Music: The Musical Construction of Place ed. Martin Stokes |
Carol Gee Zarbock |
78 |
| Register of Members' Publications |
|
82 |
| Register of Australian undergraduate theses in music, 1993 and 1994 |
|
86 |
| Register of Australasian postgraduate theses in music, 1992-1995 |
|
88 |
| Guidelines for Contributors |
|
|
| Musicology Australia - Volume XVII, 1994 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Evidence for linear transposition in Australian Western Desert vocal music |
Udo Will and Catherine Ellis |
2 |
| Mozart's European orchestras |
Neal Zaslaw |
13 |
| Isolde Ahlgrimm and Vienna's historical keyboard revival |
Peter Watchorn |
19 |
| Edmund Gurney's The Power of Sound (1885): I. Context. |
Jamie C. Kassler |
31 |
| Josef Holbrooke's Cauldron of Annwn and metempsychosis in music |
Anne-Marie H. Forbes |
43 |
| Notes on Contributors |
|
60 |
| Reviews |
Reviewer |
Page |
| Bands: The Brass Band Movement in the 19th and 20th Centuries ed. Trevor Herbert |
John Allen |
61 |
| Quasi una Fantasia: Essays on Modern Music by Theodor Adorno |
Peter McCallum |
63 |
| African Polyphony and Polyrhythm - Musical Structure and Methodology by Simba Arom |
Micheal Hannan |
67 |
| Karlheinz Stockhausen: Klavierstücke, David Tudor (piano) |
Richard Toop |
69 |
| Arnold Schoenberg Correspondence by Egbert Ennulat |
Philip Bracanin |
71 |
| Samuel Sebastian Wesley: Anthems II ed. Peter Horton |
David Swale |
72 |
| Peter Sculthorpe: A Bio-Bibliography by Deborah Hayes |
Michael Hannan |
74 |
| 'The Greatest Ornaments of Their Profession'- The New Zealand Tours by the Simonsen Opera Companies, 1876-1889 by Adrienne Simpson |
Jenny Dawson |
76 |
| Queering the Pitch: The New Gay and Lesbian Musicology eds Philip Brett, Elizabeth Wood and Gary Thomas |
Mario Champagne |
78 |
| The British Folk Scene: Musical Performance and Social Identity by Niall Mackinnon |
Anne-Marie Forbes |
82 |
| Register of Members' Publications |
|
84 |
| Register of Australian undergraduate theses in music |
|
86 |
| Guidelines for contributors |
|
|
| Musicology Australia - Volume XVI, 1993 |
Back to top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| The Kreisleriana of Robert Schumann and E.T.A. Hoffmann: some musical and literary parallels |
Deborah Crisp |
3 |
| Des pas sur la neige: Debussy in Bilitis's footsteps |
Nicholas Routley |
19 |
| Hans von Bülow and Richard Strauss: the master and his ardent follower |
Craig De Wilde |
28 |
| Ravel, rhythm and form |
Roy Howat |
39 |
| Save the last dance - for me? |
Richard Moyle |
48 |
| Notes on Contributors |
|
58 |
| Letters to the Editor |
|
59 |
| Reports |
|
|
| A New Source of Sixteenth-Century Polyphony |
Michael Christoforidis and Juan Ruíz Jiménez |
61 |
| Reviews |
Reviewer |
Page |
| Pleyel as Music Publisher by Rita Benton with Jeanne Halley |
Jamie Kassler |
63 |
| La Música en Nueva Nursia by Dom Eladio Ros OSB |
Michael Noone |
64 |
| Filmmusik im Dritten Reich by Konrad Vogelsang |
Roger Hillman |
66 |
| Musicology and Difference ed. Ruth A. Solic |
Mario Champagne |
67 |
| The Madonna Connection ed. Cathy Schwichtenberg |
Chris Childs |
70 |
| Doreen Bridees: Music Educator ed. Martin Cornte |
Kathryn Marsh |
71 |
| Peggy Glanville-Hicks by Wendy Beekett |
Joel Crotty |
73 |
| Complete Accord by Miriam Hyde |
Marianne Helm |
75 |
| Chinese Musical Instruments: An Introduction by Yang Mu |
Greg Hurworth |
77 |
| Synthesizer Performance and Real-Time Techniques by Jeff Pressing |
Jim Franklin |
79 |
| Register of Members' Publications |
|
82 |
| Register of Australian undergraduate theses in music |
|
87 |
| Guidelines for contributors |
|
|
| Musicology Australia - Volume VIII, 1985 |
