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The information below has been superceded.
This register lists titles of music theses in progress or completed since 1995 for doctoral, masters, and graduate diploma awards at universities in Australia and New Zealand. It is an update of the register published in last year’s journal. Updated information includes theses awarded since the last publication, new theses-in-progress entries, and corrections to entries in last year’s register.
The register has been developed in co-operation with music departments and student administration records and is dependent upon the information supplied by them. No distinction is made between degrees awarded by thesis only, or those which require combinations of thesis and coursework or thesis and performance. Each listing is given a reference code containing a letter which categorises the thesis as doctoral (P), masters (M) or graduate diploma (G).
The register is organised into six broad subject classifications. These are consistent with those which appeared when the register was published by Studies in Music, although they have been expanded to take into account an increased interest in Australasian studies, popular music and traditional music. Though some topics may fall into more than one category, each thesis is listed once only under a subject category designated by the author or university. Within these classifications, thesis titles are listed in alphabetical order by author’s surname. The year in which a degree was awarded is given after the name of the awarding institution. Entries for theses which have not yet been completed are designated ‘in progress’.
click on the underlined link to go to that section
A Australasia
A1 Indigenous music
A2 Australasian 'art' music
A3 Music of other ethnic traditions
A4 Popular music (folk, jazz, rock, etc.)
B Western Historical
Traditions
B1 Ancient and Medieval
B2 Renaissance
B3 Baroque
B4 Classical
B5 Romantic (Nineteenth Century)
B6 Twentieth Century
C Non-Australasian
Traditional Music
D Non-Australasian Popular Music
(folk, jazz, rock, etc.)
E Music Education/Pedagogy
F Other (not elsewhere classified)
For example: Analysis,
Theory, Criticism, Philosophy, Aesthetics, Sociology, Literature, Law, Organology,
Editing, Publishing, Dance, Technology, Bibliography, etc.
Australian Catholic University
Australian National University
Charles Sturt University
Deakin University
Griffith University
James Cook University
La Trobe University
Monash University
Queensland University of Technology
RMIT University
University of Adelaide
University of Auckland
University of Canterbury
University of Melbourne
University of New England
University of New South Wales
University of Otago
University of Queensland
University of South Australia
University of Sydney
University Wollongong
University of Western Australia
Victoria University of Wellington
| Doctor of Philosophy |
PhD |
|
Doctor of Creative Arts |
DCA |
|
Doctor of Communication |
DC |
|
Master of Arts |
MA |
|
Master of Arts with Honours |
MA (Hons) |
|
Master of Creative Arts |
MCA |
|
Master of Creative Arts with Honours |
MCA (Hons) |
|
Master of Letters |
MLitt |
|
Master of Music |
MMus, MusM |
|
Master of Music with Honours |
MMus (Hons) |
|
Master of Music Education |
MMusEd |
|
Master of Music Theory |
MMusTheory |
|
Master of Philosophy |
MPhil |
|
Graduate Diploma in Contemporary Music Technology |
GradDipContemMusTech |
|
Graduate Diploma in Intercultural Music Studies |
GradDipIntercultMusStud |
|
Graduate Diploma of Music |
GradDipMus |
|
Graduate Diploma in Musicology |
GradDipMusicology |
The reference code refers to:
99P150 BYRNE, John H.
PhD, Australian Catholic Univ., in progress
The influence of Vatican legislation upon music in the Catholic Archdiocese
of Melbourne.
96P481 CORN, Aaron
PhD, Univ. of Melbourne, in progress
Constructions of Aboriginality and the mediation of national identity in contemporary
Australian music.
93P073 FARRANT, Jean
PhD, Univ. of Western Australia, in progress
The history of music in Western Australia 1900-50.
97P522 BUNTING, Sue
PhD, Univ. of Melbourne, in progress
Ownership of indigenous music.
94M130 CROWE, Chantal-Marie
MMus, Australian National Univ., in progress
Female Australian Aboriginal songwriters/performers.
91P525 DRÜPPEL, Birgit R.
PhD, Univ. of Auckland, in progress
Music, mission and tradition in Kaulong society, West New Britain, PNG.
91M278 DOHERTY, Peter J.
MMus, Univ. of New South Wales, in progress
Metaphor in songs of the Kewa people of the Southern Highlands of Papua New
Guinea.
93M281 KEARSLEY, Helen
MMus, Univ. of New South Wales, in progress
The power of oral tradition in the transmission of faith: a study of Same in
two areas of the Western District of Fiji.
95P466 MACKINLAY, Elizabeth N.
PhD, Univ. of Adelaide, 1998
For our mother’s song we sing: Yanyuwa women performers and composers
of a-nguyulnguyul.
99P028 RYAN, Robin
PhD, Monash Univ., 1999
‘A spiritual sound, a lonely sound’: leaf music of South-eastern
Aboriginal Australians 1890s–1990s.
02P001 TURPIN, Myfany
PhD, Univ. of Sydney, in progress
Meaning and structure in a Kaytetye women’s song series
95P022 ARTHUR, Bronwen M.
PhD, Univ. of Queensland, in progress
The wireless and the talkies: new technologies and their impact on the Australian
popular music industry.
95M203 BALLARA, Carlo
PhD, Victoria Univ. of Wellington, in progress
Dictionary of New Zealand violin makers.
95P520 BARKL, Michael
PhD, Deakin Univ., 1995
Vertigo: Riccardo Formosa’s composition technique.
01P001 BANNISTER, Roland
PhD, Deakin Univ., 1995
An ethnomusicological study of music makers in an Australian military band.
96M518 BENNETT, Jane L.
MMus, Univ. of Queensland, 1998
An examination of the serial technique used by Don Banks in his compositions.
92M219 BONACCORSO, Sebastian
MMus (Hons), Univ. of Wollongong, in progress
Andrew Schultz’s Black River: an analysis.
95M209 BROMLEY, Mark
MMus (Hons), Univ. of New England, in progress
Musicological study of Australian contemporary music with reference to cross-fertilisation
of jazz and world music.
96P409 CAMERON, Kevin
PhD, Univ. of Newcastle, in progress
The life of Henri Verbruggen.
94M074 CAMERON, Kevin
MusM, Univ. of Western Australia, in progress
Joseph Post: Australia’s maestro.
93M002 CAMPBELL, Peter J.
MMus, Australian National Univ., 1997
Limestone Plains-song: an historical survey of choral music in Canberra, 1913–1993.
99M007 CARPENTER, Stephen
MA, Monash Univ., 1996
Percy Grainger: champion of the wind band, a study of the contribution of Percy
Aldridge Grainger to the repertory of the contemporary wind band, including
an examination, interpretive analysis and performance of selected works from
Grainger’s Chosen Gems for Winds.
95P224 CARRIGAN, Jeanell K.
DCA, Univ. of Wollongong, in progress
A pedagogical survey of contemporary Australian piano music.
95M371 CLARK, Jodi R.
MMus, Monash Univ., in progress
The songs of Henry Handel Richardson.
97G534 COOPER, Carl
GradDipMus, Australian National Univ., in progress
Australian composers and their contribution to the tenor solo recital repertoire
since 1960.
02P24 COONEY, Philip
PhD, Univ. of Newcastle, in progress
Beyond Sacred and Maninya –the Music of Ross Edwards 1991 –2001.
97G538 CRISPIN-CRESWELL, Ian
MMus, Australian National Univ., in progress
Extramusical structures in the concerti of Larry Sitsky.
99M033 CROWLEY, John
MA, Monash Univ., 1999
Alfred Hill: A Grand Old Man of Australian Music.