Back to top |
Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Note: Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| Musicology and the Australian Bicentenary: a methodological prospectus from an American viewpoint |
Richard Crawford |
2 |
| Grainger's London years: a performing history |
Malcolm Gillies |
14 |
| Bix Beiderbecke and the Jean Goldkette Orchestra |
Frank Murphy |
24 |
| Notes towards a biography of the Polish composer Grzegorz Gerwazy Gorczycki |
Sabina Skrzypczak |
33 |
| Attribution of some unsigned articles of Berlioz in the Revue et Gazette Musicale de Paris (1834-1837) |
Kerry Murphy |
39 |
| Notes on contributors, Guidelines for contributors |
|
49 |
| Book Reviews |
|
50 |
| Register of Members' publications (1984) |
|
67 |
| Register of Australian undergraduate theses in music (1984) |
|
70 |
| Musicology - VII, 1982 |
Back to top |
|
| Articles and Bibliography |
Author |
Page |
| Note: Article Abstracts are not available prior to Volume IX, 1986 |
|
|
| New Sources of Mediaeval Music |
Gordon A. Anderson |
1 |
| Gordon A. Anderson: A Bibliography |
Jane Morlet Hardie |
27 |
| Music at Nevers Cathedral |
Nancy van Deusen |
30 |
| The Organs in the Church of the Monastery of Santa Cruz, Coimbra, Portugal: Their History and Some Technical Notes |
Wesley D. Jordan |
41 |
| Thomas Britton: Musician and Magician? |
Jamie Croy Kassler |
67 |
| Athanasia: Kircher and his Musurgia Universelle 1650 |
John Fletcher |
73 |
| Song Performance and Aboriginal Polity: a Northeast Arnhem Land Example |
Jill Stubington |
84 |
| Language Communication and Instrumental Music in Papua New Guinea; Comments on the Huli and Samberigi Cases |
Jacqueline Pugh-Kitingan |
104 |
| A Theory of Tonality and Modality: Bartók's Last Works |
Malcolm Gillies |
120 |
| A Question by Spender on Amusia Explored |
Michael Kassler |
131 |
| Reports |
|
|
| An Account of Transposing Keyboard Instruments before 1650 |
Peter Maddox |
136 |
| Haydn Autograph Manuscripts Verified in Melbourne: String Quartets Opus 50 Nos. 3-6, of 1787 |
Margaret J. Kartomi |
139 |
| Early Printed Monographs on Music in Australian Libraries |
Stephen Dowland Page |
140 |
| In Memoriam |
|
|
| Tributes to Gordon Athol Anderson (1929 - 1981) |
|
154 |
| Tribute to Donald Richard Peart (1909 - 1981) |
|
156 |
| Book Reviews |
|
|
| Levarie and Levy: A Dictionary of Musical Morphology |
Gordon A. Anderson |
158 |
| Price: Music in the Restoration Theatre |
Mary Chan |
160 |
| Rahn: Basic Atonal Theory |
David Hush |
161 |
| Charteris (ed.): John Coprario Fantasia Suites and Harrison and Wibberley (eds.): Manuscripts of fourteenth Century English Polyphony |
Cecil Hill |
164 |
| Abstracts of Theses on Music at Australian Universities |
|
165 |
| Guidelines for Contributors to Musicology |
|
167 |
| Contributors to this Issue |
|
168 |
| Musicology - VI, 1980 |
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| Note: Article Abstracts are not available prior to Volume IX, 1986 |
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| Articles |
Author |
Page |
| The Musicological Society of Australia: A Chronicle of Meetings 1963 - 1976 |
Gordon A. Anderson |
5 |
| Martin Gerbert (1720 - 1793): An Eighteenth-Century Historian's View of Church Music |
Gordon A. Anderson |
12 |
| A Case for Cyclic Composition in Three of J.S. Bach's Settings of the Christmas Chorale, Allein Gott in der Höh' sei Ehr' |
Robert Huestis |
23 |
| French Overtures at the Keyboard: "How Handel Rendered the Playing of Them" |
Graham Pont |
29 |
| Operatic Reform before Gluck, and the German Heroic Music Theatre of the Sturm und Drang |
Andrew D. McCredie |
51 |