99P027 CROTTY, Joel
PhD, Monash Univ., 1999
Choreographic music in Australia, 1913–1964: From foreign reliance to
an independent Australian stance.
04P11 CURTIS, Paul
PhD, Australian Catholic Univ., ?2001
The Music of Dom Stephen Moreno
83P025 DART, Peter J.
PhD, Univ. of Queensland, in progress
A critical review of Australian music periodicals, 1862–1931.
96M473 DODSWORTH, Judith
MMus, Univ. of Melbourne, in progress
Melba iconography.
93M300 ELLIS, Angelina M.
MA, Queensland Univ. Technology, in progress
The history of the guitar in Australia from colonial times to the present day.
93P523 FORSYTH, James A.
PhD, Univ. of Sydney, 2003
Musical life in the Anglican and Free churches of settlement and early colonial
Sydney and surrounding regions.
96M435 GAME, Jennifer M.
MA, La Trobe Univ., in progress
The music of Gillian Whitehead.
98P393 GIALIDIS, Efrosini
PhD, Univ. of Adelaide, in progress
The Australian song cycle for voice and piano in the second half of the twentieth
century: themes of a multi-layered society.
96M462 HAMNES, David
MMus, Australian Catholic Univ., 2001
The role of the Melbourne International Festival of Organ and Harpsichord on
fostering Australian organ composition, 1971–1993.
99M005 HARVEY, Jonathan
MA, Monash Univ., 1995
Collit’s Inn: The first successful all-Australian musical romance.
92P392 HASTIE, Kelvin
PhD, Univ. of Sydney, in progress
Music making in the Methodist Churches of New South Wales, 1902–1977.
99M023 HOWARD, Darren
MA, Monash Univ., 1999
An examination and analysis of two Australian new music theatre works: Liza
Lim’s The Oresteia and David Chesworth’s The Two Executioners.
93M001 HUGHES, Anthony J.
MA, La Trobe Univ., in progress
Pitch-class compositional design using the Humble Transform: an analysis of
pitch structure in Keith Humble’s Eight Bagatelles.
96P410 JONES, David
PhD, Univ. of Newcastle, in progress
The life and works of Nigel Butterley.
96M484 JORDAN, Genevieve
MMus, Univ. of Melbourne, in progress
Cross-examining the biography: Voices and Viewpoints on Melba.
02M02 KARAHALIOS, Penny
M Mus, Monash Univ., in progress
Contemporary Australian Saxophone Quartets
96P441 KEAM, Glenda
PhD, Univ. of Auckland, in progress
New Zealand composition 1976–1996.
99M012 LYNCH, Peter
MA, Monash Univ., 1996
Gertrude Healy: the Australian violinist.
91M208 MARTIN, Peter
MMus (Hons), Univ. of New England, in progress
Synergy ensemble: history, repertoire, commissions, compositions and analyses.
95M212 MARTIN, Ruth
PhD, Australian National Univ., in progress
Women in Australian orchestral music.
96P411 MATTHIAS, Philip
PhD, Univ. of Newcastle, in progress
A study of Australian music liturgically suited for use in conjunction with
the new Australian Prayer and Hymn books.
02M004 MATHESON, Elizabeth
MPhil, Australian National Univ., in progress
Music in Australia during the Gold Rush: A Biography of Madame Cavendish
04M05 MERCER, Christine
MMus (Prelim.), Australian Catholic Univ., 2003
“A Cinderella of the Arts:” The Life of Henry Tate (1873 –
1926) and a Preliminary Catalogue of His Works.
04M09 MERCER, Christine
MMus, Australian Catholic Univ., in progress
Henry Tate (1873 – 1926) and the creation of Australian Musical Identity
99M052 MUSTARD, Jonathan
MMus, Univ. of Western Australia, in progress
Evos music: The organisation of contemporary music performance in Perth in the
1980s and 90s.
90P294 NAPTHALI, Diane E.
PhD, Univ. of New South Wales, 1998
Music and the Australian film industry 1894–1969.
94M237 NEIDORF, Prudence H.
MA (Hons), Univ. of Wollongong, in progress
Music publishing and printing in nineteenth century Australia: a chronology
of significant events and an annotated index of the major names.
91P124 NEWTON, Ronald
PhD, Univ. of Canterbury, in progress
Organ building in New Zealand 1890s to 1930.
86M282 NORTH, Karen R.
MMus, Univ. of New South Wales, in progress
A history of the Australian Opera and Ballet Orchestra.
04M003 O’BRIEN, Betty
MMus, University of Melbourne, in progress
Marjorie Lawrence: Her Australian Concert Tours 1939-1951
95M070 PATRICK, Ann M.
MPhil, Univ. of Western Australia, 1996
The Young Kabbarli: Daisy Bates as operatic heroine.
99M002 PETRUS, Pauline
MA, Monash Univ., 1995
Esther Rofe, theatre musician and narrative composer: A biographical and historical
overview of her life and music.
93P238 POWER, Anne M.
PhD, Univ. of Wollongong, in progress
An exploration of characterisation in operas by contemporary Australian composers.
96P392 ROGERS, Victoria C.
PhD, Univ. of Western Australia, 2000
The musical language of Peggy Glanville-Hicks.
02M26 SMITH, Margery
MCA, Univ. of Newcastle, in progress
To create original works of music, looking at the following contexts: improvisation,
collaborative composition and electro-acoustic.
99M051 STANLEY, Jane E.
MMus, Univ. of Sydney, in progress
Metamorphosis in Iphis: Bricolage in the music of Elena Kats-Chernin.
04M07 STEPHENS, Annette
MMus (Prelim.), Australian Catholic Univ., 2000
Technical Innovation and Australian Identity in Selected Choral Music by Stephen
Leek.
02P006 STILES, Roy Allan
PhD, Macquarie Univ., in progress
A survey of the music of Alfred Hill including a catalogue.
90M075 TANNER, Paul
MusM, Univ. of Western Australia, 1996
Contemporary percussion works by West Australian composers: An analysis of musical
resources and performance practice.
95P186 THOMPSON, L.
PhD, Univ. of Melbourne, in progress
Australian symphonic film score composition during the 1950s and 1960s.
03M001 THORNLEY, Clare
MMus, Univ. of Sydney, 2004
The Royal Philharmonic Society of Sydney: The rise and fall of a musical organisation.
95M376 WILLIAMS, Michelle M.
MPhil, Univ. of Sydney, in progress
The symphonies of Carl Vine.
94G146 WINTHER, Vivienne
GradDipMus, Australian National Univ., 1997
The Australian students of Marchesi.
97G540 WRAY, Stephen
MMus, Australian National Univ., in progress
The use of popular music techniques in contemporary Australian guitar compositions.
| Top of Page |
94P426 COLEMAN, Jennie J.
PhD, Univ. of Otago, in progress
The Scottish Highland bagpipe in New Zealand: its propagation, dissemination
and impact on Canterbury, Otago and Southland.
99M016 FORWARD, Ian
MA, Monash Univ., 1997
The music of Finnish migrants in Canberra and Melbourne.
96M464 FRANCO-HARDWICK, Kathryn G.
MMus, Univ. of Adelaide, in progress
From Mediated to Immediate: The Role of Technology on the Performance of Slovenian
Folk Music in Port Lincoln, South Australia.
95M009 HART, David L.
MMus, Univ. of Adelaide, in progress
World music: a perspective from Adelaide.
99P042 HORN, Kripps
PhD, Monash Univ., in progress
Rebetika music in Melbourne, 1960-1990s
95P302 MARSHALL, Deirdre P.