| The Operatic Basis of Mozart's Keyboard Concertos |
John A. Meyer |
62 |
| Problems and Solutions in Editing Introit and Communion Tropes and Chants from the Eleventh Century Manuscript, Paris Bibliothèque Nationale fonds Latin 903 |
Greta Mary Hair |
66 |
| Early Versions of Beethoven's Second Symphony |
Cecil Hill |
90 |
| Charles Ives: Organization in Emerson |
Ann Ghandar |
111 |
| Honours Thesis Abstracts |
|
128 |
| Book Review: Margaret Kartomi (ed.) Studies in Indonesian Music |
David P. McAllester |
130 |
| Obituary: Rita Benton |
|
131 |
| Guidelines for Contributors to Musicology |
|
132 |
| Musicology - V, 1979 |
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| Articles |
Author |
Page |
| A Revolution in the Science and Practice of Music |
Graham Pont |
1 |
| The Inner Language of Verdi's Manuscripts |
Denis Vaughan |
67 |
| A Critical-Edition Problem Resolved |
Michael Kassler |
155 |
| Dr. Burney's 'Dictionary of Music' |
Roger Lonsdale |
159 |
| A Cathedral Reaches Out - The Impact of St. Mary's Music on Sydney Life |
Errol Lea-Scarlett |
173 |
| Queen of Night, Mother-Right, and Secret Male Cults |
L. R. Hiatt |
191 |
| The Restoration of a Lost Bach Sinfonia for Organ and Orchestra, based on a Revised List of Sources for Cantata 188 and Related Works |
Ralph Schureck |
205 |
| Reviews and Previews |
|
|
| J. B. Steane, The Grand Tradition: Seventy Years of Singing on Record |
Anthony Rainer |
211 |
| The Music of the Australian Hymn Book |
C. Louis Fouvy |
223 |
| Reports |
|
|
| Progress of The Musicological Society of Australia 1976-1979 |
Michael Kassler and Graham Pont |
231 |
| Advances in Music Documentation at the Australia Music Centre |
Philip J. Drummond |
234 |
| Charles Burney Correspondence in Australia |
Michael Kassler |
236 |
| Notes from the Museum of Applied Arts and Sciences: The Chinnery/Viotti Papers in Sydney |
Michael Kassler |
237 |
| Notes from the Mitchell Library, Sydney: The Alfred Hill Collection |
Martin Beckett |
242 |
| Notes from the Grainger Museum, University of Melbourne |
Kay Dreyfus |
245 |
| Notes from the National Library of Australia, Canberra |
Prue Neidorf |
246 |
| Musicology - II, 1965-67 |
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| Note: Article Abstracts are not available prior to Volume IX, 1986 |
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| Articles |
Author |
Page |
| The New Troubadours: Reflections on Pop and Modern Folk Music |
Wilfred Mellers |
3 |
| Alfonso Ferrabosco and the Lyra Viol |
Donald Peart |
13 |
| French Bowing Rules and the Minuet |
Dene Barnett |
22 |
| The Old Jewry 'Musick- Society': A 17th-Century Catch Club |
Ian Spink |
35 |
| The Consort Songs and Madrigals of Richard Nicholson |
Gordon Spearritt |
42 |
| Music Aptitude Tests - A Commentary |
Doreen Bridges |
53 |
| Australian Aboriginal Music-a Bibliography and Discography |
Alice M. Moyle |
60 |
| Miscellanea |
|
62 |
| Musicology - I, 1964 |
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| Note: Article Abstracts are not available prior to Volume IX, 1986 |
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|
| Articles |
Author |
Page |
| The Didjeridu of the Australian Aborigine |
Trevor Jones |
4 |
| Military Music in the Colony of N.S.W., 1788-1850 |
Peter Richardson |
5 |
| The Mysterious Four-note Theme in Beethoven's Last String Quartets |
W. A. Dullo |
10 |
| Bara and Mamariga Songs on Groote Eylandt |
Alice M. Moyle |
15 |
| Problems of Violin Bowing in the Performance of 18th-Century Music |
Joan Mackerras |
25 |
| Francis Cutting, Lutenist |
Martin Long |
31 |
| Australian Aboriginal Music: A Bibliography and Discography |
Alice M. Moyle |
39 |
| Miscellanea |
|
41 |