PhD, Univ. of New England, 2003
Lost Souls in a Vast Land. Recontextualising Maori Kapa Haka and the Construction
of Home in Melbourne.
97M512 MAXIMOVA, Galina
MMus, Australian Catholic Univ., 1999
Russian Orthodox music in Australia: the translation of a tradition.
99M003 WANG, Zheng-Ting
MA, Monash Univ., 1995
A history of Chinese music in Victoria.
96M460 CARBONE, Gwen
MMus, Australian Catholic Univ., 1997
Australian ragtime music 1946 to 1996: an historical and analytical survey of
selected scores.
02P016 DAVIDSON, Andrew
PhD, Univ. of Sydney, in progress
The Australian Musical: A Critical and Musical Survey
99M008 DOWNIE, Ellaine
MA, Monash Univ., 1996
Why a capella? Why women? Why now? The a-cappella movement in popular music
in Australia from 1987-1995.
95M386 DUANCE, Karyn
MMus, Univ. of Sydney, 1999
Compositional and performance techniques of women rock musicians.
94P240 HILL, Jennifer
PhD, Univ. of Melbourne, in progress
Aspects of Australian popular song c.1890-1914.
92M045 KOSTROMIN, Marina
MA, Monash Univ., 1996
Australian cross-over performers of improvisatory jazz since the 1950s.
94M431 MacDONNELL, David
MA, Univ. of Otago, in progress
The folk music revival in Otago.
93P047 PENDER, Graeme
PhD, Monash Univ., in progress
A study of the original Graeme Bell jazz band and its influence upon other jazz
bands in Australia during the 1940s and 1950s.
91P295 POOLE, Kim M.
PhD, Univ. of New South Wales, in progress
An ethnomusicological survey of the songs currently performed in folk clubs/festivals
in Australia.
95M468 RICKWOOD, Julie A.
MA, Australian National Univ., 1997
Liberating Voices: towards an ethnography of women's community a cappella choirs
in Australia.
90P016 SUGG, Andrew N.
PhD, Univ. of Adelaide, in progress
Music analysis.
| Top of Page |
94M391 CONNELLY, Patrice C.
M.Mus (Hons), University of Sydney, 1997
The Viola da Gamba: the development of its technique and pedagogy to the present.
04P12 HAMNES, David
PhD, Australian Catholic Univ., 2002
History of Organ Music in Norway
91P234 LINDEMANN, Hartmut
DCA, Univ. of Wollongong, in progress
An historical survey of portamento in the viola's performance practice.
96P394 CASHMAN, David W.
PhD, Univ. of Sydney, in progress
Text and music in the songs of troubadours of generation III (1160-1210).
95P182 JEFFREYS, Catherine M.
PhD, Univ. of Melbourne, in progress
Rhetoric as the nexus between words and music in the Symphonia of Hildegard
von Bingen.
94M434 MITCHELL, Donald H.
MA, La Trobe Univ., in progress
Fourteenth century Italian music.
87P216 SCOTT, Alice
PhD, Univ. of New England, 1996
A systematic study of English monophonic melody circa 1150-1300 found in manuscripts
of English provenance and preserved in English libraries.
95M207 APPELT, Carol R.
MA, Monash Univ., in progress
Fifteenth-century modality: a comparison of the practice of Ockeghem and the
theory of Tinctoris.
99M006 ARTINGSTALL, Elizabeth M.
MA, Monash Univ., 1996
Dufay, a man of the world: An investigation into Dufay's ceremonial motets.
95P175 EKKEL, Gary
PhD, Univ. of Melbourne, in progress
Voice-leading and the church modes in Renaissance polyphony.
91P290 FORGACS, Robert
PhD, Univ. of New South Wales, in progress
Lassus's Lamentations, Lessons and Responsories for the Divine Office.
95P180 GUSTAVSON, Royston Robert
PhD, Univ. of Melbourne, 1998
Hans Ott, Hieronymus Formschneider, and the Novum et insigne opus musicum (Nuremberg,
1537-1539).
94P125 MACKAY, Lisa J.
PhD, Monash Univ., in progress
The Salve Regina settings in the Eton College Choirbook.
94P297 McLENNAN, Isobel J.
PhD, Monash Univ., in progress
Concepts of women patrons of music in the Renaissance.
96M485 McNAB, Michael
MMus, Univ. of Melbourne, in progress
The employment and use of instrumental musicians or ministriles in the sixteenth
and early seventeenth century.
99M029 MARASCO, Mary
MA, Monash Univ., 1999
Johannes Ciconia-speculating or relating.
96M442 SECCOMBE, Pamela
MMus, Univ. of Auckland, in progress
A 'hidden' manuscript of the late fifteenth century: Paris BN Rés 862.
96M437 SHADE, Fiona C.
MA, La Trobe Univ., in progress
An iconographical study of female musicians in Renaissance Italy.
96M529 VANT, Arwen A. D.
MMus, Univ. of Auckland, in progress
The Ordinary of the Mass, 1420-1450
88M043 WILMOTT, Noel
MA, Univ. of Queensland, in progress
The Liber primus missarum (1602) of Alfonso Lobo.
95P432 ALLAN, David A.
PhD, La Trobe Univ., in progress
The use of polyphonic technique in solo violin music 1650-1750.
96M412 ALLEN, Chris
MMus, Univ. of Newcastle, in progress
Aspects of the music of Henry Purcell.
91M078 BELBIN, Jillian
MusM, Univ. of Western Australia, 1997
John Christopher Smith (1712-1795)-his place in the development of English harpsichord
music (including a performance edition of six suites of lessons for the harpsichord
op. 3).
96M439 BESENSKI, Helena
MMus, Univ. of Auckland, in progress
Franz Tunder.
02P009 COBCROFT, Samantha
PhD, Univ. of Newcastle, in progress
Female Vocal Writing in Operas of the Late 18th Century
95P174 DIKMANS, Gregory P.
PhD, Univ. of Melbourne, in progress
Rhetoric and the performance practice of early eighteenth-century French instrumental
music.
95M077 DRYBROUGH, Katharine F.
MA, Univ. of Western Australia, 1998
A comparative study of Handel's musical expression in five operas and the Opus
6 concerti grossi.
92P289 FABIAN, Dorottya
PhD, Univ. of New South Wales, in progress
The history of J. S. Bach performance 1945-1975.
02M018 FORSYTH, Nicole
MA, Univ. of Newcastle, in progress
Early Music in Australia: Historic Instruments (Strings) Training & Preventative
Support Education (Holistic Musician Education for the Profession)
02M005 GRIFFITHS, Gabriel
M. Mus, Univ. of Sydney, in progress
Dramma per musica: A critical study of Handel's cantatas for solo voice and
obbligato instruments, 1706 - 1709.
96M507 JACQUES, Michelle
MMus, Griffith Univ., in progress
The use of rhetoric in Buxtehude's organ works.
93M215 KELLAWAY, John
MMus, Univ. of New England, in progress
Trumpet: performance practice.
88M377 KELLY, Ruth
MPhil, Univ. of Sydney, 1997
The lyra viol music of Simon Ives (1600-1662).
99M057 LANCASTER, Coral J.
MusM, Univ. of Western Australia, in progress
The forms and development of the bass violin in seventeenth-century Italy.
94P292 McGILL, Virginnia
PhD, Univ. of New South Wales, in progress
A comparison of the two operas, Euridice by Peri, 1600, and Orfeo by Sartori,
1673, reveals significant changes both in the interpretation of the myth and
musical form: a socio-musical study.
96P443 O'LOGHLIN, Michael A.
PhD, Univ. of Queensland, in progress
Repertoire for Viola da Gamba in the Amalien Bibliotek, Berlin.
94M283 OEY, Samuel U.
MMus, Univ. of New South Wales, in progress
A study in the comparison and contrast of the English Anthem of Pelham Humphrey.
02P28 OGEIL, Jacqueline
PhD, Univ. of Newcastle, in progress
Domenico Scarlatti and his 555 Keyboard Sonatas
96M475 PERISSINOTTO, Dominic
MMus, Univ. of Melbourne, in progress
Baroque Spanish organ music.
94M080 PHILLIPS, Marina
MusM, Univ. of Western Australia, 1999
The use of scordatura in baroque violin music.
91M081 SWANN, Richard A.
MusM, Univ. of Western Australia, in progress
William Boyce: The performance of his last court ode in honour of King George
III in 1779.
97M524 WERETKA, John
MMus, Univ. of Melbourne, in progress
Four settings of Metastasio's Siroe: did a musico-dramatic theory exist in the
Baroque period?
| Top of Page |
99M060 ANGUS, Andrew S.
MMus, Univ. of Western Australia, in progress
A critical edition of the six oboe sonatas of Giuseppe Sammartini.
96M413 ARCHER, Greg
MMus, Univ. of Newcastle, in progress
Analysis of selected chamber works by Haydn and Beethoven.
96M476 BALLARD, Bernadette
MMus, Univ. of Melbourne, in progress
Women musicians in late 18th-century London.
94P084 GUNSON, Emily J.
PhD, Univ. of Western Australia, in progress
Johann Baptist Wendling (1723-1797): his life, works and artistry, including
a thematic catalogue of his complete works.
95M193 HAMILTON, Vivienne.
MMus, Univ. of Melbourne, in progress
The French cantata and French vocal performance of eighteenth century France.
99P044 KALEVA, Daniela
PhD, Monash Univ., in progress
The melodrama technique in incidental music and opera during 1803-1826 with
social reference to the stage music of Beethoven and Carl Maria von Weber.
95M083 KIRK, Rachael A.
MusM, Univ. of Western Australia, 1998
A Sonata for harpsichord or fortepiano with a tenor obbligato by Carl Stamitz:
A comparative study of all editions.
95M082 LEE, Yoon Sen
MusM, Univ. of Western Australia, 1997
Mozart's Quintet for wind and piano K452 and the question of tonal balance when
performed on period instruments.
95M201 PARK, Rachel
MMus, Victoria Univ. of Wellington, in progress
Arrangements of Mozart's Operas for Harmoniemusik.
95P187 VAN DER MEULEN, S.
PhD, Univ. of Melbourne, in progress
Empfindsamkeit in the music of the eighteenth century.
96M416 BARNES, Jenny
MMus, Univ. of Newcastle, in progress
The preparation of principal roles in selected late nineteenth century and early
twentieth century Italian operas.
02M008 BRENNAN, David
MA, Univ. of Newcastle, in progress
The Opera Performer as Actor
96M415 CAULFIELD, Alan
MMus, Univ. of Newcastle, in progress
The use of the tuba family in Wagner's Ring.
95P173 CHRISTOFORIDIS, Michael
PhD, Univ. of Melbourne, in progress
Aspects of the creative process in Manuel de Falla's neoclassical works.
96M477 COLE, Suzanne
MMus, Univ. of Melbourne, in progress
The 19th-century reception of the sacred choral music of Thomas Tallis.
95M170 DAVISON, Alan
MMus, Univ. of Melbourne, in progress
The iconography of Franz Liszt: the development of his piano technique.
95M192 DIXON-LAWRENCE, R.
MA, Univ. of Melbourne, 1998
The performance practice of the tourte bow within the French violin school of
the early nineteenth century.
96M515 DRABER, Christopher
MA, Monash Univ., in progress
The chamber music of Brahms presents an unusual array of progressive features
disguised in a veil of conservatism.
02M20 DUNSTONE, Prudence
MCA, Univ. of Newcastle, in progress
Performance Practice in Italian Music for Female Voice 1800 - 1850.
02P21 EASTHAM, Sohyom
PhD, Univ. of Newcastle, in progress
Romantic / virtuoso tradition of Violin Composition and Performance (Specifics
of Violin Playing and How to Teach it).
97G535 FISHER, Catherine
GradDipMus, Australian National Univ., in progress
Paul Claude Taffanel: father of the modern French school of flute playing?
97M390 GIBSON, Robert R.
MMus (Hons), Univ. of Sydney, 1998
Parsifal and Homosexuality: A study of the reception of Parsifal as a homoerotic
text.
96M414 HART, Susan
MMus, Univ. of Newcastle, in progress
Late 19th-century Italian opera.
95M137 HOLTZAPFFEL, Ann
MMus, Australian National Univ., in progress
The six solo sonatas of Eugene Ysaye.
92P397 JOHNSON, Roderick A.
PhD, Univ. of Sydney, 1998
Crucial years in the development of piano music: Paris under the July Monarchy
(1830-1848).
95M011 LAWLER, Stephen
MMus, Univ. of Adelaide, in progress
Development of brass band genre in the nineteenth century.
87P383 McCALLUM, Peter
PhD, Univ. of Sydney, 1997
The analytical significance of Beethoven's sketches for the String Quartet in
F major, Opus 135.
94M389 MITCHELL, Robert
MPhil, Univ. of Sydney, in progress
Jacques Offenbach's La vie parisienne (1866): a critical edition.
95P014 MOON, Geoffrey
PhD, Univ. of Adelaide, in progress
Inner musical workings of Robert Schumann 1828-1840.
02P007 NETTHEIM, Nigel
PhD, Univ. of New South Wales, 2001
Schubert's Early Progress: On the Internal Evidence of his compositions up to
Gretchen am Spinnrade.
96M478 PETHERICK, Bruce
MMus, Univ. of Melbourne, in progress
Orchestration treatises of the 19th and early 20th centuries.
96P486 PLESCH, Melanie
PhD, Univ. of Melbourne, in progress
The development of the guitar and guitar music in nineteenth century Buenos
Aires.
97M526 SEAMAN, Katherine H.
MMus, Univ. of Auckland, in progress
Anton Grigor'evich Rubinstein: an outline of his life as pianist, pedagogue
and composer, with special reference to his sonatas for piano.
99M036 SEREBRIANIK, Dmitry
MA, Monash Univ., in progress
The European trumpet in the 19th century: history and development.
93M086 SHAW, Irene
MA, Univ. of Western Australia, in progress
An analysis of Richard Strauss' Sonata for Violin and Piano, Opus 18.
96M461 SHIBAKI, Noriko
MMus, Australian Catholic Univ., 1996
Johann Baptist Cramer (1771-1858) and his Instructions for the Piano Forte (1812).
96P445 SOUTH, Pei-Gwen
PhD, Univ. of Queensland, in progress
Russian opera and the development of the symphonic genre in Russian music from
the 19th century until 1917.
02M22 TEEGE, Rowena
MCA, Univ. of Newcastle, in progress
A Comparative Study of the Romantic Liederkriere with the Song Cycles of the
20th Century British Composers.
95P044 TSOU, Nan Chien
PhD, Monash Univ., in progress
Chopin's Preludes opus 28: Historical context, performance practice, and pedagogical
implications.
95M374 VAINER, Sofya
MMus, Australian Catholic Univ., in progress
The evolution of the set of 24 Preludes for Piano in the Romantic period.
92P301 VANN, Kerry V.
PhD, Univ. of Queensland, in progress
The genesis of Wagner's Lohengrin: a study of compositional process based
on the sketches and drafts.
91P085 WHITEHEAD, Geoffrey I.
MusM, Univ. of Western Australia, 1996
The role of the tuba in Wagner's Ring cycle.
02M019 WILLIAMS, Tara
MCA, Univ. of Newcastle, in progress
Spinto Repertoire and The Development of the Spinto Voice.
96P444 WU, Janice Pei-Yin
PhD, Univ. of Queensland, in progress
The development of programme music during the 1820s and the 1870s.
| Top of Page |
99M030 ALLAN, John
MA, Monash Univ., in progress
Die tote Stadt an opera by Erich Wolfgang Korngold.
97G533 BEAR, Leanne
GradDipMus, Australian National Univ., in progress
Sets and Violins: an investigation of contemporary performance styles of Artist/Violinists,
with particular reference to the work of Laurie Anderson.
91M089 BEAVERSTOCK, John G.
MusM, Univ. of Western Australia, 1999
The employment of the organ in three great oratorios of Edward Elgar.
92M220 BOYLE, David
MMus (Hons), Univ. of Wollongong, in progress
Music, man, machine: towards a human context.
96P501 BROMAGE, Lynette
PhD, Griffith Univ., in progress
Relationship between the words and the music in the songs of Ivor Gurney.
95M221 BROWN, Gregory
MCA, Univ. of Wollongong, in progress
Vocal writing in Stravinsky's Neo-classic music and especially The Rake's
Progress.
95P222 BUTLER, Gary
PhD, Univ. of Wollongong, in progress
The influence of John Cage on improvised music.
93M211 CAMPBELL, Steven
MMus (Hons), Univ. of New England, in progress
Applications of algorithms within three commercially available composition software.
95M188 CEFF, L.
MMus, Univ. of Melbourne, in progress
Timbral perception: a study in sound colour, with emphasis on the listener's
perspective, and aspects of Skryabin and Kandinsky.
94M450 CHAN, Chi Man
MMus, Univ. of Sydney, 1998
Postmodernism and music analysis.
92P226 CHISLETT, Laura G.
DCA, Univ. of Wollongong, in progress
Graphic analysis and the performance of contemporary flute music.
94P428 COLLINS, Zelda T.
PhD, Univ. of Otago, in progress
Tonal structures in the Preludes of Debussy.
99P040 DALE, Mark
PhD, Monash Univ., in progress
The guitar music of Manuel Ponce.
99P061 CUNEO, Ollivier P.
PhD, Univ. of Western Australia, in progress
The orchestral music of Pierre Boulez: an examination of the musical and extramusical
influences on three major works for orchestra by Pierre Boulez, from the point
of view of the conductor.
96M506 DAVIDSON, Kylie
MMus, Griffith Univ., in progress
Performance practice in selected works of Sergei Prokofiev.
94P427 FRANCIS, Richard
PhD, Univ. of Otago, in progress
The harmonic language of The Triumph of Time by Harrison Birtwhistle.
99M017 GORDON, Christopher
MA, Monash Univ., 1997
Which way the wind blows? The influence of non-musical factors in the reception
of the music of Dmitri Shostakovich in the West.
95P178 GREENBAUM, Stuart
PhD, Univ. of Melbourne, 1999
Arvo Pärt's Te Deum: a compositional watershed.
95P179 GREET, Martin T.
PhD, Univ. of Melbourne, in progress
Improvisation in contemporary music.
95M090 HALL, Graham F.
MusM, Univ. of Western Australia, in progress
Manuel Ponce and his Variations on La Folia for guitar.
96M418 HAWKINS, Karen
MMus, Univ. of Newcastle, in progress
Aspects of the operas of Menotti.
94M169 HAWLEY, Richard J. P.
MMus, Univ. of Melbourne, in progress
The influence of Debussy on Stravinsky's early works (1906-1914).
92P395 HILL, Kathryn R.
PhD, Univ. of Sydney, in progress
The origins of postmodernism in music.
04P004 HISCOCKS, Wendy F.
PhD, Australian National University, in progress
A reassessment of the music of Arthur Benjamin in the light of new evidence.
94M429 HOLCROFT, Reuben
MA, Univ. of Otago, in progress
Contrasting styles in non-hierarchical music of the twentieth century: works
by Satie, Ravel, Poulenc and Schnittke.
01M002 HOOPER, Michael J.
MMus, Univ. of Sydney, in progress
The compositional approaches of Liza Lim.
99M054 HOPWOOD, Paul A.
MA, Univ. of Western Australia, in progress
Frank Bridge and the English pastoral tradition.
96P419 HOUSE, Daniel
PhD, Univ. of Newcastle, in progress
Conceptions of time and their implications in the analysis of selected twentieth
century compositions.
93M231 HUANG, Yuh-Wen
MCA, Univ. of Wollongong, in progress
East meets West: Takemitsu's November Steps.
92M010 HUGHES, William D.
MMus, Univ. of Adelaide, in progress
Analysis of Scenes de Ballet by Igor Stravinsky.
93M280 JUNG, Hong Hee
MMus, Univ. of New South Wales, in progress
William Walton's solo songs and song cycles.
95P183 KASZTELAN, Helen
PhD, Univ. of Melbourne, in progress
Tonal and atonal fusion in Bartók's studies, Opus 18.
94P463 KERTESZ, Elizabeth J.
PhD, Univ. of Melbourne, 2000
Issues in the critical reception of Ethel Smyth's Mass and first four operas
in England and Germany.
91M219 KIRCHHUBEL, Julie
MMus, Griffith Univ., in progress
Stravinsky's aesthetics as manifested in selected keyboard works from his neoclassic
period.
99P024 KRAM, David I.
PhD, Monash Univ., 1999
Erich Wolfgang Korngold (1897-1957). His early life and works with special reference
to his relationship with his teachers and his Ballett-Pantomime Der Schneemann.
99M056 LAKE, Cassandra K.
MA, Univ. of Western Australia, in progress
The life and music of Charles Edgar Ford (1881-1961).
91M396 LEMON, Karen
MMus, Univ. of Sydney, in progress
The persistence of tonal thinking in Schoenberg's Opus 11.
94M235 LOVE, Karlin G.
MA (Hons), Univ. of Wollongong, in progress
An examination of the influence of instrumental forces and orchestration considerations
on composition for symphony and symphonic wind ensemble as exemplified in selected
major works by Percy Grainger, Vincent Persichetti, Karel Husa, Ron Nelson,
Libby Larsen and Michael Colgrass.
94M472 MARSHALL, Matthew
MMus, Victoria Univ. of Wellington, in progress
20th-century guitar techniques: a composer's handbook.
93P029 McRAE, Barbara L.
PhD, Univ. of Queensland, 1998
Olivier Messiaen's apocalyptic vision.
95P091 MEEGAN, Rebecca M.
PhD, Univ. of Western Australia, 1998
The motoric element in Hindemith's instrumental music of the 1920s: Structure,
shape and perception.
94M088 MEHER-HOMJI, Cyrus
MA, Univ. of Western Australia, 1995
Debussian pianism and its ramification as seen in Images I.
99M035 MURRAY, Camilla
MA, Monash Univ., in progress
Different Trains by Steve Reich: the Holocaust remembered.
95M132 MUIR, Martin
MMus, Australian National Univ., in progress
The exposition, delineation and social impact of character in twentieth century
opera: a comparative study of Alban Berg's Wozzeck and Larry Sitsky's
The Golem.
99M063 O'CONNOR, Jennifer G.
MusM, Univ. of Western Australia, in progress
The influence of the music of Stockhausen and Xenakis on Michael Smetanin's
Black Snow.
96P446 PALINGS, Benedikte M.T.
PhD, Univ. of Queensland, in progress
The world interpreted: extra-musical influences on the composition and interpretation
of Benjamin Britten and Peter Pears.
93P030 PERRY, Simon D.
PhD, Univ. of Queensland, 1998
Mussorgsky's orthography: An approach to tonal structures in his music.
96M508 POWELL, Christa
MMus, Griffith Univ., in progress
Principles of right arm technique in violin tone production of twentieth century
music.
96M480 PRICTOR, Megan
MMus, Univ. of Melbourne, in progress
The critical reception of the music of Gerald Finzi.
96P417 RICCI, Natalia
PhD, Univ. of Newcastle, in progress
The Preludes of Scriabin.
04M08 RISCHITELLI, Victor
MMus, Australian Catholic Univ., in progress
Henry Cowell’s European Concert Tour of 1926
99P048 SCARLETT, Elizabeth
PhD, Monash Univ., in progress
The melodies of Francis Poulenc: the integral relationship between piano and
voice in interpreting images and poetry.
93M086 SHAW, Irene
MusM, Univ. of Western Australia, 1998
An analysis of Richard Strauss' Sonata for violin and piano opus 18.
96P479 SHAW, Patricia
PhD, Univ. of Melbourne, in progress
Aesthetics in the Orchestration of Maurice Ravel .
96M510 SIMMONDS, Juanita
MMus, Griffith Univ., in progress
Kurt Weill: music and politics in Germany.
93P380 SNOOK, Stephen
PhD, Univ. of Sydney, 1998
Post-tonal compositions for guitar: kinaesthetic analysis and performance practice.
95M042 SUTHERLAND, Elspeth M.
MA, Univ. of Queensland, in progress
A comparative study of Puccini's Madam Butterfly and Miss Saigon.
95M297 SYKES, Ingrid J.
MMus, Univ. of Melbourne, in progress
The influence of Nadia Boulanger on twentieth century French women organists.
99M059 VICKERY, Lindsay R.
MusM, Univ. of Western Australia, in progress
An analysis of Stockhausen's Traumformel.
95P033 WALSH, Fiona
PhD, Univ. of Queensland, in progress
Endings in early 20th-century music: selected case studies.
93M375 WAY, Anthony
MMus, Australian Catholic Univ., 2004
Music for the Eucharistic Prayer of the Roman Rite since the Second Vatican
Council: a critical survey of musical settings.
94M430 WHINCOP, Peter B.
MA, Univ. of Otago, in progress
Satie's Socrate: an analytical study.
96M511 WOODS, Murray
MMus, Griffith Univ., in progress
Vocal expression and text portrayal in the music of Berio.
93M284 YALOURIS, Stephen M.
MMus, Univ. of New South Wales, in progress
A comparative and stylistic study of two scenes from Benjamin Britten's opera
Peter Grimes opus 33, from the complete studio recordings to the end of
1994.
94M218 ZIZI, Giuditta
MMus, Australian National Univ., 1997
Examination of the interrelationship between the cultural and economic environment
and the structure of language and opera in Italy during the period 1900-1950.
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99P038 ALTER, Andrew
PhD, Monash Univ., 1999
Dancing with the Gods: power and meaning in the music of Garhwal, North India.
02P014 BRASCHE, Inga
DC, Deakin Univ., in progress
Otse Mbaka: An investigation into cultural loss, recuperation and ownership
in North Central Namibia.
96P440 BOLLEY, Richard
PhD, Univ. of Auckland, in progress
The significance and performance practice of Mantra in Buddhism of the Vajrayana.
99M014 BOWIE, Annette J.
MA, Monash Univ., 1997
Developments in western style contemporary music in South Korea, 1945-96.
94M225 CHEN, Zhi-Jun
MCA, Univ. of Wollongong, in progress
Traditional opera in Taiwan.
95G006 CUMMING, Andrew
GradDipMus, Deakin Univ., in progress
The Tarompet of West Java.
84P378 DE FERRANTI, Hugh
PhD, Univ. of Sydney, 1997
The Higo Biwa tradition of Japanese Biwa performance.
99P041 DONALDSON, Tony
PhD, Monash Univ., in progress
Buddhist temple music in Sri Lanka.
92M008 GAETJENS, Peter W.
MMus, Univ. of Adelaide, in progress
Flamenco guitar in the twentieth century.
99M018 GUNN, Malcolm
MA, Monash Univ., 1997
Enter 'Exhalted Guest': the role of the music in an Indonesian feature film
of 1955.
99M009 GUNTER, Philip
MA, Monash Univ., 1996
Ornamentation in performance styles on the contemporary Arabic 'ud.
99P010 HURWORTH, Greg J.
PhD, Monash Univ., 1996
An exploratory study of the music of the Yami of Botel Tobago, Taiwan.
97G543 KOEPKE, Bruce
PhD, Australian National Univ., 1996
Religious dance traditions in Dadistan (northern Pakistan): A preliminary analysis
of selected dances of Kalasha, and of the Barushaski- and Shina- speakers.
99M034 LE, Duy Ngoc Linh
MA, Monash Univ., in progress
Mon traditional music.
02P010 LEININGER-OGAWA, Marika
PhD, Univ. of Adelaide, in progress
Contemporary Tradition: Japanese Traditional Music and the Live Club Scene in
Tokyo
95M384 LIM, Vi King
MMus, Univ. of Sydney, in progress
The music of Chinese communities in Indonesia.
92P521 LINDNER, Bernice
PhD, Univ. of New South Wales, 1992
Koleda's philosophy in practice: a comparative study.
95P293 NAPIER, John J.
PhD, Univ. of New South Wales, in progress
A synchronic and diachronic study of the nature of melodic accompaniment in
North Indian classical vocal music.
02P015 NG, Kwok Wai
PhD, Univ. of Sydney, in progress
Transformation of the Togaku modes from Tang Period China (AD 618 - 907) to
Modern Japan.
04P001 OLAFSDOTTIR, Ragneheidur
PhD, Australian National University, in progress
Icelandic traditional vocal music: Voices in isolation or connection? A critical
commentary on the Icelandic singing tradition and a comparison of three vocal
folk music traditions from the North Seas, from 1900 to the present.
99P020 PURBA, Mauly
PhD, Monash Univ., 1998
Musical and functional change in the gondang sabangunan tradition of the protestant
Toba Batak 1860s-1990s, with particular reference to the 1980s-1990s.
97G532 NGUYEN, Chi Dung
GradDipMus, Australian National Univ., in progress
Vietnamese model systems.
93P214 ROWLANDS, Lindsay
PhD, Univ. of New England, in progress
Semiotic aspects of music and dance in Ghana.
99P013 SAPUNDZIJEV, Mary
PhD, Monash Univ., 1996
The music of politics-politics in music: the choral miniature repertoire of
first generation Macedonian composers; a re-assignment of Macedonian musical
development.
99P047 SARMAST, Ahmad
PhD, Monash Univ., in progress
Afghan classical music.
96M396 TSITSISHVILI, Nino
MA, Monash Univ., 1998
Table and solo work song genres in Kartli-Kakheti, eastern Georgia: context
of performance, musical style, and culture contact.
99P049 TSITSISHVILI, Nino
PhD, Monash Univ., in progress
National Unity and Gender Difference in Georgian Traditional Song-Culture: Ideologies
and Practices.
95P316 VARNEY, John
PhD, Griffith Univ., in progress
The Bambuco: the evolution of a national music style.
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95P433 FRANKLIN, Gavin E.
PhD, Univ. of New South Wales, in progress
The Trumpet Style of Herman 'Woody' Shaw (1944-1989).
99P045 MARLOW, Lorna
PhD, Monash Univ., in progress
Spirituality of rock music for young people.
95M012 NGUYEN, Dang Thao
MMus, Univ. of Adelaide, in progress
The relationship between traditional Viet folk songs and traditional Viet culture.
99P046 PAYNE, Christopher
PhD, Monash Univ., in progress
Towards a morphology of rock: considerations in stylistic analysis.
99M021 SHARE, Chris
MA, Monash Univ., 1998
'Getting a good sound': The use of timbre by rock guitarists.
96M465 STEER, Catherine
MMus, Univ. of Adelaide, in progress
Polish folk dance: a key to the interpretation of Chopin's music.
96M517 ALEXANDER, Adrienne
MMus (MusEd), Univ. of Sydney, in progress
A study of current practice in flute pedagogy for beginner students.
99M065 ASHURST, Prudence M.
MusM, Univ. of Western Australia, in progress
The usage of adaptation of Kodály-based intonation and rhythmic technique for
adolescent choirs.
96M500 BARBELER, Damien
MMus, Griffith Univ., in progress
Using experiential learning for composition education and development.
99M025 BENNETTS, Kathleen
MA, Monash Univ., 1999
The status of music literacy in selected Melbourne primary schools in the mid
1990s.
95M003 BERRY, Anne I.
MPhil, Univ. of Southern Queensland, in progress
Developing a multimedia approach to teaching the cello.
96P514 BESTON, Pauline M.
PhD, Univ. of Sydney, in progress
A study of the assessment of musical composition from a music education perspective.
90P394 BLOM, Diana
PhD, Univ. of Sydney, in progress
Minimalist music: a contemporary music for the classroom.
91P107 BRAHAM, Robert M.
PhD, Univ. of Western Australia, 1997
Harmonic perception in tertiary music students: An analysis of the cognitive
musical skills associated with harmonic perception.
99M032 BURKE, Harry
MA, Monash Univ, in progress
Music education in Victoria.
96P420 CALLINAN, Joanne
PhD, Univ. of Newcastle, in progress
The application of Dalcroze eurhythmics to music education.
96M502 CAREY, Gemma
MMus, Griffith Univ., in progress
The development of a Master of Music course in piano pedagogy: based upon a
comparison of courses at three USA universities.
92M093 CHEN, Angie
MMusEd, Univ. of Western Australia, 1997
Factors affecting the self-fulfilment of secondary school teachers in Western
Australia: implications for pre- and in-service teacher education.
96M503 CHIN, Stephen
MMus, Griffith Univ., in progress
Towards an ideal model in violin study and playing.
92M094 COLE, Malcolm A.
MMusEd, Univ. of Western Australia, 1998
The role of the Étude in the development of the Australian tertiary violinist.
02P003 DANIEL, Ryan
PhD, James Cook Univ., in progress
Alternative strategies for the tertiary teaching of pianos: models towards the
21st century.
91M096 DAVIDSON-IRWIN, Rhonda G.
MMusEd, Univ. of Western Australia, 1997
The role of Chinese music in the Queensland primary school curriculum.
95P106 FONG, Kam-Yuen
PhD, Univ. of Western Australia, in progress
The role of the Christian church in the development of music education in Hong
Kong.
91M097 FREE, Lindy-Jo
MMusEd, Univ. of Western Australia, 1995
The use of the keyboard laboratory in the first year of secondary school music
with special reference to seven schools in Perth, Western Australia.
94P519 GARDNER, Lisa A.-M.
PhD, Univ. of Sydney, in progress
Female vocal training for musical theatre: the use of 'belt' and 'legit' vocal
qualities.
91M098 GWATKIN, Jan
MMusEd, Univ. of Western Australia, 1996
The application of the Suzuki method for beginning piano students, age 7-11.
90M099 HUTCHINSON, Lindsay W.
MMusEd, Univ. of Western Australia, 1996
A study of context and curriculum practice in selected Victorian independent
schools.
02M27 KORTUM, James
MA, Univ. of Newcastle, in progress
The Purposeful Flute.
92P108 JAYATILAKA, Basil D.
PhD, Univ. of Western Australia, 1996
Effective piano teaching: perceptions of piano teachers and intermediate level
piano students in Western Australia.
93P385 JEANNERET, Neryl
PhD, Univ. of Sydney, in progress
Developing pre-service primary teachers' confidence to teach music through a
music fundamentals course.
94M102 JIEAR, Michael J.
MMusEd, Univ. of Western Australia, 1998
Learning outcomes of a community choral programme for students aged 8-16.
94P005 KREECK, Ian S.
PhD, Deakin Univ., in progress
Ethnomusicology and its educational application.
95M100 LANG, Valerie L.
MMusEd, Univ. of Western Australia, in progress
The teaching and learning of stylistic performance practice in piano tuition
for young students.
93P109 LEONG, Samuel
PhD, Univ. of Western Australia, 1996
The relationship between perceived competencies and professional expectations
of music specialists in Australian high schools.
99M062 LOWE, Geoffrey M.
MMusEd, Univ. of Western Australia, in progress
The effects of task design on interest and enthusiasm in Year 7 general music
students: implications for the English National Curriculum and the Australian
National Profiles and Statements.
92P393 MARSH, Kathryn
PhD, Univ. of Sydney, 1997
Australian children's playground singing games.
97G541 PARKES, Kelly
MMus, Australian National Univ., in progress
An investigation of trumpet pedagogy in tertiary institutions in Australia.
92P110 PETERS, Joseph E. E.
PhD, Univ. of Western Australia, in progress
The sonic environment as a macro-measure of relevance in general music education
in Singapore.
96M516 PETTENGELL, Gillian L.
MMus (MusEd), Univ. of Sydney, in progress
The effect of social, school and family factors on achievements of string players
in Sydney secondary schools.
96P421 RICCI, Gian-Franco
PhD, Univ. of Newcastle, in progress
Computer based harmony and aural training at tertiary level.
95M103 ROSEVEAR, Jennifer C.
MMusEd, Univ. of Western Australia, 1996
The role of improvisation and playing by ear in music education in South Australian
secondary schools.
97P513 ROYLANCE, Philippa M.
PhD, Univ. of Central Queensland, in progress
Music education in an era of change: social, political and epistemological issues
in curriculum.
91M379 SOUTER, Tony Michael
MMus, Univ. of Sydney, in progress
When to look at the next chord: performance tempo and eye movements in the reading
of keyboard music.
04M10 STEPHENS, Annette
MMus, Australian Catholic Univ., 2001
Education for an Australian Choral Tradition: Evaluating the Philosophies of
Stephen Leek.
95P017 VAN DER BOOR, Julee-Anne R.
PhD, Univ. of Adelaide, in progress
Music learning and teaching for the blind.
90M104 VARNEY, Ruth
MMusEd, Univ. of Western Australia, 1997
Music in Distance Education in Australia.
02P012 WATSON, Amanda
PhD, RMIT Univ., 1998
An Investigation into Music in the Australian Arts Key Learning Area in the
Victorian Curriculum and Standards Framework with reference to International
Developments
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02M25 ALLAN, Miriam
MCA, Univ. of Newcastle, in progress
Freelance Singing.
93M436 ALSOP, Peter R.
MA, La Trobe Univ., in progress
Generating music from text: three approaches to three Australian texts.
99P001 ATCHISON, Mary
PhD, Monash Univ., 1995
The structures and scribes of the chansonnier of the Oxford Bodleian MS Douce
308.
93P168 BARBER, Jonathan B.
PhD, Univ. of Melbourne, in progress
An investigation of neurological processes in music using Quantitative Electroencephalography
and Topographic Brainmapping.
92M115 BARCLAY, Neil
MMusEd, Univ. of Western Australia, 1997
Self-hypnosis as a tool for practice and performance.
95M037 BOCHNER, Nicholas I.
MMus, Univ. of Queensland, in progress
Interpretation through improvisation.
95P023 BROWN, Andrew R.
PhD, Univ. of Queensland, in progress
Representations of music for computer music applications.
90P288 BROWN, Patricia A.
PhD, Univ. of New South Wales, 1996
Sempre Libera: changes in singing style in Verdi's opera La Traviata
during the first century of operatic sound recording.
97G542 BRUCE, Karen
MMus, Australian National Univ., in progress
Giuditta Pasta and Maria Callas: phenomenon and impact of the acting singer.
99P026 BRYON, Experience
PhD, Monash Univ., 1999
The integrative performance theory: an anti-hermeneutic approach for opera.
93M127 BUNTING, Susan
MMus, Australian National Univ., 1997
Historical perspectives of music as intellectual property.
95M223 CALWELL, Linda
MCA, Univ. of Wollongong, in progress
Origins and defining characteristics of the mezzo-soprano voice classification.
95P024 CHIEL, Danielle
PhD, Univ. of Queensland, in progress
Solfa: a critical review of its analytic use.
96M504 COLLYER, Sally
MMus, Griffith Univ., in progress
Establishing a technique for the spectral analysis of female classical singers'
voice range profiles.
04M06 CRICHTON, Kieran
“The Most Divine of All the Arts:” Neoplatonism, Anglo-Catholicism
and Music in the Published Writings of A.E.H. Nickson.
96M448 DJACHENKO, Yuri
MMus, Univ. of Queensland, in progress
The English bowmakers.
94M387 DOUGLASS, Mitchell
MMus, Univ. of Sydney, in progress
The dissemination of music through the Internet.
96M482 DUN, Beth
MMus, Univ. of Melbourne, in progress
Music therapy with hospitalised children.
99P015 EDGAR, Tracey A.
PhD, Monash Univ., 1997
The history and development of the English catch.
95P176 ERDONMEZ, D.
PhD, Univ. of Melbourne, in progress
Development of the 26 programs used in guided imagery and music therapy, as
they were devised by Dr Helen Bonny.
99M053 FOOTE, Andrew R.
MusM, Univ. of Western Australia, in progress
Schubert's Winterreise in recordings: performance practice trends as
revealed by a comparison of selected twentieth-century recordings.
95P027 FREEMAN, Peter A.
PhD, Univ. of Queensland, in progress
The use of neural networks and computer correlation techniques for music analysis.
96M483 GRASSO, Melissa
MMus, Univ. of Melbourne, in progress
The effect of the developmental music program as an adjunct to daily routine
physiotherapy for children 6 to 21 months of age with cystic fibrosis.
93M279 GROUNDS, Robyn E.
MMus, Univ. of New South Wales, in progress
Music as metaphor in film.
02M23 HAINING, Emma
MCA, Univ. of Newcastle, in progress
Performance Preparation: Opera and Recital
96P528 HARTDEGEN, Kenneth A.
PhD, Univ. of Auckland, in progress
Fernando Sór's theory of harmony applied to the guitar.
95M195 HOGAN, B.
MMus, Univ. of Melbourne, in progress
The experience of music therapy for terminally ill patients.
99P043 HUMPHREY, Tim
PhD, Monash Univ., in progress
Visual study of selected trumpeters in live performance: observations towards
a modelling representation of the activity of live performance.
02M011 HUNT, Katrina
MPhil, Australian National Univ., in progress
Forward into the Past: Toward a Dance Ethnology of the Society of Creative Anachronism
in Australia
97G530 HOPE, Alison
GradDipMus, Australian National Univ., in progress
Does sacred music represent God?
92M233 JOSEPH, Tommy
MCA, Univ. of Wollongong, in progress
Elements of orchestration.
97G539 KREGER, Tim
MMus, Australian National Univ., in progress
Study of artificial life systems and their applications to musical structures
and forms.
97G536 MacNICOL, Douglas
GradDipMus, Australian National Univ., in progress
A comparative analysis of the 'Sonate Posthume'.
02P013 MUNRO, Gemma
PhD, Univ. of Adelaide, in progress
Musical Performance and Identity: Discourses of Selfhood in Western Culture
02M017 OEHM, Gregory
MA, Univ. of Newcastle, in progress
"William Turner - the fourth man": Critical editions of verse anthems
by William Turner (1651-1740).
97G537 O'NEILL, Jennifer
GradDipMus, Australian National Univ., in progress
Annotated bibliography and critical analysis of selected literature pertaining
to occupational injuries of violinists.
93P015 PIETSCH, Helen
PhD, Univ. of Adelaide, in progress
Choral conducting technique and the choral response.
99M019 RICHARDS, Rosemary
MA, Monash Univ., 1997
Georgiana Gordon McCrae's Songbook of 1822-1824.
94P296 SCHUBERT, Emery
PhD, Univ. of New South Wales, in progress
Music psychology and connectionism.
96M487 SONEGO, Anthony
MMus, Univ. of Melbourne, in progress
An investigation of the effect of instrumental design and the impact it has
had on musical performance for the synthesizer.
96M449 STILLER, Derek N.
MMus, Univ. of Queensland, 1997
Hans Pfitzner and music aesthetics in late 19th and early 20th centuries.
92M114 STIMSON, Andrea
MusM, Univ. of Western Australia, 1995
The adolescent female changing voice: A guide to the improvement of tone production
through the use of selected vocalises and the choral repertoire of Mary Goetze.
99M058 STYLES, Matthew J.
MusM, Univ. of Western Australia, in progress
An evaluation of the concept of third stream music and its applicability to
a selected work of Mark-Anthony Turnage.
93M111 THORPE, Patricia G.
MA, Univ. of Western Australia, 1995
The relevance of twentieth-century analytical theories to the performer of keyboard
music of the eighteenth and nineteenth centuries.
97G531 TIEN, Adrien
GradDipMus, Australian National Univ., in progress
Meanings in music texts and texts about music in Western Europe in the late
19th to early 20th centuries.
91P217 TUCKER, Alison
PhD, Univ. of New England, in progress
Cultural specificities in musical composition: a musicological and experimental
approach (Finnish music).
99P050 WALLWORK, Joanne
PhD, Monash Univ., in progress
Schools of violin technique and their common and relative merits.
96M527 WEMYSS, Kathryn L.
MMus (MusEd), Univ. of Sydney, in progress
Endurance and the orchestral brass player.
95M317 WESTON, Donna
PhD, Griffith Univ., in progress
Music of the new age.
99P004 WILLIAMS, Barbara Claire
PhD, Monash Univ., 1995
Braille: New codes for early music notations, long cells, and exploratory coding
analysis.
95M105 WILMOT, Catherine L.
MMusEd, Univ. of Western Australia, in progress
The therapeutic use of music in the treatment of children with linguistic disabilities.
99M037 YARDLEY, Duncan
MA, Monash Univ., in progress
David del Tredici and the curse of tonality
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